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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
A STRANGE LOOP (LYCEUM) |
$476,797 | $476,797 | $96 $248 |
4,965 | 7,376 | 8 | 67.30% |
ALADDIN (NEW AMSTERDAM) |
$1,091,386 | $1,091,386 | $83 $200 |
13,123 | 13,816 | 8 | 95.00% |
AMERICAN BUFFALO (CIRCLE IN THE SQUARE) |
$514,502 | $514,502 | $110 $300 |
4,686 | 6,008 | 8 | 78.00% |
BEETLEJUICE (MARQUIS) |
$900,622 | $900,622 | $112 $249 |
8,042 | 12,816 | 8 | 62.70% |
BIRTHDAY CANDLES (AMERICAN AIRLINES) |
$264,076 | $264,076 | $73 $197 |
3,624 | 5,816 | 8 | 62.30% |
CHICAGO (AMBASSADOR) |
$684,274 | $684,274 | $96 $207 |
7,149 | 8,640 | 8 | 82.70% |
COME FROM AWAY (SCHOENFELD) |
$473,307 | $473,307 | $96 $247 |
4,926 | 8,368 | 8 | 58.90% |
COMPANY (JACOBS) |
$617,117 | $617,117 | $111 $327 |
5,563 | 8,368 | 8 | 66.50% |
DEAR EVAN HANSEN (MUSIC BOX) |
$489,004 | $489,004 | $91 $248 |
5,395 | 7,872 | 8 | 68.50% |
FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF (BOOTH) |
$159,093 | $159,093 | $66 $223 |
2,421 | 6,184 | 8 | 39.10% |
FUNNY GIRL (AUGUST WILSON) |
$1,382,856 | $1,382,856 | $145 $299 |
9,512 | 9,752 | 8 | 97.50% |
GIRL FROM THE NORTH COUNTRY (BELASCO) |
$274,782 | $274,782 | $82 $197 |
3,341 | 6,384 | 8 | 52.30% |
HADESTOWN (WALTER KERR) |
$856,528 | $856,528 | $119 $349 |
7,209 | 7,344 | 8 | 98.20% |
HAMILTON (RICHARD RODGERS) |
$2,103,020 | $2,103,020 | $210 $449 |
10,012 | 10,592 | 8 | 94.50% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
HANGMEN (GOLDEN) |
$252,543 | $252,543 | $97 $223 |
2,601 | 6,416 | 8 | 40.50% |
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,177,921 | $1,177,921 | $113 $299 |
10,466 | 12,976 | 8 | 80.70% |
HOW I LEARNED TO DRIVE (FRIEDMAN) |
$317,017 | $317,017 | $75 $299 |
4,221 | 5,096 | 8 | 82.80% |
MACBETH (LONGACRE) |
$1,365,598 | $1,365,598 | $169 $497 |
8,077 | 8,408 | 8 | 96.10% |
MJ THE MUSICAL (NEIL SIMON) |
$1,352,589 | $1,352,589 | $136 $250 |
9,973 | 11,096 | 8 | 89.90% |
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,592,498 | $1,592,498 | $154 $399 |
10,323 | 10,400 | 8 | 99.30% |
MR. SATURDAY NIGHT (NEDERLANDER) |
$565,412 | $565,412 | $139 $299 |
4,058 | 5,955 | 5 | 68.10% |
MRS. DOUBTFIRE (STEPHEN SONDHEIM) |
$477,132 | $477,132 | $84 $227 |
5,710 | 8,272 | 8 | 69.00% |
PARADISE SQUARE (ETHEL BARRYMORE) |
$193,669 | $193,669 | $40 $248 |
4,804 | 7,856 | 8 | 61.20% |
PLAZA SUITE (HUDSON) |
$1,668,783 | $1,668,783 | $215 $549 |
7,756 | 7,800 | 8 | 99.40% |
POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM AL (SHUBERT) |
$380,674 | $380,674 | $67 $248 |
5,709 | 11,608 | 8 | 49.20% |
SIX (BROOKS ATKINSON) |
$1,162,514 | $1,162,514 | $146 $249 |
7,954 | 8,248 | 8 | 96.40% |
TAKE ME OUT (HELEN HAYES) |
$351,910 | $351,910 | $105 $199 |
3,342 | 4,095 | 7 | 81.60% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$905,753 | $905,753 | $115 $299 |
7,875 | 8,528 | 8 | 92.30% |
THE LION KING (MINSKOFF) |
$1,716,181 | $1,716,181 | $130 $199 |
13,195 | 13,568 | 8 | 97.30% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE LITTLE PRINCE (BROADWAY) |
$330,668 | $330,668 | $53 $247 |
6,231 | 11,776 | 8 | 52.90% |
THE MINUTES (STUDIO 54) |
$346,283 | $346,283 | $94 $195 |
3,696 | 5,336 | 8 | 69.30% |
THE MUSIC MAN (WINTER GARDEN) |
$3,431,657 | $3,431,657 | $282 $597 |
12,151 | 12,200 | 8 | 99.60% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$742,308 | $742,308 | $95 $247 |
7,847 | 12,840 | 8 | 61.10% |
THE SKIN OF OUR TEETH (VIVIAN BEAUMONT) |
$174,481 | $174,481 | $53 $225 |
3,304 | 8,464 | 8 | 39.00% |
TINA - THE TINA TURNER MUSICAL (LUNT-FONTANNE) |
$1,065,578 | $1,065,578 | $123 $249 |
8,694 | 11,824 | 8 | 73.50% |
WICKED (GERSHWIN) |
$1,341,127 | $1,341,127 | $119 $230 |
11,264 | 14,456 | 8 | 77.90% |
TOTAL | $31,199,660 | $866,657 | $125.19 $283.69 |
249,219 | 326,554 | 284 | 76.32% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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