Billy Elliot - West End Creative Team

... read more Lee Hall was born in Newcastle Upon Tyne in 1966 and studied English Literature at Cambridge University. He has worked as a writer in theatre, TV, radio and film. He has been writer in residence at the Royal Shakespeare Company and Live Theatre, Newcastle Upon Tyne.Theatre: Wittgenstein on Tyne, Live Theatre 1996; Bollocks, RSC Fringe, 1998; Genie, Paines Plough, 1998; Cooking With Elvis, Live Theatre/West End 1999 – nominated for an Oliver Award for Best Comedy; Spoonface Steinberg, Ambassadors Theatre, London 2000; Two’s Company, Live Theatre/Bristol Old Vic, 2001; Billy Elliot the Musical, 2004 – Oliver Award Best Musical; Pitmen ... read more Paul is delighted to have received a Tony Award, an Olivier Award, a Drama Desk Award and a BroadwayWorld.com Fans' Choice Award for the Sound Design of Billy Elliot The Musical. Other designs include Mary Stuart at the Donmar Warehouse, London, in the West End and on Broadway (Tony Award Nomination); A Ring, A Lamp, A Thing, a new opera at the Royal Opera House, London; Blood and Gifts, Love The Sinner, Nation, The Revenger's Tragedy, Happy Now?, Market Boy and Saint Joan (Olivier Award) at the National Theatre, London; The Pillowman at the National Theatre, London (Olivier Award nomination) ... read more Stephen David Daldry CBE (born 2 May 1960) is an English director and producer of film, theatre, and television. He has won three Tony Awards for his work on Broadway and an Olivier Award for his work in the West End. He has received three Academy Awards nominations for Best Director, for the films Billy Elliot (2000), The Hours (2002), and The Reader (2008). From 2016 to 2020, he produced and directed the Netflix television series The Crown, for which he received one Producers Guild Award nomination, one Producers Guild Award win, two Primetime Emmy Award nominations, and one Primetime Emmy ... read more Peter Darling is an award-winning choreographer. His work for theatre in the UK includes Groundhog Day, Charlie and the Chocolate Factory (West End), Billy Elliott (West End), Merrily We Roll Along (Donmar Warehouse), Candide and Oh! What a Lovely War (National Theatre), Sunset Boulevard (Really Useful Group), The Tempest (Royal Shakespeare Company) and Edward II, The Country Wife, As You Like It, and Twelfth Night, all for Michael Grandage. He choreographed Matilda The Musical, Our House and The Lord of the Rings for Matthew Warchus. His film work includes Billy Elliott and The Phantom of the Opera. ... read more Born in Philadelphia, Rick is the winner of a Tony, Drama Desk, and Outer Critics Circle Awards for Billy Elliot on Broadway and a Helpmann Award for Billy Elliot in Sydney, he also has won two Olivier Awards for Best Lighting Design and a Tony and Drama Desk Award for An Inspector Calls (Broadway). Theatre work includes: Billy Elliot the Musical (worldwide); Merchant of Venice (RSC); Sweeney Todd (Paris); The Sound of Music (Buenos Aires); No Naughty Bits, Tiger Country (Hampstead); Tribes, A Number (Royal Court); Family Reunion, Betrayal, The Philanthropist, Old Times (Donmar); Rope (Almeida); Landscape With Weapon, Honour (National ... read more After graduation, he was recruited by the advertising agency Ogilvy & Mather Canada in Toronto. At 27, he asked his firm to transfer him to their UK principal offices in London. Furnish flourished in England, becoming the firm’s youngest Director of Account Services. Furnish is co-chief of Rocket Pictures along with his husband, Sir Elton John. Furnish serves on the board of the Elton John AIDS Foundation, attending fundraisers and other events in support of that cause. Furnish is a contributing editor for Tatler magazine and also is a regular columnist for Interview and GQ. In 2015, he was named one of GQ's ... read more NICKY GILLIBRAND trained as a fashion textile designer. She works as a costume designer in Theatre and Opera and occasionally as a set designer. Winner of the Gold award for Best Costume Design, Prague Quadrenale 2003 for A Midsummer Night's Dream for the Royal Shakespeare Company. She is a visiting Professor at University of the Arts London (UAL). Theatre credits: Billy Elliot the Musical (worldwide); Once in a Lifetime, Measure for Measure, The Trial, Public Enemy, Hamlet, Government Inspector, Vernon God Little, Annie Get Your Gun, The Good Soul of Szechuan, King Lear, Six Characters in Search of ... read more London based Tony & Olivier nominated choreographer, Ellen Kane is currently working on Legally Blonde for Regent's Park Open Air Theatre (dir. Lucy Moss) and has been working as the Choreographer for Matilda (feature film dir. Matthew Warchus for Netflix) and A Chorus Line (dir. Nikolai Foster) for the Curve in Leicester. Other credits include: Choreographer West Side Story (dir. Nikolai Foster) for the Curve in Leicester and Dance & Movement Supervisor on Cats (dir. Tom Hooper), Co-Choreographer of Groundhog Day The Musical (dir. Matthew Warchus), Old Vic Theatre London and the August Wilson Theatre Broadway (Tony and Olivier nominations); ... read more Les Miserables, Miss Saigon, Cats Oliver! MAMMA MIA! and Billy Elliot. Recording Over thirty albums including Les Miserables, Miss Saigon, Oliver!, Les Miserables - Symphonic Recording (Grammy winner), Hey Mr Producer, MAMMA MIA! (Grammy nomination), Jerry Springer The Opera, Billy Elliot, Bad Girls and John Barrowman The Album. Orchestration: Just So, Moby Dick, MAMMA MIA! (Tony Award nomination for Best Orchestrations), Jerry Springer The Opera, Billy Elliot (Winner - Tony and Drama Desk Awards for Best Orchestrations), Bad Girls, Desperately Seeking Susan, Kombat Opera - 5 Opera’s for BBC TV, Paparazzi and Cattle Call, 2 Ballets by Richard Thomas. Martin runs a successful ... read more For the National Theatre, Ian MacNeil has designed Angels in America Parts One and Two, Everyman, Machinal (Critics' Circle Award - Designer), An Inspector Calls (also West End and international; Olivier and Critic Circle Awards - Designer) and The Amen Corner. For the Royal Court: Far Away (also West End and New York), A Number, Via Dolorosa (also West End and Broadway), Plasticine (Evening Standard Award - Designer) and In Basildon. For the Young Vic: Afore Night Come, Herge's Adventures of Tintin, Vernon God Little and A Doll's House (West End and BAM). For the Almeida: Medea, Festen (West End ... read more Julian was Associate Director for Stephen Daldry’s award winning production of An Inspector Calls, and has been responsible for three successful national tours of the UK as well as five recasts for the West End. Julian was also Associate Director at Liverpool Playhouse, where his production of Steinbeck’s Of Mice and Men toured nationally. He adapted and directed The Three Musketeers at the Young Vic Theatre, which was nominated for a Barclay’s Theatre Award in 2002. More recently Julian directed the West-End revival of The Shape of Things by Neil Labute at the New Ambassadors and directed The Barber of Seville ... read more