On the verge of death for the umpteenth time, Anna (Linda Lavin) makes a shocking confession to her grown children: an affair from her past that just might have resonance beyond the family. But how much of what she says is true? While her children try to separate fact from fiction, Anna fights for a legacy she can be proud of. With razor-sharp wit and extraordinary insight, Our Mother's Brief Affair considers the sweeping, surprising impact of indiscretions both large and small.
No one plays Jewish mothers with secrets better than Linda Lavin...You recognize these women right away, because Lavin plays them so hilariously to New York Jewish type: She has a cartoonist's control and economy of line. But to recognize them is not, it turns out, to know them...Greenberg's writing is elegant and keenly epigrammatic...Directed with canny ambiguity by Lynne Meadow, Our Mother's Brief Affair lets you to wonder how much this scandal has been retouched. But there is no doubt as to the casual mastery that Lavin, at 78, brings to the part. Shifting in and out of the past, elevating one-liners to three-dimensionality, she brings a lifetime of command to the stage. She owns this part and claims it like nobody's business but her own.
It can't be easy for anyone to live up to Mr. Greenberg's analytical eloquence, especially in a lyrical memory play in which the object of his descriptions is often required to stand mute and embody what's being said about her. Yet throughout this Manhattan Theater Club production, directed a shade too tentatively by Lynne Meadow, Ms. Lavin's poses unfailingly match, and even amplify, Mr. Greenberg's exquisite prose. Anna is but the latest addition to a memorable gallery of sharp-tongued Jewish mothers created by Ms. Lavin during the past several decades...But none of those roles asked quite as much of her as Anna, who is required to exist in both middle and old age, in recollection and reality, sometimes all at once. Ms. Lavin fulfills these demands with such thoroughness and subtlety that I wish the play that surrounds her were more compellingly realized.
2015 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
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