Orchestrations: Memphis: A New Musical (Broadway), Jelly's Last Jam, Street Corner Symphony, Bring in 'Da Noise/Bring in 'Da Funk (Broadway), and Miracle Brothers (Off-Broadway) Dance music arrangements: The Color Purple (Broadway). Music supervision/arrangements: A Civil War Christmas, Turn of the Century (Regional). Music direction: The Seven, The Colored Museum (Off-Broadway/Regional). Original music: ...Noise/...Funk (Tony/Grammy nominations), Drowning Crow (Broadway), Blue Door, In Real Life (Off-Broadway), Magnolia, Crowns, and The Dreams of Sarah Breedlove (Regional). Longtime music director for Eartha Kitt. ... read more
Ms. Eisenhauer and collaborator Jules Fisherhave collectively been awarded Broadway’s Tony Award for Best Lighting Design of a Musical seven times, including Stephen Sondheim’s Assassins (2004, Revival), Bring in ‘Da Noise, Bring in ‘Da Funk (1996), Jelly’s Last Jam (1992), The Will Rogers Follies (1991), Grand Hotel (1990), Bob Fosse’s Dancin’ (1978), and Pippin (1973), and once for Best Lighting Design of a Play for Ulysses in Nighttown (1974).
For motion pictures, Fisher and Eisenhauer designed theatrical lighting for Rob Marshall's Chicago, Mel Brooks' The Producers, Richard Linklater's School of Rock and Bill Condon's Dreamgirls, and Disney's live-action remake of ... read more
In a celebrated career spanning almost 40 years, Jules Fisher has lit over 200 Broadway and off-Broadway shows, as well as film, ballet, opera, television, and rock-and-roll concert tours. He has received 18 Tony nominations and won 8 Tony awards for Lighting Design, a record in this category. His most recent project, "Assassins", (2004 Tony award) also won him the Drama Desk and Outer Critic's Circle awards. His previous Tony awards were for "Bring in 'da Noise, Bring in 'da Funk," 1996; "Jelly's Last Jam," 1992; "The Will Rogers Follies," 1991; "Grand Hotel," 1990; "Dancin'," 1978; "Ulysses in Nighttown," 1973; ... read more
Vineyard, La Jolla Playhouse and Yale Rep productions of Indecent. Broadway: The Gin Game; The Gershwins' Porgy and Bess; The People in the Picture; Caroline, or Change (also Royal National Theater, London); Elaine Stritch: At Liberty (also National Tour, Old Vic London); Topdog/Underdog (Royal Court); Bells Are Ringing; Parade (directed by Hal Prince; Tony and Drama Desk nominations); Bring in 'da Noise, Bring in 'da Funk (also National Tour, Japan) and The Tempest. Recent: Grounded directed by Julie Taymor, The Library directed by Steven Soderbergh (The Public); La Mouette (Cour d'Honneur, Palais des Papes, Avignon Festival); Abigail's Party (Oslo National ... read more
Broadway: Falsettos; American Psycho; The Visit; A Gentleman's Guide to Love & Murder; Sondheim on Sondheim; A Little Night Music; Gypsy (with Patti LuPone); Radio Golf; John Doyle's production of Sweeney Todd; Gem of the Ocean; Pacific Overtures; Assassins; Into the Woods; Topdog/Underdog; Dirty Blonde; Bring in 'da Noise, Bring in 'da Funk. He has composed scores for the Broadway productions of The Merchant of Venice, Julius Caesar, The Tempest, and Dan Hurlin's Disfarmer (St. Ann's Warehouse). Awards: four Tony Award nominations, four Drama Desk Awards.
... read more
THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more
Orchestrations: Memphis: A New Musical (Broadway), Jelly's Last Jam, Street Corner Symphony, Bring in 'Da Noise/Bring in 'Da Funk (Broadway), and Miracle Brothers (Off-Broadway) Dance music arrangements: The Color Purple (Broadway). Music supervision/arrangements: A Civil War Christmas, Turn of the Century (Regional). Music direction: The Seven, The Colored Museum (Off-Broadway/Regional). Original music: ...Noise/...Funk (Tony/Grammy nominations), Drowning Crow (Broadway), Blue Door, In Real Life (Off-Broadway), Magnolia, Crowns, and The Dreams of Sarah Breedlove (Regional). Longtime music director for Eartha Kitt. ... read more
