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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$875,386 | $875,386 | $122 $323 |
7,176 | 8,208 | 8 | 87.40% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$592,915 | $592,915 | $116 $348 |
5,127 | 9,224 | 8 | 55.60% |
|
ALADDIN (NEW AMSTERDAM) |
$1,035,355 | $1,035,355 | $81 $190 |
12,770 | 13,816 | 8 | 92.40% |
|
AN ENEMY OF THE PEOPLE (CIRCLE IN THE SQUARE) |
$1,005,141 | $1,005,141 | $168 $480 |
5,979 | 5,796 | 7 | 103.20% |
|
APPROPRIATE (HAYES) |
$950,927 | $950,927 | $205 $397 |
4,639 | 4,648 | 8 | 99.80% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$802,722 | $802,722 | $86 $297 |
9,363 | 11,824 | 8 | 79.20% |
|
CHICAGO (AMBASSADOR) |
$809,686 | $809,686 | $116 $257 |
6,980 | 8,640 | 8 | 80.80% |
|
DAYS OF WINE AND ROSES (STUDIO 54) |
$364,686 | $364,686 | $85 $247 |
4,313 | 7,904 | 8 | 54.60% |
|
DOUBT: A PARABLE (TODD HAIMES) |
$470,942 | $470,942 | $86 $323 |
5,454 | 5,816 | 8 | 93.80% |
|
HADESTOWN (WALTER KERR) |
$1,022,163 | $1,022,163 | $139 $499 |
7,352 | 7,344 | 8 | 100.10% |
|
HAMILTON (RICHARD RODGERS) |
$1,548,186 | $1,548,186 | $154 $399 |
10,022 | 10,592 | 8 | 94.60% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$951,496 | $951,496 | $89 $299 |
10,702 | 12,976 | 8 | 82.50% |
|
KIMBERLY AKIMBO (BOOTH) |
$466,457 | $466,457 | $95 $273 |
4,928 | 6,184 | 8 | 79.70% |
|
MERRILY WE ROLL ALONG (HUDSON) |
$1,478,927 | $1,478,927 | $191 $649 |
7,728 | 7,728 | 8 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,181,306 | $1,181,306 | $127 $329 |
9,322 | 11,096 | 8 | 84.00% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,214,153 | $1,214,153 | $118 $399 |
10,248 | 10,400 | 8 | 98.50% |
|
PRAYER FOR THE FRENCH REPUBLIC (FRIEDMAN) |
$679,106 | $679,106 | $135 $299 |
5,037 | 5,096 | 8 | 98.80% |
|
SIX (LENA HORNE) |
$811,227 | $811,227 | $104 $249 |
7,768 | 8,248 | 8 | 94.20% |
|
SPAMALOT (ST. JAMES) |
$589,970 | $589,970 | $85 $329 |
6,914 | 11,592 | 8 | 59.60% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,199,322 | $1,199,322 | $127 $499 |
9,430 | 10,486 | 7 | 89.90% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$824,391 | $824,391 | $104 $287 |
7,951 | 8,528 | 8 | 93.20% |
|
THE LION KING (MINSKOFF) |
$1,633,762 | $1,633,762 | $127 $215 |
12,839 | 13,568 | 8 | 94.60% |
|
THE NOTEBOOK (SCHOENFELD) |
$783,763 | $783,763 | $112 $323 |
7,017 | 7,119 | 7 | 98.60% |
|
WATER FOR ELEPHANTS (IMPERIAL) |
$540,599 | $540,599 | $88 $278 |
6,145 | 7,005 | 5 | 87.70% |
|
WICKED (GERSHWIN) |
$1,603,874 | $1,603,874 | $119 $275 |
13,526 | 14,456 | 8 | 93.60% |
| TOTAL | $23,436,461 | $937,458 | $117.93 $338.46 |
198,730 | 228,294 | 194 | 87.05% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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