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The Speed of Darkness - Broadway Creative Team


Production Staff

Steve Tesich Playwright
Jay Adler Stage Manager
Michael Cullen Associate Producer
William Dodds Production Stage Manager
Robert Falls Director
Terry Fay Casting
Nancy Nagel Gibbs Company Manager
The Golden Group Advertising
Sheila Henaghan Associate Producer
Thomas Lynch Scenic Designer
Rob Milburn Sound Designer
Composer
(Incidental Music)
Broadway music composition and sound credits include: One Flew Over the Cuckoo's Nest, The Speed of Darkness, My Thing of Love, Superior Donuts, A Year with Frog and Toad, Ma Rainey's Black Bottom, Hollywood Arms, King Hedley II, Buried Child, The Song of Jacob Zulu and The Grapes of Wrath. Off Broadway music and sound credits include: Inked Baby, After Ashley, Boy Gets Girl, Red, Space, The Notebooks of Leonardo da Vinci, Marvin's Room, Eyes for Consuela and Ruined. Recent original music and sound credits include: The Bluest Eye (Hartford Stage, Long Wharf Theatre); The Crucible, Good Boys and True ... read more
Merrily Murray-Walsh Costume Designer
Gene O'Donovan Production Supervisor
Michael S. Philippi Lighting Designer
Howard Platt Associate Producer
David Powers General Press Representative
Roger L. Stevens Producer
Stuart Thompson General Manager
Producing credits include the Tony Award-winning The Book of Mormon, God of Carnage and Proof; also Jerusalem, The Motherf**ker With the Hat, A View From the Bridge (2010), The Retreat From Moscow, The Play What I Wrote, The Tale of the Allergist's Wife, Not About Nightingales, The Chairs, Exit the King. His general management company has been responsible for more than 60 productions, most recently Fences, You're Welcome America, The Seagull and Boeing-Boeing. Thompson is the recipient of the 2010 Robert Whitehead Award for Outstanding Achievement in Commercial Theatre Producing. ... read more
Constance Towers Associate Producer
Robert Whitehead Producer

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Awards and Nominations

1991 Outer Critics Circle Awards
Best Broadway Play: 0 was nominated but did not win.

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