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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$1,152,409 | $1,152,409 | $148 $323 |
7,806 | 8,208 | 8 | 95.10% |
|
1776 (AMERICAN AIRLINES) |
$261,523 | $261,523 | $66 $248 |
3,937 | 5,784 | 8 | 68.10% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$1,447,503 | $1,447,503 | $165 $348 |
8,775 | 9,216 | 8 | 95.20% |
|
A CHRISTMAS CAROL (NEDERLANDER) |
$742,010 | $742,010 | $95 $229 |
7,851 | 9,480 | 8 | 82.80% |
|
A STRANGE LOOP (LYCEUM) |
$508,238 | $508,238 | $101 $297 |
5,008 | 6,384 | 7 | 78.40% |
|
AIN'T NO MO' (BELASCO) |
$164,592 | $164,592 | $43 $297 |
3,830 | 8,152 | 8 | 47.00% |
|
ALADDIN (NEW AMSTERDAM) |
$1,516,343 | $1,516,343 | $111 $228 |
13,627 | 13,816 | 8 | 98.60% |
|
ALMOST FAMOUS (JACOBS) |
$765,060 | $765,060 | $126 $297 |
6,049 | 8,184 | 8 | 73.90% |
|
BEETLEJUICE (MARQUIS) |
$1,301,397 | $1,301,397 | $118 $249 |
11,000 | 12,816 | 8 | 85.80% |
|
BETWEEN RIVERSIDE AND CRAZY (HAYES) |
$160,076 | $160,076 | $48 $197 |
3,367 | 4,632 | 8 | 72.70% |
|
CHICAGO (AMBASSADOR) |
$699,181 | $699,181 | $91 $197 |
7,698 | 8,640 | 8 | 89.10% |
|
DEATH OF A SALESMAN (HUDSON) |
$481,111 | $481,111 | $88 $299 |
5,496 | 7,800 | 8 | 70.50% |
|
FUNNY GIRL (AUGUST WILSON) |
$1,892,378 | $1,892,378 | $194 $599 |
9,755 | 9,752 | 8 | 100.00% |
|
HADESTOWN (WALTER KERR) |
$797,708 | $797,708 | $112 $349 |
7,152 | 7,344 | 8 | 97.40% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAMILTON (RICHARD RODGERS) |
$2,077,730 | $2,077,730 | $194 $449 |
10,683 | 10,592 | 8 | 100.90% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,477,979 | $1,477,979 | $128 $327 |
11,544 | 12,976 | 8 | 89.00% |
|
INTO THE WOODS (ST. JAMES) |
$898,994 | $898,994 | $103 $399 |
8,711 | 12,128 | 8 | 71.80% |
|
KIMBERLY AKIMBO (BOOTH) |
$570,155 | $570,155 | $108 $263 |
5,294 | 6,184 | 8 | 85.60% |
|
KPOP (CIRCLE IN THE SQUARE) |
$281,757 | $281,757 | $51 $230 |
5,512 | 5,496 | 8 | 100.30% |
|
LEOPOLDSTADT (LONGACRE) |
$1,078,215 | $1,078,215 | $154 $347 |
6,994 | 8,600 | 8 | 81.30% |
|
MIKE BIRBIGLIA: THE OLD MAN & THE POOL (VIVIAN BEAUMONT) |
$435,310 | $435,310 | $70 $277 |
6,176 | 7,553 | 7 | 81.80% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,764,002 | $1,764,002 | $159 $250 |
11,123 | 11,096 | 8 | 100.20% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,453,652 | $1,453,652 | $140 $399 |
10,363 | 10,400 | 8 | 99.60% |
|
OHIO STATE MURDERS (JAMES EARL JONES) |
$300,180 | $300,180 | $55 $223 |
5,502 | 8,560 | 8 | 64.30% |
|
SIX (LENA HORNE) |
$1,295,320 | $1,295,320 | $161 $249 |
8,063 | 8,248 | 8 | 97.80% |
|
SOME LIKE IT HOT (SHUBERT) |
$747,142 | $747,142 | $71 $257 |
10,527 | 11,584 | 8 | 90.90% |
|
TAKE ME OUT (SCHOENFELD) |
$413,322 | $413,322 | $95 $297 |
4,337 | 8,488 | 8 | 51.10% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,158,956 | $1,158,956 | $136 $350 |
8,507 | 8,528 | 8 | 99.80% |
|
THE COLLABORATION (FRIEDMAN) |
$312,376 | $312,376 | $75 $279 |
4,161 | 5,096 | 8 | 81.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,365,967 | $2,365,967 | $177 $199 |
13,398 | 13,568 | 8 | 98.70% |
|
THE MUSIC MAN (WINTER GARDEN) |
$3,389,857 | $3,389,857 | $276 $597 |
12,283 | 12,200 | 8 | 100.70% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$2,020,245 | $2,020,245 | $156 $497 |
12,991 | 12,840 | 8 | 101.20% |
|
THE PIANO LESSON (ETHEL BARRYMORE) |
$938,103 | $938,103 | $126 $297 |
7,436 | 8,344 | 8 | 89.10% |
|
TOPDOG / UNDERDOG (GOLDEN) |
$264,965 | $264,965 | $79 $248 |
3,355 | 6,416 | 8 | 52.30% |
|
WICKED (GERSHWIN) |
$2,083,245 | $2,083,245 | $137 $275 |
15,237 | 15,408 | 8 | 98.90% |
| TOTAL | $37,217,001 | $1,063,343 | $131.25 $310.40 |
283,548 | 324,513 | 278 | 87.38% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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