Ashling is every busy parent's dream: a professional nanny with experience and a warm, sunny attitude. But from the moment Mary hires her to look after her young children, things start to feel a little…off. Are Mary's stressful work schedule and lack of sleep playing games with her own sanity, or has she welcomed an unstable troublemaker into her home? At once harrowing and hilarious, Erica Schmidt's LUCY explores the wild range of parents' emotions, asking if we can entrust others with the safety of our home.
Like a grizzly bear with a fish, Collins (who could pass for 32, is actually 45, and plays even older here) slams each of her lines against the proverbial stone and eats their every last piece, gutsily swinging between passive-aggressive remarks and aggressive-aggressive directives, her performance growing aptly wilder as the story flies off the rails. Once it is settled that it is not a great play, nor an effective production of what could be a fun exercise in camp, Collins rises to fill the ludicrous gaps left by the direction, though Bloom’s hysterical, climactic, “How do you think I felt, coming home and seeing that SOUP?” is as lip sync ready as they come. Let’s revisit this in 10 years when RuPaul buys the Minetta Lane from Audible and stages drag-only performances
Mary keeps shrugging off one ill omen after another. We get it: Good, reliable childcare is hard to come by, whatever the price and the pileup of red flags. But to us, the audience, Ashling is clearly a nut job. What will finally push Mary over the edge? You can count on one inevitability: The showdown will come accompanied by a couple of unanticipated revelations, held back too long and to less-than-staggering effect.
2023 | Off-Broadway |
Audible Theater Off-Broadway Premiere Production Off-Broadway |
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