Five-time Emmy Award® winner Kelsey Grammer makes his Broadway musical debut alongside Olivier winner Douglas Hodge in this funny and touching tale of one family's struggle to stay together... stay fabulous... and above all else, stay true to themselves. La Cage aux Folles, the splashy, high-kicking musical comedy, comes to Broadway this spring in a gloriously reconceived production that took London by storm. La Cage features Jerry Herman’s Tony Award-winning score, with such fabulous songs as "I Am What I Am," "The Best of Times" and "Song on the Sand," and a Tony Award-winning book by Harvey Fierstein.
The setting is seedier, more realistically evocative of the sort of decadent seaside nightclub it depicts. The Cagelles are unpolished and decidedly tough looking; glaring during their routines, they seem as likely to accost audience members as entertain them. The orchestra is smaller, and at the intimate Longacre Theatre, one is much closer to the action. The results, thankfully, are simply wonderful. Jerry Herman and Harvey Fierstein's 1983 musical, which already has received two lavish Broadway productions, is even more touching and entertaining in this chamber-style version, imported from London's Menier Chocolate Factory (currently white-hot thanks to this and its 'A Little Night Music,' which also transferred).
Here, finally, we have a realistic and believable pair who have been devotedly living with each other for a quarter century. And that makes 'La Cage' more emotionally effective than before. The producers are fortunate to have imported Hodge, who won an Olivier for this role. He comes on looking and acting like Colleen Dewhurst playing farce, and proceeds to offer a performance at once grandly over-the-top (in the first act) and emotionally grabbing (in the second). The surprise of the evening comes from Kelsey Grammer as Georges. He plays the comedy and acts the host perfectly well, but in 'Song on the Sand' and 'Look Over There' he gets to the heart: Here is a man earnestly and enduringly in love.
1983 | Broadway |
Original Broadway Production Broadway |
1986 | West End |
London Production West End |
1987 | US Tour |
National Tour US Tour |
2004 | Broadway |
Broadway Revival Broadway |
2006 | US Tour |
National Tour US Tour |
2008 | West End |
West End Transfer West End |
2010 | Broadway |
Broadway Transfer Broadway |
2011 | US Tour |
National Tour US Tour |
2023 | West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2010 | Drama Desk Awards | Outstanding Actor in a Musical | Douglas Hodge |
2010 | Drama Desk Awards | Outstanding Choreography | Lynne Page |
2010 | Drama Desk Awards | Outstanding Costume Design | Matthew Wright |
2010 | Drama Desk Awards | Outstanding Director of a Musical | Terry Johnson |
2010 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Robin De Jesus |
2010 | Drama Desk Awards | Outstanding Revival of a Musical | La Cage Aux Folles |
2010 | Drama Desk Awards | Outstanding Sound Design in a Musical | Jonathan Deans |
2010 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Douglas Hodge |
2010 | Outer Critics Circle Awards | Outstanding Costume Design | Matthew Wright |
2010 | Outer Critics Circle Awards | Outstanding Director of a Musical | Terry Johnson |
2010 | Outer Critics Circle Awards | Outstanding Revival of a Musical | 0 |
2010 | Tony Awards | Best Choreography | Lynne Page |
2010 | Tony Awards | Best Costume Design of a Musical | Matthew Wright |
2010 | Tony Awards | Best Direction of a Musical | Terry Johnson |
2010 | Tony Awards | Best Lighting Design of a Musical | Nick Richings |
2010 | Tony Awards | Best Orchestrations | Jason Carr |
2010 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Robin De Jesus |
2010 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Douglas Hodge |
2010 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Kelsey Grammer |
2010 | Tony Awards | Best Revival of a Musical | Barry and Fran Weissler |
2010 | Tony Awards | Best Revival of a Musical | Sonia Friedman Productions |
2010 | Tony Awards | Best Revival of a Musical | Menier Chocolate Factory |
2010 | Tony Awards | Best Revival of a Musical | Harvey Weinstein |
2010 | Tony Awards | Best Revival of a Musical | Nederlander Presentations, Inc |
2010 | Tony Awards | Best Revival of a Musical | Jerry Frankel/Bat-Barry Productions |
2010 | Tony Awards | Best Revival of a Musical | Allen Spivak |
2010 | Tony Awards | Best Revival of a Musical | Olympus Theatricals |
2010 | Tony Awards | Best Revival of a Musical | Independent Presenters Network |
2010 | Tony Awards | Best Revival of a Musical | Arlene Scanlan/John O'Boyle |
2010 | Tony Awards | Best Revival of a Musical | Raise the Roof 4 |
2010 | Tony Awards | Best Revival of a Musical | Richard Winkler/Bensinger Taylor/Laudenslager Bergère |
2010 | Tony Awards | Best Revival of a Musical | Matthew Mitchell |
2010 | Tony Awards | Best Revival of a Musical | Broadway Across America |
2010 | Tony Awards | Best Revival of a Musical | Bob Bartner/Norman Tulchin |
2010 | Tony Awards | Best Revival of a Musical | Edwin W. Schloss |
2010 | Tony Awards | Best Revival of a Musical | David Babani |
2010 | Tony Awards | Best Scenic Design of a Musical | Tim Shortall |
2010 | Tony Awards | Best Sound Design of a Musical | Jonathan Deans |
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