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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW |
Total Gross
|
Avg. Gross |
Avg Tix
Top Tix |
Seats
Sold
|
Total
Seats |
Perf. |
Avg % |
|
KING HEDLEY II |
$2,479,599
|
$206,633 |
$36.30
$71.00 |
68,803
|
120,864 |
96 |
56.93% |
|
GORE VIDAL'S THE BEST MAN |
$5,998,667
|
$352,863 |
$54.08
$75.00 |
112,255
|
171,224 |
136 |
65.56% |
|
BILL MAHER: VICTORY BEGINS AT HOME |
$533,861
|
$177,954 |
$43.50
$70.00 |
12,034
|
30,120 |
24 |
39.93% |
|
THE WILD PARTY |
$3,919,522
|
$279,966 |
$49.93
$84.00 |
79,170
|
127,504 |
104 |
63.09% |
|
LITTLE WOMEN |
$9,793,281
|
$408,053 |
$63.60
$99.00 |
153,439
|
234,624 |
192 |
65.35% |
|
FLOWER DRUM SONG |
$11,264,444
|
$450,578 |
$63.80
$240.00 |
173,290
|
235,516 |
194 |
73.39% |
|
SMOKEY JOE'S CAFE |
$88,346,877
|
$342,430 |
$39.52
$75.00 |
1,904,856
|
2,543,332 |
2061 |
76.05% |
|
LITTLE SHOP OF HORRORS |
$20,607,589
|
$396,300 |
$58.52
$240.00 |
350,389
|
498,516 |
412 |
70.52% |
|
THE CRUCIBLE |
$7,657,715
|
$450,454 |
$66.86
$240.00 |
115,021
|
150,712 |
120 |
77.34% |
|
JERSEY BOYS |
$596,234
|
$298,117 |
$59.87
$90.00 |
9,953
|
18,330 |
15 |
54.15% |
|
JELLY'S LAST JAM |
$31,571,770
|
$420,957 |
$0.00
$0.00 |
666,946
|
0 |
594 |
0.00% |
|
CITY OF ANGELS |
$45,328,992
|
$401,142 |
$0.00
$0.00 |
1,013,486
|
0 |
903 |
0.00% |
|
SHENANDOAH |
$798,610
|
$133,102 |
$0.00
$0.00 |
32,251
|
0 |
47 |
0.00% |
|
RUN FOR YOUR WIFE |
$460,213
|
$57,527 |
$0.00
$0.00 |
31,540
|
0 |
60 |
0.00% |
|
CARRIE |
$341,396
|
$113,799 |
$0.00
$0.00 |
17,752
|
0 |
21 |
0.00% |
|
THE MIKADO |
$490,302
|
$98,060 |
$0.00
$0.00 |
23,368
|
0 |
40 |
0.00% |
|
WILD HONEY |
$603,624
|
$120,725 |
$0.00
$0.00 |
25,153
|
0 |
36 |
0.00% |
|
EXECUTION OF JUSTICE |
$93,247
|
$31,082 |
$0.00
$0.00 |
7,053
|
0 |
20 |
0.00% |
|
MY FAIR LADY |
$9,988,451
|
$434,280 |
$0.00
$0.00 |
196,001
|
0 |
181 |
0.00% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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