Lombardi, a new American play from Academy Award-winning playwright Eric Simonson, is based on the best-selling Vince Lombardi biography “When Pride Still Mattered”, by Pulitzer Prize-winning author David Maraniss.
Sport produces great human drama and there is no greater sports icon to bring to theatrical life than a man recognized not only as one of the greatest coaches of all time, but one of the most compelling and oft-quoted individuals in American pop culture in the 20th century. Though football’s Super Bowl trophy is named for him, so few know the real story of Vince Lombardi the man – his inspiration, his passion, and ability to drive people to achieve what they never thought possible. In a time when people continue to look for shortcuts to success, his story demonstrates that hard work, discipline, respect and time are the crucial elements to victory.
Perhaps that's the real magic of this piece—it really is for everyone, fan and novice alike. I thoroughly enjoyed this production, but that should be expected as I am an ex-football player who knows what it is like to grind it out in the trenches of the line of scrimmage. Yet my companion, who is neither a fan nor particularly fond of football, equally enjoyed the production. Credit the stellar performances of this ensemble cast, particularly that of Lauria, who triumphs as the embodiment of an icon, plus terrific direction and design. And credit an imaginative playwright who has written a loving tribute to the legend that is Lombardi.
There is one scene that offers a genuine clash of ideas and personalities. Star running back Jim Taylor wants to have his agent represent him in salary negotiations. Taylor legitimately demands a piece of the game's ever-increasing profits, while the tradition-bound Lombardi bristles at the notion of a 'goddamn gutter-crawling' middleman getting between him and his players. Two worthy opponents who believe in their positions are locked in a dramatic conflict. It's strongly played by Dan Lauria, as the coach, and Chris Sullivan, as Taylor. But it's a rare highly charged moment in the middle of a Biography Channel–like documentary. Director Thomas Kail does little to increase the action, save for having David Korins' set revolve as a substitute for theatrical movement.
2010 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2011 | BroadwayWorld Awards | Best Featured Actress in a Play | Judith Light |
2011 | Drama Desk Awards | Outstanding Featured Actress in a Play | Judith Light |
2011 | Drama Desk Awards | Outstanding Set Design | David Korins |
2011 | Drama Desk Awards | Outstanding Set Design | Zachary Boroway |
2011 | Outer Critics Circle Awards | Outstanding Actress in a Play | Judith Light |
2011 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Judith Light |
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