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Broadway Grosses by Year - 1999 for Week 35


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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.

SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
ANNIE GET YOUR GUN
(MARQUIS)
$662,979 $662,979 $64
$75
10,429 12,760 8 81.70%
BEAUTY AND THE BEAST
(PALACE)
$604,355 $604,355 $55
$75
10,991 13,920 8 79.00%
CABARET
(STUDIO 54)
$507,821 $507,821 $70
$90
7,262 7,360 8 98.70%
CATS
(WINTER GARDEN)
$406,732 $406,732 $47
$70
8,587 11,856 8 72.40%
CHICAGO
(SHUBERT)
$516,604 $516,604 $61
$80
8,435 11,680 8 72.20%
FOOTLOOSE
(RICHARD RODGERS)
$450,216 $450,216 $46
$75
9,816 10,784 8 91.00%
FOSSE
(BROADHURST)
$623,485 $623,485 $70
$80
8,963 9,128 8 98.20%
IT AIN'T NOTHIN' BUT THE BLUES
(VIVIAN BEAUMONT)
$195,923 $195,923 $42
$65
4,636 8,840 8 52.40%
JEKYLL AND HYDE
(PLYMOUTH)
$347,121 $347,121 $50
$80
6,902 8,512 8 81.10%
KAT AND THE KINGS
(CORT)
$165,374 $165,374 $33
$75
5,029 8,672 8 58.00%
LES MISÉRABLES - ORIGINAL
(IMPERIAL)
$479,255 $479,255 $48
$80
9,930 11,336 8 87.60%
MISS SAIGON
(BROADWAY)
$479,405 $479,405 $42
$80
11,335 13,944 8 81.30%
PETER PAN
(GERSHWIN)
$572,314 $572,314 $45
$75
12,644 15,480 8 81.70%
RAGTIME 1997-2000
(FORD CENTER)
$524,317 $524,317 $45
$75
11,683 14,496 8 80.60%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
RENT
(NEDERLANDER)
$425,628 $425,628 $55
$80
7,739 9,448 8 81.90%
SIDE MAN
(Golden)
$150,567 $150,567 $33
$60
4,530 6,440 8 70.30%
SMOKEY JOE'S CAFE
(VIRGINIA)
$361,974 $361,974 $48
$75
7,614 9,696 8 78.50%
THE LION KING
(NEW AMSTERDAM)
$875,926 $875,926 $62
$80
14,218 14,032 8 101.30%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$672,356 $672,356 $60
$80
11,239 12,856 8 87.40%
THE WEIR
(WALTER KERR)
$168,268 $168,268 $34
$60
4,930 7,576 8 65.10%
VOICES IN THE DARK
(LONGACRE)
$127,556 $127,556 $28
$60
4,484 8,688 8 51.60%
TOTAL $9,318,176 $443,723 $51.37
$74.76
181,396 227,504 168 79.73%


Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source:
The Broadway League..

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