Married-and How! 1928

Paul Vasterling, the longtime CEO and artistic director of Nashville Ballet, makes his debut as a director of musical theater with his revival of Cabaret – which he also choreographs – in a much-heralded and eagerly anticipated production for Franklin-based Studio Tenn. The timely and sumptuous revival allows audiences an opportunity to consider the prescience of the classic Broadway musical by John Kander and Fred Ebb that debuted in 1966 and which has continued to fascinate and challenge artists of the theater the world over almost 60 years later.

Irving Berlin's songs continue to fill the air. Let's toast him on the anniversary of his birth, May 11.

'I Don’t Smoke' is one of my favorite songs on this record,' shares Flanigan. 'Originally cut by Lee Brice and Warren Haynes, who are two of the greatest. I wanted to do my version of it on this record. I haven't had a drink in nine years now, and this is one of the only songs out there saying 'I don't drink' and 'I don't smoke,' while still sounding like a party!' Listen to the single now!

Groundbreaking country artist, Lily Rose, first burst onto the scene with her distinct vocals and unique perspective, earning the trust of her fans one city at a time as she toured with country's biggest stars. Now, the trailblazing country star delivers her highly-anticipated EP Runnin' Outta Time to fans, bringing a modern approach to songs about family, hometowns, and living life to its fullest. Listen to the EP now!

While the Kim-Chris-Ellen love triangle may be the more widely discussed, the Chris-Kim-Thuy love triangle in the ongoing run of the hit musical 'Miss Saigon' holds its interest. This lesser-explored dynamic adds a layer of complexity to the show’s story.

Discover the latest additions to Pleasance's programme with their third epic on-sale. Get updates on new shows, dates, and what to expect from the upcoming performances.

A GENTLEMAN’S GUIDE TO LOVE AND MURDER is that rarity – a new musical with a score inspired by a theatrical style of the past that will forever remain timeless. And it’s so much fun. At Arizona Broadway Theatre.

The earth moved. The current production at the Paramount Theatre is Beautiful, the Carole King Musical. This is more than a jukebox musical. It tells the amazing story of one of the greatest songwriters of the 20th century and how her story evolved.

A new chapter begins for Pacific Symphony and the Orange County community, when the orchestra settles into its brand new summer home at Great Park Live located in the heart of Irvine

BroadwayWorld spoke to Geri and Gary about their long term friendship, how a bottle of wine and a DIY will kit make for a truly weird date night, and why they think anyone can relate to MIDDLE RAGED’s theme of having to shoulder life’s responsibilities as a mature adult while still feeling like you’re 21 inside.

Pardon me a second, but I seem to be noticing stretch marks on my suspension of disbelief. Three nights before the curtain rose on the touring version of MRS. DOUBTFIRE that rolled into Belk Theater, I saw a rather fine production of Twelfth Night across town at Central Piedmont College. Since both of the brief runs include at least one matinee between now and Sunday, my experience of seeing two wives who fail to identify their true husbands can be intensified, compressed into the space eight hours, if you wish, after my relatively relaxed 75-hour exercise.

What did our critic think of COMPANY at Connor Palace? Stephen Sondheim is generally considered the most important composer/lyricist of the 20th century American musical theater.  Many consider him to be the person who reinvented the genre.

'Bilal Zafar: Imposter is an hour-long story in which Zafar uses comedy to tell the audience about a wild experience he had when his housemate tried to get him arrested five separate times.'

Kristen Stewart and Oscar Isaac are set to star in the thriller Flesh of the Gods from director Panos Cosmatos. In glittering 80's LA, married couple, Raoul and Alex descend each evening from their luxury skyscraper condo and head into an electric nighttime realm of 80’s Los Angeles. When they cross paths with the mysterious and enigmatic NAMELESS and her hard-partying cabal, Raoul and Alex are seduced into a glamorous, surrealistic world of hedonism, thrills, and violence.

Experience the humorous and touching journey of Jewish identity in the UK tour of RULES SCHMULES - HOW TO BE JEW-ISH. This unique theatrical experience explores modern Jewish life in a heartwarming and hilarious way.

BroadwayWorld talks with Marcus M. Martin about what it's like playing 'Genie' eight shows a week in Aladdin, how he got here (including running on a treadmill while singing 'Friend Like Me' to get in shape for the part), and what's next for the new touring Broadway star. 

It is not a flashy musical with special effects and huge dance numbers, but rather a somber meditation on Depression Era America and deep cuts of Bob Dylan’s songbook. It’s brilliant, and it will make you think. It’s akin to watching ghosts sing Americana arias, something you will never quite shake. 

I live in Florida, and I love Florida; Florida has amazing people and an amazing LGBTQ community, but, as you know, the government really isn't on our side there. When the drag bans started to happen, it really freaked you out because it happened like suddenly you weren't allowed to perform outside in Florida. People didn't know this happened, but many of the Pride Celebrations in Florida were canceled.

It’s a big season at the Met for tenor Jonathan Tetelman—born in Chile, raised in New Jersey—and he’s taking every advantage of it. He’s come to town with a reputation as a Puccini specialist (not that there’s anything wrong with that). How does he feel about that? “Well, I basically built my voice on Puccini repertoire. I’ve taken it as a gift because he’s a great writer for my voice.” His debut at the Met in March was in LA RONDINE but he’s looking forward to showing off more of his dramatic chops with Pinkerton in MADAMA BUTTERFLY, starting this week, because there’s more 'there' there.

 “Sense of Decency” makes its world premiere using misdirection, manipulation, and magic to try to find the difference between a monster and a man.  “Sense of Decency” is playing at North Coast Repertory Theatre through May 12th.

Based on Craig Lucas' 1988 play and 1992 film adaptation of the same name, PRELUDE TO A KISS - THE MUSICAL is an admirable first attempt of a new musical that is, clearly, still a work-in-progress. In its current state, this genuinely charming but disjointed musical could use a sharp refocus and some more magical and narrative clarity.

Drag culture meets drawing room dramedy as ActorsNET opens Mae West's flamboyantly funny show, THE DRAG, on Friday, April 26th at the Heritage Center Theater. 

Adapted from the 1988 Tim Burton cult classic, BEETLEJUICE - THE MUSICAL is an over-the-top, chaotic, and wildly unhinged reimagining that amps up the kooky-ness of its source material a thousand-fold. Mostly funny and entertaining despite its tonal shifts and forced outlandishness, the show elicits lots of laughs thanks to its title character.

Mare Nostrum Elements will present the 11th Emerging Choreography Series: Flamenco Edition. Learn more about the series and see how to purchase tickets.

Cabaret at the Kit Kat Club is now running at the August Wilson Theatre on Broadway. Check out what the critics had to say here!