‘I am not your punch bag! I am a Member of Parliament!’
An MP with an instinct for compassion. An ex-serviceman with a life in free fall. And a parliamentary protection officer who’s having none of it.
This volatile new play stars BAFTA Award winner Anna Maxwell Martin (Motherland, Line of Duty) as a hard-working opposition backbencher whose ideals of public office are tested by the demands of a man in crisis, played by Tony, BAFTA and Emmy Award winner James Corden (One Man, Two Guvnors, The History Boys).
Directed by Olivier and Tony Award winner Matthew Warchus (A Christmas Carol, Matilda The Musical) and written by Olivier Award winner Joe Penhall (Blue/Orange, Mood Music), The Constituent deconstructs politics, panic alarms and the conflict between public service and personal safety.
__Assisted Performances:__
BSL, 23 Jul, 7:30pm
Captioned, 26 Jul, 7:30pm
Relaxed, (Audio Described, BSL & Captioned) 27 Jul, 2:30pm
Audio Described, Wed 31 Jul, 7:30pm
As a two-hander, this production is at its most powerful. The addition of parliamentary protection officer Mellor adds little more than David Brent-style commentary to the situation. Zachary Hart commits to the role, but is left with the rather one-dimensional attitude that the only future is one where MPs wear stab vests.
Matthew Warchus’ crisp production features a couple of heavyweight stars returning to the stage – Anna Maxwell Martin and James Corden – and Penhall’s dialogue is packed with zap and zing. But the play is at once too narrow and too broad: it tackles overarching themes of the right’s bogeys ‘woke’ and ‘cancel culture’, as well as political alienation, the crisis in mental-health care and divisions of wealth, class and gender. Yet it’s a little airless, the issues funnelled through over-convenient individual circumstances in neat sound bites and discussed in a static setting that quickly begins to feel a touch contrived. Still, there’s plenty to chew on here, and the performances are pretty much faultless.
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