Steve Coogan stars in the first ever adaption of Stanley Kubrick’s iconic Dr. Strangelove, as the world premiere stage production prepares for a strictly limited run at London’s Noël Coward Theatre from 8 October 2024.
This jet-black comedy masterpiece, about a rogue U.S. General who triggers a nuclear crisis, is brought to the stage by acclaimed, BAFTA and Emmy Award winner Armando Iannucci and Olivier Award winner Sean Foley, in an explosively funny satire of mutually assured destruction.
Coogan, who will play multiple roles in the production, said: “The idea of putting Dr Strangelove on stage is daunting. A huge responsibility. It’s also an exciting challenge, an opportunity to bring this timeless classic to a new audience. Knowing that I will be part of a creative team led by Sean Foley and Armando Iannucci means I will be working with the best people. Sean is a master of stage comedy and Armando and I started working with each other over 30 years ago. We made some memorable comedy together so it’s great to be collaborating with him once again.”
__Assisted Performances__
Audio Described Performance - Thursday 21st November 7.30pm
Captioned Performance - Thursday 28th November 7.30pm
BSL Signed Performance - Thurday 5th December 7.30pm
Coogan’s energy is astonishing, on stage more or less the whole time, save the (very) quick changes required to appear and reappear in four roles, he draws on every element of his comic heritage from voices, to pratfalls, to character work, to farce. If the script needs a fistful of clunky devices to get him into the shadowy backdrop only to have him return swiftly as somebody else, it’s worth it for the platform it gives for his virtuosity.
Comedy famously ages badly but the humour here is evergreen, prickling with ingenious wordplay and sickly surrealism. Still, Sean Foley’s overly efficient production stops short of full comic mayhem. Coogan is oh-so-good and oh-so-professional, but he’d be funnier if this show let us see some of the messy vulnerability that makes his creation Alan Partridge so lovable – if it let us glimpse the manic charging around and sweat and hectic costume changes behind the scenes, or revelled in the crowd’s glee at each successive reappearance.
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