Adam Cork writes mainly for the stage, creating integrated music/sound scores embracing instrumental music, electronic music, sound design and song. His musical London Road (NT) won the 2011 Critics’ Circle Award for Best Musical. A film version was released in 2015.
His other scores and sound designs include King Lear (Donmar Warehouse, Olivier Award 2011), Anna Christie (Evening Standard Award 2011), Red (Donmar Warehouse/Broadway, Tony Award 2010), Travesties (Tony nomination 2018 Best Sound), Enron (Tony nominations 2010 Best Score, Best Sound), Macbeth (Tony nomination 2008), Frost/Nixon (Broadway 2007). ... read more
Susan Hilferty has designed set and costumes for over 400 productions across the globe. Recent designs include Parade (Broadway; Tony nomination), Funny Girl (Broadway), Swept Away (Berkeley Rep and Arena Stage), Hamlet (St. Anne’s Warehouse NY and Gate Theatre, Dublin), Waiting for Godot TFNA/NYC, Richard Nelson’s What Happened?: The Michaels Abroad (Loewe Theatre, NYC), and A Bright Room Called Day (Public Theatre). Her many Broadway designs include Wicked (Tony, Outer Critics Circle, and Drama Desk awards and Olivier nomination), August Wilson’s Radio Golf. Present Laughter (Tony nomination), Hands on a Hardbody, Spring Awakening (Tony nomination), Lestat (Tony nomination), Annie (2013 ... read more
Dr. Drew Lichtenberg is a writer, teacher, adaptor, and dramaturg. Over his 15 year career, he has worked on more than 55 productions, collaborating with artists such as Rebecca Taichman, Ellen Mclaughlin, Whitney White, and Yaël Farber, working on plays by James Baldwin and Lorraine Hansberry in addition to Shakespeare. Selected international and New York credits include Hansberry’s Les Blancs, Salomé (dir. Yaël Farber, Royal National Theatre); Hansberry’s The Sign in Sidney Brustein’s Window (Brooklyn Academy of Music/Lorraine Hansberry Literary Trust), Priestley’s Time and the Conways (dir. Rebecca Taichman, Roundabout Theatre Company); Macbeth (dir. Moisés Kaufman, New York Shakespeare Festival); ... read more
West End credits include: Fiddler On The Roof (Playhouse Theatre); Chimerica (Harold Pinter Theatre); Elf – The Musical (Dominion Theatre); Quiz (Noël Coward Theatre); The Girls – A Musical Comedy (Phoenix Theatre); The Go-Between - Staring Michael Crawford (Apollo Theatre); Close To You - Bacharach Reimagined (Criterion Theatre); Impossible (Noël Coward Theatre); Strangers On A Train (Gielgud Theatre); The Full Monty (Noël Coward Theatre & National Tours); Alan Cumming - I Bought A Blue Car Today (Vaudeville Theatre) and Megan Mullally & Supreme Music Program (Vaudeville Theatre)
RSC credits include: Timon of Athens, The Rover, Candide (Swan Theatre) and All’s Well ... read more
