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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
ANYTHING GOES (STEPHEN SONDHEIM) |
$694,235 | $694,235 | $85 $137 |
8,201 | 8,208 | 8 | 99.90% |
ARCADIA (ETHEL BARRYMORE) |
$239,554 | $239,554 | $63 $225 |
3,831 | 8,280 | 8 | 46.30% |
BABY IT'S YOU! (BROADHURST) |
$474,820 | $474,820 | $62 $175 |
7,615 | 9,216 | 8 | 82.60% |
BENGAL TIGER AT THE BAGDHAD ZOO (RICHARD RODGERS) |
$441,996 | $441,996 | $81 $300 |
5,459 | 10,848 | 8 | 50.30% |
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$880,010 | $880,010 | $87 $199 |
10,154 | 11,368 | 8 | 89.30% |
BORN YESTERDAY (CORT) |
$243,696 | $243,696 | $56 $225 |
4,327 | 8,632 | 8 | 50.10% |
CATCH ME IF YOU CAN (NEIL SIMON) |
$654,175 | $654,175 | $67 $200 |
9,771 | 11,376 | 8 | 85.90% |
CHICAGO (AMBASSADOR) |
$576,924 | $576,924 | $79 $185 |
7,264 | 8,640 | 8 | 84.10% |
GHETTO KLOWN (LYCEUM) |
$311,450 | $311,450 | $81 $225 |
3,840 | 5,532 | 6 | 69.40% |
GOOD PEOPLE (FRIEDMAN) |
$397,233 | $397,233 | $80 $130 |
4,979 | 5,200 | 8 | 95.80% |
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (AL HIRSCHFELD) |
$985,393 | $985,393 | $91 $302 |
10,771 | 11,392 | 8 | 94.50% |
JERSEY BOYS (AUGUST WILSON) |
$1,061,397 | $1,061,397 | $111 $350 |
9,521 | 9,824 | 8 | 96.90% |
JERUSALEM (MUSIC BOX) |
$494,863 | $494,863 | $78 $225 |
6,381 | 7,984 | 8 | 79.90% |
LOMBARDI (CIRCLE IN THE SQUARE) |
$210,651 | $210,651 | $58 $200 |
3,625 | 6,320 | 8 | 57.40% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
MAMMA MIA! (WINTER GARDEN) |
$775,420 | $775,420 | $82 $200 |
9,456 | 11,984 | 8 | 78.90% |
MARY POPPINS (NEW AMSTERDAM) |
$746,232 | $746,232 | $73 $177 |
10,200 | 14,376 | 8 | 71.00% |
MEMPHIS (SHUBERT) |
$831,585 | $831,585 | $81 $250 |
10,317 | 11,760 | 8 | 87.70% |
MILLION DOLLAR QUARTET (NEDERLANDER) |
$326,664 | $326,664 | $73 $250 |
4,490 | 9,712 | 8 | 46.20% |
PRISCILLA QUEEN OF THE DESERT (PALACE) |
$950,204 | $950,204 | $86 $200 |
11,006 | 13,512 | 8 | 81.50% |
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (BROOKS ATKINSON) |
$307,554 | $307,554 | $54 $225 |
5,687 | 8,464 | 8 | 67.20% |
ROCK OF AGES (HELEN HAYES) |
$330,765 | $330,765 | $79 $175 |
4,170 | 4,664 | 8 | 89.40% |
SISTER ACT (BROADWAY) |
$812,853 | $812,853 | $70 $200 |
11,655 | 11,896 | 8 | 98.00% |
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$809,941 | $809,941 | $89 $275 |
9,150 | 9,650 | 5 | 94.80% |
THAT CHAMPIONSHIP SEASON (JACOBS) |
$446,604 | $446,604 | $82 $225 |
5,442 | 8,568 | 8 | 63.50% |
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$572,735 | $572,735 | $67 $300 |
8,541 | 12,152 | 8 | 70.30% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,130,382 | $1,130,382 | $129 $252 |
8,736 | 8,528 | 8 | 102.40% |
THE HOUSE OF BLUE LEAVES (WALTER KERR) |
$615,777 | $615,777 | $84 $275 |
7,359 | 7,528 | 8 | 97.80% |
THE IMPORTANCE OF BEING EARNEST (AMERICAN AIRLINES) |
$249,508 | $249,508 | $66 $122 |
3,755 | 5,920 | 8 | 63.40% |
THE LION KING (MINSKOFF) |
$1,562,498 | $1,562,498 | $120 $250 |
12,968 | 13,416 | 8 | 96.70% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE MOTHERF**KER WITH THE HAT (SCHOENFELD) |
$689,860 | $689,860 | $88 $275 |
7,858 | 8,568 | 8 | 91.70% |
THE NORMAL HEART (GOLDEN) |
$279,850 | $279,850 | $58 $198 |
4,866 | 6,432 | 8 | 75.70% |
THE PEOPLE IN THE PICTURE (STUDIO 54) |
$228,987 | $228,987 | $53 $122 |
4,293 | 7,976 | 8 | 53.80% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$819,388 | $819,388 | $77 $200 |
10,636 | 12,920 | 8 | 82.30% |
WAR HORSE (VIVIAN BEAUMONT) |
$836,768 | $836,768 | $98 $125 |
8,552 | 8,552 | 8 | 100.00% |
WICKED (GERSHWIN) |
$1,606,974 | $1,606,974 | $113 $300 |
14,206 | 14,472 | 8 | 98.20% |
WONDERLAND (MARQUIS) |
$432,267 | $432,267 | $43 $200 |
10,165 | 12,896 | 8 | 78.80% |
TOTAL | $23,029,213 | $639,700 | $82.47 $218.72 |
279,247 | 346,766 | 283 | 80.53% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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