Jonathan Tunick is an American orchestrator, musical director, and composer. Tunick’s stage career began with Take Five (1957). He went on to collaborate memorably with Stephen Sondheim, orchestrating shows such as Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, Merrily We Roll Along, Into the Woods, Passion, and Putting It Together. Additional notable Broadway credits include Promises, Promises; A Chorus Line; Nick & Nora; A Funny Thing...; Elaine Stritch at Liberty; Nine; A Gentleman’s Guide...; and 110 in the Shade. In 1997, he won his first Tony Award, for his work on the musical Titanic. This accomplishment gave ... read more
Broadway: Venus in Fur, Time Stands Still, A View from the Bridge, The Royal Family, The Color Purple, Doubt, Chicago, Dinner at Eight, Proof, Rabbit Hole, Last Night of Ballyhoo, A Delicate Balance, The Heiress, The Most Happy Fella, The Sisters Rosensweig, Burn This, Penn & Teller, Ain't Misbehavin', Talley's Folly, Crimes of the Heart, Morning's at Seven, among others.
Off-Broadway: Other Desert Cities, The Substance of Fire, A Life in the Theatre. Thirty-six seasons with MTC, Lincoln Center, Circle Rep, City Center Encores! Tony, Obie, DD, OCC awards; Theatre Hall of Fame.
Graduate of Brown and Yale School of ... read more
David has been Music Director, Supervisor and/or Arranger for thirty-five Broadway productions. Most recently, David acted as dance arranger on Roundabout Theatre Company’s Kiss Me, Kate and Tootsie, currently on Broadway.
Other theatre credits include: many arrangements for the Boston Pops and Tanglewood Festival Chorus, The Kennedy Center Honors, Radio City Music Hall (where he spent many years as music director), EssentialVoicesUSA (including the upcoming Washington Women), and TV’s Crazy Ex-Girlfriend. Music director for several productions at the Lyric Opera of Chicago (including The King and I with choreographer Peggy Hickey), and for NBC’s live performances of The Sound of Music ... read more
Broadway: Bernhardt/Hamlet; Come From Away; August Wilson’s Jitney; Amazing Grace; Lucky Guy; The Scottsboro Boys; Finian’s Rainbow; Chita Rivera: The Dancer’s Life; Ma Rainey’s Black Bottom; King Hedley II; One Mo’ Time; The Wild Party; Marie Christine; Footloose; The Tempest; Twilight: Los Angeles, 1992; Angels in America: Millennium Approaches & Perestroika; Chronicle of a Death Foretold; and Jelly’s Last Jam. Off-Broadway: The Public Theater, Playwrights Horizons, Second Stage, Soho Rep, Lincoln Center Theater, New York Theatre Workshop, Manhattan Theatre Club, and the Roundabout Theatre, among others. Regional: Berkeley Repertory Theatre, La Jolla Playhouse, Steppenwolf, Hartford Stage, Long Wharf Theatre, the ... read more
More than 35 plays and musicals including Anything Goes; Venus in Fur; Nice Work if You Can Get It; Young Frankenstein; Curtains; Grey Gardens; The Pajama Game; The Producers; Contact; Kiss Me, Kate.
Many productions Off-Broadway and for resident and regional theatres in the U.S. Opera: The Met, NYCO, LAMCO, San Francisco, Houston Grand, Seattle. Abroad: Royal Opera, Scottish Opera, La Fenice, Maggio Festival Florence, L'Arena di Verona, Teatrolirico di Cagliari, Teatro Sao Carlos Lisbon.
He is the recipient of Tony, Drama Desk, Outer Critics, Drama-Logue and Hewes design awards. ... read more
Kathleen Marshall received 2011 Tony, Drama Desk and Outer Critics Awards for choreography and Tony, Drama Desk and Outer Critics nominations for direction for Anything Goes.
Also on Broadway, Kathleen directed and choreographed The Pajama Game, Wonderful Town and Grease and choreographed Boeing-Boeing, Little Shop of Horrors, Seussical, Follies, Kiss Me, Kate, 1776 and Swinging on a Star.
Off-Broadway credits include Two Gentlemen of Verona (New York Shakespeare Festival), Saturday Night (Second Stage), Violet (Playwrights Horizons) and As Thousands Cheer (Drama Dept).
For City Center Encores!, she directed and choreographed Bells Are Ringing, Applause, Carnival, Hair and Babes in Arms, ... read more
