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Broadway Grosses by Year - 2019 for Week 27


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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.

SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
AIN'T TOO PROUD
(IMPERIAL)
$1,494,677 $1,494,677 $132
$297
11,292 11,392 8 99.10%
ALADDIN
(NEW AMSTERDAM)
$1,619,216 $1,619,216 $120
$228
13,525 13,816 8 97.90%
BE MORE CHILL
(LYCEUM)
$443,212 $443,212 $77
$248
5,791 7,128 8 81.20%
BEAUTIFUL
(STEPHEN SONDHEIM)
$442,880 $442,880 $76
$247
5,859 8,208 8 71.40%
BEETLEJUICE
(WINTER GARDEN)
$967,706 $967,706 $87
$223
11,090 11,944 8 92.80%
BURN THIS
(HUDSON)
$659,700 $659,700 $94
$325
7,033 7,680 8 91.60%
CHICAGO
(AMBASSADOR)
$683,485 $683,485 $87
$187
7,856 8,640 8 90.90%
COME FROM AWAY
(SCHOENFELD)
$850,513 $850,513 $100
$297
8,518 8,368 8 101.80%
CRISS ANGEL
(LUNT-FONTANNE)
$434,072 $434,072 $49
$297
8,794 9,702 7 90.60%
DEAR EVAN HANSEN
(MUSIC BOX)
$1,202,535 $1,202,535 $150
$348
7,995 7,872 8 101.60%
FRANKIE AND JOHNNY IN THE CLAIR DE LUNE
(BROADHURST)
$231,745 $231,745 $50
$247
4,597 9,304 8 49.40%
FROZEN
(ST. JAMES)
$1,305,287 $1,305,287 $98
$228
13,260 13,472 8 98.40%
HADESTOWN
(WALTER KERR)
$1,397,270 $1,397,270 $188
$499
7,445 7,344 8 101.40%
HAMILTON
(RICHARD RODGERS)
$3,092,755 $3,092,755 $288
$849
10,755 10,568 8 101.80%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
(LYRIC)
$1,451,748 $1,451,748 $112
$297
12,976 12,976 8 100.00%
INK
(FRIEDMAN)
$398,901 $398,901 $81
$299
4,935 5,096 8 96.80%
KING KONG
(BROADWAY)
$666,543 $666,543 $72
$198
9,289 13,904 8 66.80%
MEAN GIRLS
(AUGUST WILSON)
$1,039,179 $1,039,179 $106
$250
9,820 9,800 8 100.20%
MOULIN ROUGE!
(AL HIRSCHFELD)
$1,331,046 $1,331,046 $204
$499
6,518 6,510 5 100.10%
MY FAIR LADY
(VIVIAN BEAUMONT)
$928,852 $928,852 $112
$323
8,324 8,552 8 97.30%
OKLAHOMA!
(CIRCLE IN THE SQUARE)
$520,921 $520,921 $105
$250
4,961 5,208 8 95.30%
PRETTY WOMAN: THE MUSICAL
(NEDERLANDER)
$558,084 $558,084 $85
$275
6,710 9,344 8 71.80%
THE BOOK OF MORMON
(EUGENE O'NEILL)
$1,049,436 $1,049,436 $121
$478
8,692 8,376 8 103.80%
THE CHER SHOW
(NEIL SIMON)
$650,102 $650,102 $88
$247
7,384 11,040 8 66.90%
THE FERRYMAN
(JACOBS)
$949,617 $949,617 $118
$247
8,080 8,152 8 99.10%
THE LION KING
(MINSKOFF)
$2,580,903 $2,580,903 $191
$225
13,519 13,568 8 99.60%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$1,094,422 $1,094,422 $91
$207
11,968 12,840 8 93.20%
THE PROM
(LONGACRE)
$654,288 $654,288 $86
$247
7,646 8,360 8 91.50%
TO KILL A MOCKINGBIRD
(SHUBERT)
$1,900,573 $1,900,573 $163
$448
11,660 11,480 8 101.60%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
TOOTSIE
(MARQUIS)
$851,034 $851,034 $96
$247
8,894 12,816 8 69.40%
WAITRESS
(BROOKS ATKINSON)
$498,571 $498,571 $83
$270
5,997 8,360 8 71.70%
WHAT THE CONSTITUTION MEANS TO ME
(HAYES)
$242,210 $242,210 $105
$197
2,298 2,332 4 98.50%
WICKED
(GERSHWIN)
$1,917,159 $1,917,159 $131
$240
14,626 14,936 8 97.90%
TOTAL $34,108,643 $1,033,595 $118.39
$301.85
288,107 319,088 256 90.29%


Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source:
The Broadway League..

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