Matthew Broderick and Nathan Lane lead an all-star cast featuring F. Murray Abraham, Stockard Channing, Megan Mullally and Micah Stock in the Broadway comedy about the comedy of Broadway: It's Only a Play. Written by four-time Tony winner Terrence McNally and directed by three-time Tony winner Jack O'Brien, this is a celebration of theatre at its best- and theatre people behaving their not-so-best.
It's opening night of Peter Austin's (Matthew Broderick) new play as he anxiously awaits to see if his show is a hit. With his career on the line, he shares his big First Night with his best friend, a television star (Nathan Lane), his fledgling producer (Megan Mullally), his erratic leading lady (Stockard Channing), his wunderkind director, an infamous drama critic (F. Murray Abraham) and a fresh-off-the-bus coat check attendant (Micah Stock in his Broadway debut).
It's alternately raucous, ridiculous and tender- reminding audiences why there's no business like show business. Thank God!
The in-jokes come thick and fast in this extensively retooled revival...it's in Lane's dynamite early scenes with gifted newcomer Micah Stock that this funny if flimsy comedy really fires on all cylinders, while Broderick underwhelms in a key role. McNally's farcical doodle starts out like gangbusters but becomes increasingly uneven. It has an annoying habit of stalling when it should accelerate, particularly in a padded second act that could use an editor...What keeps it entertaining even when the writing falters is McNally's equal-opportunity ribbing of everyone involved -- playwrights, producers, actors, directors, theater landlords, stagehands, etc. That favorite punching bag, the critic, takes a beating...But ultimately, this starts to feel less like the tight collaboration of a writer and director intent on keeping the comedy machinery humming than the product of an overcrowded writers' room full of gagmeisters trying to outdo one another...It's Only a Play begs to be done as a brisk one-act...Either way, while the vehicle is not exactly robust, McNally and O'Brien know the terrain well enough to ensure that it sparkles more often than it sags.
Nathan Lane and Matthew Broderick made magic and a megahit together in 'The Producers'...Now the Great White Way's dynamic duo is back on stage...The reunion is wildly hit and miss -- Lane is the hit, while Broderick is the, well, you know....Wicker is custom-tailored for what Lane does best. Catty one-liners? Check. Sly slow burns? Check. High-spirited howls? Check. Lane makes the familiar fresh and delivers gusts of laughing gas. Meanwhile, Broderick drains the air and momentum as playwright Peter Austin, Wicker's BFF...What's lacking are surprises. Characters get one dimension apiece...Completing the cast is Micah Stock, a Broadway rookie who more than holds his own as a simpleton coat check with the gift of ingratiation. One reason he makes such an impression is that he shows up on Broadway without any baggage -- so the audience gets the joy of discovering a new talent making his major stage debut. Besides good old dependable Nathan Lane, this diversion has good timing going for it. People are desperate for laughs and comedies on Broadway are bloody rare. If only McNally's 'Play' was more well-done.
1986 | Off-Broadway |
Off-Broadway |
2014 | Broadway |
Broadway Revival Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | BroadwayWorld Awards | Best Featured Actor in a Play | Rupert Grint |
2015 | Drama Desk Awards | Outstanding Featured Actor in a Play | F. Murray Abraham |
2015 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Play | Terrence McNally |
2015 | Theatre World Awards | Theatre World Award | Micah Stock |
2015 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Micah Stock |
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