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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A DELICATE BALANCE (GOLDEN) |
$854,322 | $854,322 | $142 $323 |
6,015 | 6,416 | 8 | 93.80% |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$879,103 | $879,103 | $127 $250 |
6,899 | 7,304 | 8 | 94.50% |
|
ALADDIN (NEW AMSTERDAM) |
$1,529,288 | $1,529,288 | $112 $253 |
13,631 | 13,784 | 8 | 98.90% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,354,390 | $1,354,390 | $165 $299 |
8,230 | 8,208 | 8 | 100.30% |
|
CABARET (STUDIO 54) |
$808,669 | $808,669 | $118 $350 |
6,858 | 7,144 | 8 | 96.00% |
|
CHICAGO (AMBASSADOR) |
$414,484 | $414,484 | $81 $186 |
5,112 | 8,640 | 8 | 59.20% |
|
CINDERELLA (BROADWAY) |
$851,242 | $851,242 | $81 $297 |
10,561 | 14,008 | 8 | 75.40% |
|
DISGRACED (LYCEUM) |
$415,019 | $415,019 | $86 $198 |
4,841 | 7,344 | 8 | 65.90% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$640,340 | $640,340 | $103 $248 |
6,242 | 7,049 | 7 | 88.60% |
|
HONEYMOON IN VEGAS (NEDERLANDER) |
$396,473 | $396,473 | $60 $223 |
6,655 | 9,256 | 8 | 71.90% |
|
IF/THEN (RICHARD RODGERS) |
$502,861 | $502,861 | $83 $223 |
6,051 | 10,488 | 8 | 57.70% |
|
IT'S ONLY A PLAY (SCHOENFELD) |
$1,413,682 | $1,413,682 | $167 $347 |
8,447 | 8,552 | 8 | 98.80% |
|
JERSEY BOYS (AUGUST WILSON) |
$847,588 | $847,588 | $110 $197 |
7,680 | 9,824 | 8 | 78.20% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,295,982 | $1,295,982 | $126 $298 |
10,317 | 11,392 | 8 | 90.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LES MISÉRABLES (IMPERIAL) |
$719,973 | $719,973 | $90 $273 |
7,970 | 11,272 | 8 | 70.70% |
|
LOVE LETTERS (BROOKS ATKINSON) |
$274,612 | $274,612 | $65 $250 |
4,231 | 7,476 | 7 | 56.60% |
|
MAMMA MIA! (BROADHURST) |
$437,209 | $437,209 | $83 $225 |
5,298 | 9,328 | 8 | 56.80% |
|
MATILDA (SHUBERT) |
$900,826 | $900,826 | $97 $250 |
9,335 | 11,456 | 8 | 81.50% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$982,656 | $982,656 | $109 $250 |
8,993 | 12,056 | 8 | 74.60% |
|
ON THE TOWN (LYRIC) |
$756,779 | $756,779 | $81 $247 |
9,370 | 14,992 | 8 | 62.50% |
|
ONCE (JACOBS) |
$601,479 | $601,479 | $91 $198 |
6,597 | 8,472 | 8 | 77.90% |
|
PIPPIN (MUSIC BOX) |
$468,537 | $468,537 | $80 $225 |
5,821 | 7,920 | 8 | 73.50% |
|
ROCK OF AGES (HELEN HAYES) |
$376,586 | $376,586 | $91 $197 |
4,138 | 4,664 | 8 | 88.70% |
|
SIDE SHOW (ST. JAMES) |
$467,909 | $467,909 | $72 $197 |
6,467 | 10,424 | 8 | 62.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,739,667 | $1,739,667 | $199 $475 |
8,751 | 8,528 | 8 | 102.60% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$893,577 | $893,577 | $118 $195 |
7,572 | 8,144 | 8 | 93.00% |
|
THE ELEPHANT MAN (BOOTH) |
$934,580 | $934,580 | $150 $298 |
6,233 | 6,192 | 8 | 100.70% |
|
THE ILLUSIONISTS - WITNESS THE IMPOSSIBLE (MARQUIS) |
$987,234 | $987,234 | $100 $175 |
9,883 | 12,776 | 8 | 77.40% |
|
THE LAST SHIP (NEIL SIMON) |
$817,897 | $817,897 | $99 $225 |
8,279 | 10,792 | 8 | 76.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$1,925,063 | $1,925,063 | $152 $198 |
12,637 | 13,600 | 8 | 92.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$760,079 | $760,079 | $84 $200 |
9,021 | 12,840 | 8 | 70.30% |
|
THE REAL THING (AMERICAN AIRLINES) |
$456,725 | $456,725 | $83 $0 |
5,509 | 5,920 | 8 | 93.10% |
|
THE RIVER (CIRCLE IN THE SQUARE) |
$865,695 | $865,695 | $154 $275 |
5,608 | 5,568 | 8 | 100.70% |
|
THIS IS OUR YOUTH (CORT) |
$270,455 | $270,455 | $51 $223 |
5,260 | 8,488 | 8 | 62.00% |
|
WICKED (GERSHWIN) |
$1,746,037 | $1,746,037 | $129 $300 |
13,554 | 14,472 | 8 | 93.70% |
|
YOU CAN'T TAKE IT WITH YOU (LONGACRE) |
$498,935 | $498,935 | $94 $250 |
5,317 | 8,584 | 8 | 61.90% |
| TOTAL | $30,085,953 | $835,721 | $110.05 $244.89 |
273,383 | 343,373 | 286 | 79.62% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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