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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A STRANGE LOOP (LYCEUM) |
$690,668 | $690,668 | $105 $287 |
6,589 | 7,376 | 8 | 89.30% |
|
ALADDIN (NEW AMSTERDAM) |
$998,163 | $998,163 | $78 $200 |
12,777 | 13,816 | 8 | 92.50% |
|
AMERICAN BUFFALO (CIRCLE IN THE SQUARE) |
$536,164 | $536,164 | $110 $300 |
4,868 | 6,008 | 8 | 81.00% |
|
BEETLEJUICE (MARQUIS) |
$886,772 | $886,772 | $110 $249 |
8,067 | 12,816 | 8 | 62.90% |
|
BIRTHDAY CANDLES (AMERICAN AIRLINES) |
$266,797 | $266,797 | $71 $197 |
3,737 | 5,816 | 8 | 64.30% |
|
CHICAGO (AMBASSADOR) |
$667,946 | $667,946 | $96 $207 |
6,944 | 8,640 | 8 | 80.40% |
|
COME FROM AWAY (SCHOENFELD) |
$468,509 | $468,509 | $93 $247 |
5,048 | 8,368 | 8 | 60.30% |
|
COMPANY (JACOBS) |
$719,968 | $719,968 | $103 $327 |
7,024 | 8,368 | 8 | 83.90% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$522,764 | $522,764 | $90 $248 |
5,834 | 7,872 | 8 | 74.10% |
|
FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF (BOOTH) |
$249,354 | $249,354 | $61 $223 |
4,061 | 6,184 | 8 | 65.70% |
|
FUNNY GIRL (AUGUST WILSON) |
$1,316,457 | $1,316,457 | $137 $299 |
9,624 | 9,752 | 8 | 98.70% |
|
GIRL FROM THE NORTH COUNTRY (BELASCO) |
$289,305 | $289,305 | $73 $197 |
3,941 | 6,384 | 8 | 61.70% |
|
HADESTOWN (WALTER KERR) |
$943,569 | $943,569 | $129 $399 |
7,314 | 7,344 | 8 | 99.60% |
|
HAMILTON (RICHARD RODGERS) |
$2,053,252 | $2,053,252 | $201 $449 |
10,228 | 10,592 | 8 | 96.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HANGMEN (GOLDEN) |
$288,436 | $288,436 | $94 $223 |
3,062 | 6,416 | 8 | 47.70% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,163,099 | $1,163,099 | $114 $299 |
10,228 | 12,976 | 8 | 78.80% |
|
HOW I LEARNED TO DRIVE (FRIEDMAN) |
$364,925 | $364,925 | $84 $299 |
4,341 | 5,096 | 8 | 85.20% |
|
MACBETH (LONGACRE) |
$1,233,487 | $1,233,487 | $171 $497 |
7,226 | 7,357 | 7 | 98.20% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,352,143 | $1,352,143 | $129 $250 |
10,468 | 11,096 | 8 | 94.30% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$537,705 | $537,705 | $113 $329 |
4,750 | 5,200 | 4 | 91.30% |
|
MR. SATURDAY NIGHT (NEDERLANDER) |
$858,847 | $858,847 | $132 $299 |
6,519 | 8,337 | 7 | 78.20% |
|
MRS. DOUBTFIRE (STEPHEN SONDHEIM) |
$395,679 | $395,679 | $76 $227 |
5,222 | 8,272 | 8 | 63.10% |
|
PARADISE SQUARE (ETHEL BARRYMORE) |
$235,604 | $235,604 | $43 $248 |
5,488 | 7,856 | 8 | 69.90% |
|
PLAZA SUITE (HUDSON) |
$1,619,811 | $1,619,811 | $210 $549 |
7,720 | 7,800 | 8 | 99.00% |
|
POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM AL (SHUBERT) |
$461,864 | $461,864 | $73 $248 |
6,326 | 11,608 | 8 | 54.50% |
|
SIX (BROOKS ATKINSON) |
$1,190,681 | $1,190,681 | $146 $249 |
8,149 | 8,248 | 8 | 98.80% |
|
TAKE ME OUT (HELEN HAYES) |
$474,951 | $474,951 | $113 $299 |
4,211 | 4,648 | 8 | 90.60% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$941,031 | $941,031 | $123 $350 |
7,679 | 8,528 | 8 | 90.00% |
|
THE LION KING (MINSKOFF) |
$1,636,928 | $1,636,928 | $129 $199 |
12,659 | 13,568 | 8 | 93.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE MINUTES (STUDIO 54) |
$386,898 | $386,898 | $99 $195 |
3,890 | 5,336 | 8 | 72.90% |
|
THE MUSIC MAN (WINTER GARDEN) |
$3,377,554 | $3,377,554 | $275 $597 |
12,268 | 12,200 | 8 | 100.60% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$728,082 | $728,082 | $95 $247 |
7,704 | 12,840 | 8 | 60.00% |
|
THE SKIN OF OUR TEETH (VIVIAN BEAUMONT) |
$115,745 | $115,745 | $49 $225 |
2,371 | 5,290 | 5 | 44.80% |
|
TINA - THE TINA TURNER MUSICAL (LUNT-FONTANNE) |
$1,015,122 | $1,015,122 | $118 $249 |
8,626 | 11,824 | 8 | 73.00% |
|
WICKED (GERSHWIN) |
$1,361,373 | $1,361,373 | $123 $230 |
11,040 | 14,456 | 8 | 76.40% |
| TOTAL | $30,349,653 | $867,133 | $123.37 $289.60 |
246,003 | 308,288 | 271 | 79.80% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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