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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
AIN'T TOO PROUD (IMPERIAL) |
$1,494,459 | $1,494,459 | $132 $297 |
11,365 | 11,392 | 8 | 99.80% |
ALADDIN (NEW AMSTERDAM) |
$1,310,533 | $1,310,533 | $98 $213 |
13,312 | 13,816 | 8 | 96.40% |
ALL MY SONS (AMERICAN AIRLINES) |
$528,645 | $528,645 | $99 $350 |
5,354 | 5,920 | 8 | 90.40% |
BE MORE CHILL (LYCEUM) |
$407,296 | $407,296 | $86 $248 |
4,743 | 7,128 | 8 | 66.50% |
BEAUTIFUL (STEPHEN SONDHEIM) |
$633,120 | $633,120 | $93 $247 |
6,826 | 8,208 | 8 | 83.20% |
BEETLEJUICE (WINTER GARDEN) |
$856,787 | $856,787 | $90 $298 |
9,555 | 11,944 | 8 | 80.00% |
BURN THIS (HUDSON) |
$853,966 | $853,966 | $118 $325 |
7,260 | 7,680 | 8 | 94.50% |
CHICAGO (AMBASSADOR) |
$650,128 | $650,128 | $85 $187 |
7,644 | 8,640 | 8 | 88.50% |
COME FROM AWAY (SCHOENFELD) |
$989,567 | $989,567 | $117 $297 |
8,487 | 8,368 | 8 | 101.40% |
DEAR EVAN HANSEN (MUSIC BOX) |
$1,181,292 | $1,181,292 | $149 $348 |
7,931 | 7,872 | 8 | 100.70% |
FRANKIE AND JOHNNY IN THE CLAIR DE LUNE (BROADHURST) |
$280,004 | $280,004 | $50 $247 |
5,573 | 8,141 | 7 | 68.50% |
FROZEN (ST. JAMES) |
$1,032,795 | $1,032,795 | $94 $253 |
11,016 | 13,472 | 8 | 81.80% |
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$307,770 | $307,770 | $56 $273 |
5,542 | 6,160 | 8 | 90.00% |
HADESTOWN (WALTER KERR) |
$1,097,115 | $1,097,115 | $148 $399 |
7,431 | 7,344 | 8 | 101.20% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
HAMILTON (RICHARD RODGERS) |
$3,139,022 | $3,139,022 | $292 $849 |
10,753 | 10,568 | 8 | 101.80% |
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,575,933 | $1,575,933 | $121 $297 |
12,976 | 12,976 | 8 | 100.00% |
HILLARY AND CLINTON (GOLDEN) |
$395,738 | $395,738 | $72 $297 |
5,461 | 6,296 | 8 | 86.70% |
INK (FRIEDMAN) |
$408,551 | $408,551 | $94 $299 |
4,362 | 5,096 | 8 | 85.60% |
KING KONG (BROADWAY) |
$619,540 | $619,540 | $68 $248 |
9,059 | 13,904 | 8 | 65.20% |
KING LEAR (CORT) |
$460,485 | $460,485 | $81 $273 |
5,682 | 8,392 | 8 | 67.70% |
KISS ME, KATE (STUDIO 54) |
$819,804 | $819,804 | $105 $350 |
7,818 | 7,984 | 8 | 97.90% |
MEAN GIRLS (AUGUST WILSON) |
$817,418 | $817,418 | $102 $300 |
8,014 | 9,800 | 8 | 81.80% |
MORRISSEY (LUNT-FONTANNE) |
$1,881,374 | $1,881,374 | $187 $397 |
10,085 | 10,465 | 7 | 96.40% |
MY FAIR LADY (VIVIAN BEAUMONT) |
$773,979 | $773,979 | $111 $323 |
6,960 | 8,552 | 8 | 81.40% |
NETWORK (BELASCO) |
$950,745 | $950,745 | $133 $373 |
7,146 | 7,105 | 7 | 100.60% |
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$615,366 | $615,366 | $119 $250 |
5,151 | 5,208 | 8 | 98.90% |
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$821,784 | $821,784 | $108 $275 |
7,620 | 9,344 | 8 | 81.50% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,031,512 | $1,031,512 | $120 $478 |
8,579 | 8,376 | 8 | 102.40% |
THE CHER SHOW (NEIL SIMON) |
$983,477 | $983,477 | $108 $247 |
9,076 | 11,040 | 8 | 82.20% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE FERRYMAN (JACOBS) |
$563,017 | $563,017 | $96 $223 |
5,855 | 8,152 | 8 | 71.80% |
THE LION KING (MINSKOFF) |
$2,042,084 | $2,042,084 | $152 $225 |
13,440 | 13,568 | 8 | 99.10% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$916,892 | $916,892 | $86 $213 |
10,639 | 12,840 | 8 | 82.90% |
THE PROM (LONGACRE) |
$583,781 | $583,781 | $85 $247 |
6,829 | 8,360 | 8 | 81.70% |
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,632,527 | $1,632,527 | $140 $497 |
11,636 | 11,480 | 8 | 101.40% |
TOOTSIE (MARQUIS) |
$1,409,488 | $1,409,488 | $119 $247 |
11,820 | 12,816 | 8 | 92.20% |
WAITRESS (BROOKS ATKINSON) |
$696,741 | $696,741 | $96 $270 |
7,269 | 8,360 | 8 | 86.90% |
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$504,173 | $504,173 | $109 $197 |
4,608 | 4,664 | 8 | 98.80% |
WICKED (GERSHWIN) |
$1,588,434 | $1,588,434 | $118 $240 |
13,482 | 14,456 | 8 | 93.30% |
TOTAL | $36,855,347 | $969,878 | $116.50 $305.11 |
316,359 | 355,887 | 301 | 88.89% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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