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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AN EVENING WITH PATTI LUPONE AND MANDY PATINKIN (BARRYMORE) |
$480,422 | $480,422 | $94 $250 |
5,105 | 8,464 | 8 | 60.30% |
|
ANYTHING GOES (STEPHEN SONDHEIM) |
$680,888 | $680,888 | $100 $250 |
6,805 | 8,208 | 8 | 82.90% |
|
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$817,957 | $817,957 | $84 $199 |
9,755 | 11,368 | 8 | 85.80% |
|
BONNIE AND CLYDE (SCHOENFELD) |
$333,379 | $333,379 | $63 $225 |
5,259 | 8,344 | 8 | 63.00% |
|
CHICAGO (AMBASSADOR) |
$465,898 | $465,898 | $85 $185 |
5,505 | 8,640 | 8 | 63.70% |
|
CHINGLISH (LONGACRE) |
$184,564 | $184,564 | $61 $250 |
3,023 | 8,616 | 8 | 35.10% |
|
FOLLIES (MARQUIS) |
$695,528 | $695,528 | $83 $225 |
8,409 | 12,896 | 8 | 65.20% |
|
GODSPELL (CIRCLE IN THE SQUARE) |
$288,218 | $288,218 | $80 $199 |
3,592 | 5,880 | 8 | 61.10% |
|
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (AL HIRSCHFELD) |
$1,100,832 | $1,100,832 | $109 $402 |
10,121 | 11,392 | 8 | 88.80% |
|
HUGH JACKMAN - BACK ON BROADWAY (BROADHURST) |
$1,539,604 | $1,539,604 | $160 $350 |
9,593 | 9,408 | 8 | 102.00% |
|
JERSEY BOYS (AUGUST WILSON) |
$1,051,507 | $1,051,507 | $115 $237 |
9,166 | 9,824 | 8 | 93.30% |
|
LYSISTRATA JONES (WALTER KERR) |
$123,750 | $123,750 | $25 $199 |
4,922 | 7,560 | 8 | 65.10% |
|
MAMMA MIA! (WINTER GARDEN) |
$560,395 | $560,395 | $84 $200 |
6,684 | 11,984 | 8 | 55.80% |
|
MARY POPPINS (NEW AMSTERDAM) |
$888,052 | $888,052 | $81 $199 |
10,951 | 14,376 | 8 | 76.20% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MEMPHIS (SHUBERT) |
$616,331 | $616,331 | $79 $250 |
7,758 | 11,760 | 8 | 66.00% |
|
ON A CLEAR DAY YOU CAN SEE FOREVER (ST. JAMES) |
$744,076 | $744,076 | $89 $302 |
8,340 | 10,936 | 8 | 76.30% |
|
OTHER DESERT CITIES (BOOTH) |
$551,176 | $551,176 | $103 $115 |
5,342 | 6,088 | 8 | 87.70% |
|
PORGY AND BESS (RICHARD RODGERS) |
$292,703 | $292,703 | $114 $225 |
2,564 | 2,698 | 2 | 95.00% |
|
PRISCILLA QUEEN OF THE DESERT (PALACE) |
$598,308 | $598,308 | $82 $200 |
7,324 | 13,512 | 8 | 54.20% |
|
PRIVATE LIVES 2011 (MUSIC BOX) |
$281,303 | $281,303 | $75 $175 |
3,736 | 7,912 | 8 | 47.20% |
|
RELATIVELY SPEAKING (BROOKS ATKINSON) |
$345,133 | $345,133 | $76 $225 |
4,526 | 8,608 | 8 | 52.60% |
|
ROCK OF AGES (HELEN HAYES) |
$407,177 | $407,177 | $99 $248 |
4,110 | 4,664 | 8 | 88.10% |
|
SEMINAR (GOLDEN) |
$442,160 | $442,160 | $83 $198 |
5,308 | 6,432 | 8 | 82.50% |
|
SISTER ACT (BROADWAY) |
$601,705 | $601,705 | $76 $200 |
7,924 | 14,040 | 8 | 56.40% |
|
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$1,460,570 | $1,460,570 | $111 $275 |
13,199 | 15,440 | 8 | 85.50% |
|
STICK FLY (CORT) |
$265,962 | $265,962 | $55 $250 |
4,861 | 8,632 | 8 | 56.30% |
|
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$676,192 | $676,192 | $80 $300 |
8,434 | 12,152 | 8 | 69.40% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,370,920 | $1,370,920 | $157 $477 |
8,752 | 8,528 | 8 | 102.60% |
|
THE LION KING (MINSKOFF) |
$1,833,881 | $1,833,881 | $138 $198 |
13,279 | 13,416 | 8 | 99.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE MOUNTAINTOP (JACOBS) |
$533,865 | $533,865 | $87 $225 |
6,121 | 8,520 | 8 | 71.80% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$765,267 | $765,267 | $84 $200 |
9,143 | 12,840 | 8 | 71.20% |
|
THE ROAD TO MECCA (AMERICAN AIRLINES) |
$80,118 | $80,118 | $35 $117 |
2,268 | 3,635 | 5 | 62.40% |
|
VENUS IN FUR (FRIEDMAN) |
$439,035 | $439,035 | $85 $131 |
5,180 | 5,200 | 8 | 99.60% |
|
WAR HORSE (VIVIAN BEAUMONT) |
$988,373 | $988,373 | $116 $135 |
8,552 | 8,552 | 8 | 100.00% |
|
WICKED (GERSHWIN) |
$1,762,301 | $1,762,301 | $129 $300 |
13,644 | 14,472 | 8 | 94.30% |
| TOTAL | $24,267,550 | $693,359 | $97.36 $231.87 |
249,255 | 334,997 | 271 | 74.41% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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