26-year-old Patrick Bateman is sophisticated, rich and devastatingly handsome. He's got a sculpted body, a model-gorgeous girlfriend, a to-die-for apartment, and a Wall Street job in 1980s New York City. In short, his life's killer. There's just one snag in this dark vision of the American Dream... Patrick can't get the blood out of his $5000 suits.
Based on the best-selling novel by Bret Easton Ellis, and set in the epicenter of excess: 1980s Manhattan, this hit musical tells the story of Patrick Bateman, a young and handsome Wall Street banker with impeccable taste and unquenchable desires. Patrick and his elite group of friends spend their days in chic restaurants, exclusive clubs and designer labels. But at night, Patrick takes part in a darker indulgence, and his mask of sanity is starting to slip...
With its wicked wit, catchy ear candy and sexy cast, 'American Psycho' gives you a killer buzz - for a while. Euphoria sinks once corpses pile up in this glossy new Broadway musical...Roberto Aguirre-Sacasa ('Spider-Man: Turn Off the Dark') and composer-lyricist Duncan Sheik (a Tony winner for 'Spring Awakening') are mostly faithful to the novel. But they heighten the ironic humor and lessen the graphic violence of both the book and the Christian Bale film...The pace and interest slacken in the second act...Walker ('Bloody Bloody Andrew Jackson') hits all the right notes, seemingly without effort...
...directed with relentless, sensationalist expediency by Rupert Goold...There is no question that 'American Psycho' is a highly unusual Broadway musical. And one that is cleverly self-protected against the aesthetic police. Goold's staging, and Lynne Page's limb-spewing choreography, evidence little in the way of consistency: Goold, whose work is about as a subtle as Bateman's preferred methods of dissection, switches styles in almost every scene...'American Psycho' thus is a smug show that games its audience, much as Bateman games his lovers and victims...The score, by Duncan Sheik, employs a narrow and familiar range of notes...It's a myopic mess, musically...underused Alice Ripley and Helene Yorke...Of course, there's no denying Walker's literate attractions, buoyed by the actor's disciplined determination to take the deepest of narcissistic dives with the full knowledge that truly competitive narcissists never self-promote.
2016 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | Drama Desk Awards | Outstanding Actor in a Musical | Benjamin Walker |
2016 | Drama Desk Awards | Outstanding Choreography | Lynne Page |
2016 | Drama Desk Awards | Outstanding Costume Design for a Musical | Katrina Lindsay |
2016 | Drama Desk Awards | Outstanding Director of a Musical | Rupert Goold |
2016 | Drama Desk Awards | Outstanding Lighting Design for a Musical | Justin Townsend |
2016 | Drama Desk Awards | Outstanding Projection Design | Finn Ross |
2016 | Drama Desk Awards | Outstanding Set Design for a Musical | Es Devlin |
2016 | Drama Desk Awards | Outstanding Sound Design in a Musical | Dan Moses Schreier |
2016 | Drama League Awards | Distinguished Performance Award | Benjamin Walker |
2016 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | American Psycho |
2016 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Benjamin Walker |
2016 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | Katrina Lindsay |
2016 | Outer Critics Circle Awards | Outstanding Director of a Musical | Rupert Goold |
2016 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Helene Yorke |
2016 | Outer Critics Circle Awards | Outstanding Lighting Design (Play or Musical) | Justin Townsend |
2016 | Outer Critics Circle Awards | Outstanding New Broadway Musical | American Psycho |
2016 | Outer Critics Circle Awards | Outstanding New Score (Broadway or off-Broadway) | Duncan Sheik |
2016 | Outer Critics Circle Awards | Outstanding Projection Design (Play or Musical) | Finn Ross |
2016 | Tony Awards | Best Lighting Design of a Musical | Justin Townsend |
2016 | Tony Awards | Best Scenic Design of a Musical | Es Devlin |
2016 | Tony Awards | Best Scenic Design of a Musical | Finn Ross |
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