The Jenkins family is coming together to celebrate the life of their father—hopefully without killing each other! Eldest daughter, Baneatta, wants everything to be perfect for her father’s funeral. “Favorite” daughter, Beverly, would rather honor her daddy dressed to show the entire congregation what she’s been “blessed with.” Teenage granddaughter, La’trice, can’t mind her own business if it was on a leash. Not far behind comes grandson Kenny and his very Jewish boyfriend Logan who is maybe, sort of, okay definitely afraid of Baneatta. But Baneatta’s hopes unravel when a family secret shows up at the funeral…
Representation matters. I see many great and necessary new works about the problem of Blackness in a racist society - or rather, the problem of whiteness. They are filled with anguish and unfunny funerals. What I rarely get to see are works about Black American life that are defiantly not problem plays. Their sunniness is just as necessary, however garish the aquamarine and pimped-out the corpse.
Chicken & Biscuits clearly has its heart in the right place, and the cast and creative team include more than two dozen people making their Broadway debuts. But their lack of seasoning shows: the writing is blobby, much of the design is unpolished, and young director Zhailon Levingston sometimes seems lost in dealing with the challenging three-quarters thrust stage at Circle in the Square.
2020 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
2021 | Broadway |
A New Comedy by Douglas Lyons Broadway |
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