NEIL AUSTIN was the recipient of the 2019 Tony Award for Ink (Friedman); the 2018 Tony, Drama Desk, and Outer Critics Circle Awards for Harry Potter and the Cursed Child (Lyric); and the 2010 Tony and Drama Desk Awards for Red (Golden). He was also awarded the 2017 and 2011 Olivier Awards for Harry Potter and the Cursed Child (Palace, West End) and The White Guard (National, London). His Broadway credits include Ink, Travesties, Hughie, Cat on a Hot Tin Roof, Evita, Red, Hamlet, The Seafarer and Frost/Nixon. Other work in the U.S. includes Harry Potter and the Cursed Child ... read more
Adam Cork writes mainly for the stage, creating integrated music/sound scores embracing instrumental music, electronic music, sound design and song. His musical London Road (NT) won the 2011 Critics’ Circle Award for Best Musical. A film version was released in 2015.
His other scores and sound designs include King Lear (Donmar Warehouse, Olivier Award 2011), Anna Christie (Evening Standard Award 2011), Red (Donmar Warehouse/Broadway, Tony Award 2010), Travesties (Tony nomination 2018 Best Sound), Enron (Tony nominations 2010 Best Score, Best Sound), Macbeth (Tony nomination 2008), Frost/Nixon (Broadway 2007). ... read more
Michael Grandage is the recipient of Tony, Olivier, Drama Desk, Evening Standard, British Critics' Circle and South Bank Awards. His Olivier Award-winning musicals include Merrily We Roll Along, Grand Hotel and Guys and Dolls. Grandage received a Tony Award for Best Direction for Red and Tony nominations for Frost/Nixon and The Cripple of Inishmaan. Grandage served as Artistic Director of London's Donmar Warehouse for 10 acclaimed seasons before establishing the Michael Grandage Company (MGC) in 2012. As Artistic Director of MGC, he directed Photograph 51, Henry V, The Cripple of Inishmaan, Peter and Alice and the feature film Genius. www.MichaelGrandageCompany.com ... read more
