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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A DELICATE BALANCE (GOLDEN) |
$807,472 | $807,472 | $143 $323 |
5,650 | 6,416 | 8 | 88.10% |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$974,924 | $974,924 | $138 $250 |
7,046 | 7,304 | 8 | 96.50% |
|
ALADDIN (NEW AMSTERDAM) |
$1,759,955 | $1,759,955 | $128 $253 |
13,784 | 13,784 | 8 | 100.00% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,405,434 | $1,405,434 | $175 $350 |
8,026 | 8,208 | 8 | 97.80% |
|
CABARET (STUDIO 54) |
$948,085 | $948,085 | $134 $350 |
7,101 | 7,144 | 8 | 99.40% |
|
CHICAGO (AMBASSADOR) |
$583,103 | $583,103 | $88 $186 |
6,614 | 8,640 | 8 | 76.60% |
|
CINDERELLA (BROADWAY) |
$1,115,935 | $1,115,935 | $85 $297 |
13,197 | 14,008 | 8 | 94.20% |
|
DISGRACED (LYCEUM) |
$412,694 | $412,694 | $82 $198 |
5,009 | 7,344 | 8 | 68.20% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$653,674 | $653,674 | $107 $248 |
6,135 | 7,049 | 7 | 87.00% |
|
HONEYMOON IN VEGAS (NEDERLANDER) |
$351,277 | $351,277 | $69 $223 |
5,078 | 9,256 | 8 | 54.90% |
|
IF/THEN (RICHARD RODGERS) |
$615,096 | $615,096 | $95 $223 |
6,452 | 10,488 | 8 | 61.50% |
|
IT'S ONLY A PLAY (SCHOENFELD) |
$1,354,791 | $1,354,791 | $169 $347 |
8,002 | 8,552 | 8 | 93.60% |
|
JERSEY BOYS (AUGUST WILSON) |
$920,735 | $920,735 | $116 $197 |
7,913 | 9,824 | 8 | 80.50% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,314,521 | $1,314,521 | $128 $298 |
10,293 | 11,392 | 8 | 90.40% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LES MISÉRABLES (IMPERIAL) |
$992,609 | $992,609 | $101 $273 |
9,806 | 11,272 | 8 | 87.00% |
|
LOVE LETTERS (BROOKS ATKINSON) |
$309,103 | $309,103 | $78 $250 |
3,978 | 7,476 | 7 | 53.20% |
|
MAMMA MIA! (BROADHURST) |
$662,155 | $662,155 | $90 $225 |
7,334 | 9,328 | 8 | 78.60% |
|
MATILDA (SHUBERT) |
$1,454,493 | $1,454,493 | $127 $250 |
11,463 | 11,456 | 8 | 100.10% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$1,011,459 | $1,011,459 | $110 $250 |
9,200 | 12,056 | 8 | 76.30% |
|
ON THE TOWN (LYRIC) |
$885,138 | $885,138 | $99 $247 |
8,975 | 14,992 | 8 | 59.90% |
|
ONCE (JACOBS) |
$563,704 | $563,704 | $89 $198 |
6,362 | 8,472 | 8 | 75.10% |
|
PIPPIN (MUSIC BOX) |
$670,217 | $670,217 | $98 $225 |
6,847 | 7,920 | 8 | 86.50% |
|
ROCK OF AGES (HELEN HAYES) |
$360,759 | $360,759 | $98 $223 |
3,664 | 4,664 | 8 | 78.60% |
|
SIDE SHOW (ST. JAMES) |
$466,970 | $466,970 | $81 $197 |
5,800 | 10,424 | 8 | 55.60% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,875,135 | $1,875,135 | $214 $475 |
8,751 | 8,528 | 8 | 102.60% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$952,041 | $952,041 | $123 $195 |
7,750 | 8,144 | 8 | 95.20% |
|
THE ELEPHANT MAN (BOOTH) |
$958,970 | $958,970 | $154 $298 |
6,219 | 6,192 | 8 | 100.40% |
|
THE ILLUSIONISTS - WITNESS THE IMPOSSIBLE (MARQUIS) |
$1,048,858 | $1,048,858 | $107 $175 |
9,762 | 10,955 | 7 | 89.10% |
|
THE LAST SHIP (NEIL SIMON) |
$458,563 | $458,563 | $71 $225 |
6,418 | 10,792 | 8 | 59.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,422,719 | $2,422,719 | $178 $198 |
13,602 | 13,600 | 8 | 100.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,131,137 | $1,131,137 | $100 $200 |
11,319 | 12,840 | 8 | 88.20% |
|
THE REAL THING (AMERICAN AIRLINES) |
$451,370 | $451,370 | $86 $0 |
5,220 | 5,920 | 8 | 88.20% |
|
THE RIVER (CIRCLE IN THE SQUARE) |
$906,275 | $906,275 | $161 $275 |
5,629 | 5,568 | 8 | 101.10% |
|
THIS IS OUR YOUTH (CORT) |
$341,572 | $341,572 | $69 $223 |
4,977 | 8,488 | 8 | 58.60% |
|
WICKED (GERSHWIN) |
$2,432,132 | $2,432,132 | $155 $300 |
15,714 | 16,281 | 9 | 96.50% |
|
YOU CAN'T TAKE IT WITH YOU (LONGACRE) |
$548,572 | $548,572 | $100 $250 |
5,479 | 8,584 | 8 | 63.80% |
| TOTAL | $34,121,647 | $947,824 | $119.91 $247.03 |
284,569 | 343,361 | 286 | 82.88% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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