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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
A FREE MAN OF COLOR (VIVIAN BEAUMONT) |
$214,439 | $214,439 | $50 $115 |
4,253 | 8,344 | 8 | 51.00% |
A LITTLE NIGHT MUSIC (WALTER KERR) |
$438,142 | $438,142 | $82 $297 |
5,368 | 7,448 | 8 | 72.10% |
AMERICAN IDIOT (ST. JAMES) |
$489,532 | $489,532 | $76 $250 |
6,475 | 13,672 | 8 | 47.40% |
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$978,780 | $978,780 | $97 $250 |
10,089 | 11,368 | 8 | 88.70% |
BLOODY BLOODY ANDREW JACKSON (JACOBS) |
$419,303 | $419,303 | $64 $190 |
6,561 | 8,240 | 8 | 79.60% |
BRIEF ENCOUNTER (STUDIO 54) |
$278,911 | $278,911 | $57 $127 |
4,858 | 8,016 | 8 | 60.60% |
CHICAGO (AMBASSADOR) |
$431,498 | $431,498 | $83 $185 |
5,225 | 8,640 | 8 | 60.50% |
COLIN QUINN: LONG STORY SHORT (HELEN HAYES) |
$147,620 | $147,620 | $65 $165 |
2,279 | 4,696 | 8 | 48.50% |
DONNY AND MARIE: A BROADWAY CHRISTMAS (MARQUIS) |
$1,047,740 | $1,047,740 | $117 $250 |
8,940 | 11,452 | 7 | 78.10% |
DRIVING MISS DAISY (GOLDEN) |
$595,313 | $595,313 | $116 $300 |
5,152 | 6,432 | 8 | 80.10% |
ELF (AL HIRSCHFELD) |
$1,464,913 | $1,464,913 | $134 $352 |
10,971 | 11,392 | 8 | 96.30% |
FELA! (EUGENE O'NEILL) |
$613,717 | $613,717 | $80 $225 |
7,713 | 8,240 | 8 | 93.60% |
IN THE HEIGHTS (RICHARD RODGERS) |
$608,332 | $608,332 | $73 $300 |
8,304 | 10,752 | 8 | 77.20% |
JERSEY BOYS (AUGUST WILSON) |
$1,133,645 | $1,133,645 | $121 $350 |
9,403 | 9,824 | 8 | 95.70% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
LA BETE (MUSIC BOX) |
$232,383 | $232,383 | $68 $300 |
3,420 | 8,056 | 8 | 42.50% |
LA CAGE AUX FOLLES 2010-2011 (LONGACRE) |
$453,873 | $453,873 | $87 $250 |
5,222 | 8,456 | 8 | 61.80% |
LOMBARDI (CIRCLE IN THE SQUARE) |
$238,737 | $238,737 | $63 $200 |
3,789 | 6,320 | 8 | 60.00% |
MAMMA MIA! (WINTER GARDEN) |
$713,888 | $713,888 | $87 $200 |
8,197 | 11,984 | 8 | 68.40% |
MARY POPPINS (NEW AMSTERDAM) |
$914,985 | $914,985 | $85 $199 |
10,805 | 14,376 | 8 | 75.20% |
MEMPHIS (SHUBERT) |
$795,212 | $795,212 | $92 $250 |
8,668 | 11,760 | 8 | 73.70% |
MILLION DOLLAR QUARTET (NEDERLANDER) |
$445,007 | $445,007 | $86 $250 |
5,151 | 9,712 | 8 | 53.00% |
NEXT TO NORMAL (BOOTH) |
$308,859 | $308,859 | $58 $200 |
5,296 | 6,176 | 8 | 85.80% |
PROMISES PROMISES (BROADWAY) |
$1,117,422 | $1,117,422 | $96 $250 |
11,665 | 13,976 | 8 | 83.50% |
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (NEIL SIMON) |
$676,048 | $676,048 | $82 $190 |
8,266 | 11,584 | 8 | 71.40% |
ROCK OF AGES (BROOKS ATKINSON) |
$478,936 | $478,936 | $89 $225 |
5,363 | 7,976 | 8 | 67.20% |
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$1,036,133 | $1,036,133 | $90 $275 |
11,455 | 11,580 | 6 | 98.90% |
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$912,688 | $912,688 | $106 $300 |
8,572 | 12,152 | 8 | 70.50% |
THE IMPORTANCE OF BEING EARNEST (AMERICAN AIRLINES) |
$71,928 | $71,928 | $35 $117 |
2,069 | 2,960 | 4 | 69.90% |
THE LION KING (MINSKOFF) |
$1,571,953 | $1,571,953 | $124 $250 |
12,693 | 13,416 | 8 | 94.60% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE MERCHANT OF VENICE (BROADHURST) |
$645,015 | $645,015 | $136 $300 |
4,726 | 4,608 | 4 | 102.60% |
THE PEE-WEE HERMAN SHOW (STEPHEN SONDHEIM) |
$637,669 | $637,669 | $94 $225 |
6,758 | 8,440 | 8 | 80.10% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$761,245 | $761,245 | $80 $200 |
9,472 | 12,920 | 8 | 73.30% |
TIME STANDS STILL (CORT) |
$325,677 | $325,677 | $73 $250 |
4,447 | 8,632 | 8 | 51.50% |
West Side Story 2009-2011 (PALACE) |
$751,136 | $751,136 | $81 $300 |
9,222 | 13,576 | 8 | 67.90% |
WICKED (GERSHWIN) |
$1,631,743 | $1,631,743 | $115 $300 |
14,174 | 14,472 | 8 | 97.90% |
WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (BELASCO) |
$269,357 | $269,357 | $63 $125 |
4,247 | 7,760 | 8 | 54.70% |
TOTAL | $23,851,779 | $662,549 | $92.00 $236.44 |
259,268 | 349,408 | 277 | 74.20% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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