Broadway: Venus in Fur, Time Stands Still, A View from the Bridge, The Royal Family, The Color Purple, Doubt, Chicago, Dinner at Eight, Proof, Rabbit Hole, Last Night of Ballyhoo, A Delicate Balance, The Heiress, The Most Happy Fella, The Sisters Rosensweig, Burn This, Penn & Teller, Ain't Misbehavin', Talley's Folly, Crimes of the Heart, Morning's at Seven, among others.
Off-Broadway: Other Desert Cities, The Substance of Fire, A Life in the Theatre. Thirty-six seasons with MTC, Lincoln Center, Circle Rep, City Center Encores! Tony, Obie, DD, OCC awards; Theatre Hall of Fame.
Graduate of Brown and Yale School of ... read more
Broadway: Bernhardt/Hamlet; Come From Away; August Wilson’s Jitney; Amazing Grace; Lucky Guy; The Scottsboro Boys; Finian’s Rainbow; Chita Rivera: The Dancer’s Life; Ma Rainey’s Black Bottom; King Hedley II; One Mo’ Time; The Wild Party; Marie Christine; Footloose; The Tempest; Twilight: Los Angeles, 1992; Angels in America: Millennium Approaches & Perestroika; Chronicle of a Death Foretold; and Jelly’s Last Jam. Off-Broadway: The Public Theater, Playwrights Horizons, Second Stage, Soho Rep, Lincoln Center Theater, New York Theatre Workshop, Manhattan Theatre Club, and the Roundabout Theatre, among others. Regional: Berkeley Repertory Theatre, La Jolla Playhouse, Steppenwolf, Hartford Stage, Long Wharf Theatre, the ... read more
Philip J. Lang was a musician, composer and music educator who taught at the graduate schools of music at the University of Michigan and the University of Colorado and was the orchestrator of more than 50 Broadway musicals including My Fair Lady and Camelot (with Robert Russell Bennett); Annie Get Your Gun; Applause; Hello, Dolly!; Carnival; and 42nd Street. Mr. Lang was an orchestrator for the Metropolitan Opera and a frequent musical arranger for television including Hallmark Productions, David Susskind, Radio City Music Hall and "The Tonight Show." ... read more
Lehrer's recent credits New York include Carousel; Hello, Dolly!; Illyria; The Front Page; The Gabriels; Shuffle Along…; Fiddler on the Roof; Dames at Sea; The King and I (also London); Living on Love; Honeymoon in Vegas; Edward Albee’s A Delicate Balance; Love Letters; A Raisin in the Sun; Betrayal; Lucky Guy; South Pacific (first Tony Award for Sound Design); Death of a Salesman; The Apple Family Plays: Scenes from Life in the Country; and over 60 City Center Encores! productions including Chicago.
Recordings include An American in Paris (Grammy Award nomination), Loudon Wainwright’s High Wide and Handsome (Grammy Award), and ... read more
Casey Nicholaw is currently represented on Broadway as director/choreographer of Mean Girls (Tony nominations for Best Direction & Choreography), Disney’s Aladdin (Tony, Drama Desk & Outer Critics Circle nominations for Best Choreography) and co-director/choreographer of The Book of Mormon (Tony, Drama Desk & Outer Critics Circle awards for co-director and nominations in the same categories for Choreography; Olivier winner for Best Choreography).
Represented on the West End as director/choreographer of Dreamgirls, The Book of Mormon and Aladdin. His other Broadway credits as director/choreographer: Tuck Everlasting, Something Rotten! (Tony nominee, Best Director), Elf, The Drowsy Chaperone (Tony, Drama Desk & Outer Critics ... read more
Kenneth Posner designs extensively on Broadway, off-Broadway, for resident theatres, and touring productions throughout the United States as well as internationally.
Some of his Broadway work includes Pretty Woman, Mean Girls, War Paint, Tuck Everlasting, On Your Feet, If/Then, Kinky Boots, Pippin, Cinderella, Hairspray, Dirty Rotten Scoundrels, Legally Blonde, The Coast of Utopia-Shipwrecked, and Wicked.
He is the recipient of the Tony, Drama Desk, Outer Critics’ Circle and OBIE Awards. ... read more
His early career was spent performing in Off-Broadway productions, including Class Enemy in 1979, for which he won a Theater World Award for outstanding stage debut.
His first major Broadway credit was the ill-fated Stephen Sondheim/Hal Prince/George Furth musical Merrily We Roll Along (1981), which underwent constant changes during an unusually long preview period and closed after only sixteen performances. His next show, the Athol Fugard play "Master Harold"...and the Boys - in which he portrayed a South African student opposite Danny Glover and Zakes Mokae as the family servants - ran for eight months.
Possibly his most significant Off-Broadway stage credit ... read more
