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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A DELICATE BALANCE (GOLDEN) |
$640,592 | $640,592 | $127 $323 |
5,025 | 6,416 | 8 | 78.30% |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$1,062,731 | $1,062,731 | $145 $325 |
7,338 | 7,304 | 8 | 100.50% |
|
ALADDIN (NEW AMSTERDAM) |
$1,986,322 | $1,986,322 | $128 $253 |
15,508 | 15,507 | 9 | 100.00% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,546,950 | $1,546,950 | $176 $350 |
8,845 | 8,208 | 8 | 107.80% |
|
CABARET (STUDIO 54) |
$1,013,897 | $1,013,897 | $141 $350 |
7,170 | 7,144 | 8 | 100.40% |
|
CHICAGO (AMBASSADOR) |
$872,913 | $872,913 | $108 $186 |
8,091 | 8,640 | 8 | 93.60% |
|
CINDERELLA (BROADWAY) |
$1,336,544 | $1,336,544 | $115 $297 |
11,622 | 12,257 | 7 | 94.80% |
|
CONSTELLATIONS (FRIEDMAN) |
$384,388 | $384,388 | $93 $0 |
4,133 | 4,550 | 7 | 90.80% |
|
DISGRACED (LYCEUM) |
$393,371 | $393,371 | $82 $198 |
4,809 | 7,344 | 8 | 65.50% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$733,393 | $733,393 | $113 $248 |
6,502 | 7,049 | 7 | 92.20% |
|
HONEYMOON IN VEGAS (NEDERLANDER) |
$399,311 | $399,311 | $57 $223 |
6,973 | 9,256 | 8 | 75.30% |
|
IF/THEN (RICHARD RODGERS) |
$835,798 | $835,798 | $95 $223 |
8,807 | 10,488 | 8 | 84.00% |
|
IT'S ONLY A PLAY (SCHOENFELD) |
$1,431,961 | $1,431,961 | $169 $347 |
8,452 | 8,552 | 8 | 98.80% |
|
JERSEY BOYS (AUGUST WILSON) |
$1,239,004 | $1,239,004 | $132 $197 |
9,418 | 9,824 | 8 | 95.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,532,084 | $1,532,084 | $137 $297 |
11,219 | 11,392 | 8 | 98.50% |
|
LES MISÉRABLES (IMPERIAL) |
$1,286,276 | $1,286,276 | $115 $273 |
11,148 | 11,272 | 8 | 98.90% |
|
MAMMA MIA! (BROADHURST) |
$964,706 | $964,706 | $110 $225 |
8,762 | 9,328 | 8 | 93.90% |
|
MATILDA (SHUBERT) |
$1,637,071 | $1,637,071 | $142 $250 |
11,541 | 11,456 | 8 | 100.70% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$1,285,105 | $1,285,105 | $116 $250 |
11,063 | 12,056 | 8 | 91.80% |
|
ON THE TOWN (LYRIC) |
$1,068,470 | $1,068,470 | $102 $247 |
10,446 | 14,992 | 8 | 69.70% |
|
ONCE (JACOBS) |
$893,494 | $893,494 | $105 $198 |
8,520 | 8,472 | 8 | 100.60% |
|
PIPPIN (MUSIC BOX) |
$778,718 | $778,718 | $118 $225 |
6,572 | 7,920 | 8 | 83.00% |
|
ROCK OF AGES (HELEN HAYES) |
$544,368 | $544,368 | $120 $223 |
4,544 | 4,664 | 8 | 97.40% |
|
SIDE SHOW (ST. JAMES) |
$588,059 | $588,059 | $72 $197 |
8,115 | 10,424 | 8 | 77.80% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$2,085,228 | $2,085,228 | $238 $475 |
8,752 | 8,528 | 8 | 102.60% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$1,090,216 | $1,090,216 | $134 $195 |
8,136 | 8,144 | 8 | 99.90% |
|
THE ELEPHANT MAN (BOOTH) |
$1,058,547 | $1,058,547 | $167 $298 |
6,320 | 6,192 | 8 | 102.10% |
|
THE ILLUSIONISTS - WITNESS THE IMPOSSIBLE (MARQUIS) |
$1,811,228 | $1,811,228 | $120 $175 |
15,114 | 15,970 | 10 | 94.60% |
|
THE LAST SHIP (NEIL SIMON) |
$864,004 | $864,004 | $110 $225 |
7,836 | 10,792 | 8 | 72.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,885,371 | $2,885,371 | $189 $198 |
15,306 | 15,300 | 9 | 100.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,641,020 | $1,641,020 | $127 $200 |
12,955 | 12,840 | 8 | 100.90% |
|
THE REAL THING (AMERICAN AIRLINES) |
$434,148 | $434,148 | $79 $0 |
5,530 | 5,920 | 8 | 93.40% |
|
THE RIVER (CIRCLE IN THE SQUARE) |
$771,849 | $771,849 | $139 $275 |
5,570 | 5,568 | 8 | 100.00% |
|
THIS IS OUR YOUTH (CORT) |
$343,256 | $343,256 | $63 $223 |
5,449 | 7,427 | 7 | 73.40% |
|
WICKED (GERSHWIN) |
$2,903,309 | $2,903,309 | $179 $300 |
16,257 | 16,281 | 9 | 99.90% |
|
YOU CAN'T TAKE IT WITH YOU (LONGACRE) |
$650,249 | $650,249 | $95 $250 |
6,873 | 8,584 | 8 | 80.10% |
| TOTAL | $40,993,951 | $1,138,721 | $128.62 $242.14 |
318,721 | 346,061 | 289 | 92.10% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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