Most recent credits include Lord Of The Rings (Toronto and London – 2007 Olivier Nomination for Best Sound), Boeing Boeing (London and Broadway – 2007 Tony Nomination for Best Sound), God of Carnage, Our House (UK Tour), The Norman Conquests (London and Broadway), Arcadia (London), The Birds (Dublin), Bridge Project 2010 (BAM/Old Vic/). The Real Thing (London), Late Middle Classes (London), La Bete (London and Broadway) and Deathtrap (London). Brief Encounter (London/UK Tour/US Tour/St Anne's Warehouse and Broadway – 2008 Olivier Nomination for Best Sound and 2010 Tony Nomination for Best Sound), Don John (RSC/UK Tour/BAC) The Red Shoes ... read more
Berlind was a New York City theatrical producer and board member of Lehman Brothers Holdings, Inc. and Lehman Brothers Inc. He was one of the founders of Carter, Berlind, Potoma & Weill in 1960, a company that would later through Sandy Weill become Shearson Loeb Rhoades, which was eventually sold to American Express in 1981 for approximately $930 million in stock.
Recent productions include The Book of Mormon, Copenhagen; Kiss Me, Kate; Proof; Medea; Anna in the Tropics; Caroline, or Change; Wonderful Town; Doubt; The History Boys; Who’s Afraid of Virginia Woolf?; Faith Healer; Deuce; The Year of Magical Thinking; Curtains; ... read more
Credits include Evita, The Book of Mormon, Priscilla Queen of the Desert, Seminar. Recent productions: House of Blue Leaves, West Side Story, La Bete, Come Fly Away, Ragtime, Gypsy, The Color Purple, Spamalot. Co-founded the investment firm Furman Selz, currently vice chairman Jeffries & Company. Vice chairman of Lincoln Center, Chairman emeritus of the Film Society of Lincoln Center, vice president NY City Opera. ... read more
Bud Martin is a Broadway producer and director who has worked on numerous productions throughout his career. Born and raised in New York City, Martin grew up with a love for the theater and began pursuing his passion at a young age.
Martin got his start in the theater industry as an intern at the Roundabout Theatre Company, where he worked on productions such as "Cabaret" and "The Threepenny Opera." He then went on to work as an assistant director on Broadway shows such as "The Drowsy Chaperone" and "Hairspray."
In 2006, Martin made his Broadway producing debut with the musical "The ... read more
Mark Thompson's work for the National Theatre includes The Alchemist, Once in a Lifetime, Henry IV Parts 1 & 2, Duchess of Malfi, Life x 3, The Wind in the Willows, The Madness of George III, Arcadia, Pericles, What the Butler Saw and The Day I Stood Still. Recent work elsewhere includes And Then There Were None (Gielgud); Bombay Dreams (London and Broadway); The Lady in The Van (Queen's), Follies (New York (set only); Dr Dolittle & Blast! (Apollo Hammersmith).
For the RSC: Hamlet, Measure for Measure, The Wizard of Oz, Much Ado About Nothing, The Comedy of Errors and The ... read more
Internationally renowned as an academic, lecturer, performer and composer, Claire has composed original scores for film, television, ballet and theatre including Broadway productions of True West, La Bête and Boeing-Boeing. Recently she made her directorial debut with Nice Fish. Farinelli and the King marks her playwriting debut. As Founding Director of Theatre Music of Shakespeare’s Globe, Claire received the Sam Wanamaker Award in 2007. In 2015, The Globe made her a Senior Research Fellow. She is an Associate Artist of the Old Vic Theatre. ... read more
Hugh has designed the lighting for more than 160 productions and worked for most of the UK's national companies and extensively on Broadway. He has received three Olivier Awards for Best Lighting Designer: in 2004 for Pacific Overtures (Donmar); in 2000 for The Graduate (West End) and The Cherry Orchard (National Theatre); and in 1998 for The Unexpected Man (RSC) and The Blue Room (Donmar). In New York he received TONY® award nominations for Mary Stuart and Spamalot.
His most recent work includes: Ghost the Musical (West End); The Wizard of Oz (West End); Matilda (RSC); Deathtrap (West End); La Bête ... read more
