Operatic in its style, historical inspiration, and ambition, Titanic may have seemed unlikely material for musical drama when Maury Yeston (Grand Hotel) and Peter Stone (1776) began work. But by the time the show premiered on Broadway in October of 1997, cultural fascination with the “ship of dreams” had reached a fever pitch, and Titanic received critical and audience acclaim, as well as five Tony Awards including Best Musical.
Pared down to its essence by director Anne Kauffman (The Sign in Sidney Brustein’s Window) and highlighting the majestic sweep of Yeston’s nearly sung-through score, Titanic remains a symphonic musical theater revelation. Our Encores production meditates on the nature of ambition and the human scale of this epic tragedy, focusing on the class divides both illuminated and transcended by the ship’s inexorable sinking, and painting a heartrending portrait of the individuals whose dreams of America were dashed in the Atlantic.
That tension between adventure and safety is what makes “Titanic” more than just a collection of tragic sketches. Perhaps a little baldly — Yeston’s lyrics are not as sophisticated as his music — he has Andrews (Jose Llana) say, in the show’s first words, that the liner he designed is part of mankind’s eternal attempt to “fabricate great works at once magnificent and impossible.” It’s a statement of hubris, of course: The show, after all, is about the human urge to dominate nature — and other humans — by whatever means necessary. Yet in art we can’t help relishing that hubris, if works like “Titanic” are the result.
And now for the elephant — or, well, the ship — in the room: Should this “Titanic” have a future life like Encores’ “Into the Woods” and “Parade” did? Seemingly every production in this series creates Broadway buzz now, whether it’s deserved or not. But “Titanic,” directed by Anne Kauffman, is not the sort of staging that would make sense in a sit-down a few blocks away. This concert is constructed, as it should be, to grandly showcase the blissful score. I’d love to see “Titanic” back on Broadway. But this one should live out the rest of its days on 55th Street.
1997 | Broadway |
Original Broadway Production Broadway |
2006 |
Australian Revival |
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2024 | Off-Broadway |
Encores! Concert Revival Production Off-Broadway |
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