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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
A BRONX TALE THE MUSICAL (LONGACRE) |
$593,411 | $593,411 | $89 $225 |
6,675 | 8,352 | 8 | 79.90% |
ALADDIN (NEW AMSTERDAM) |
$1,341,077 | $1,341,077 | $99 $216 |
13,521 | 13,816 | 8 | 97.90% |
ANASTASIA (BROADHURST) |
$806,434 | $806,434 | $96 $273 |
8,382 | 9,144 | 8 | 91.70% |
ANGELS IN AMERICA (NEIL SIMON) |
$927,966 | $927,966 | $102 $247 |
9,084 | 9,954 | 7 | 91.30% |
BEAUTIFUL (STEPHEN SONDHEIM) |
$749,830 | $749,830 | $112 $247 |
6,701 | 8,208 | 8 | 81.60% |
CAROUSEL (IMPERIAL) |
$1,241,539 | $1,241,539 | $122 $323 |
10,181 | 11,424 | 8 | 89.10% |
CHICAGO (AMBASSADOR) |
$729,491 | $729,491 | $88 $187 |
8,337 | 8,640 | 8 | 96.50% |
CHILDREN OF A LESSER GOD (STUDIO 54) |
$350,755 | $350,755 | $54 $247 |
6,514 | 8,032 | 8 | 81.10% |
COME FROM AWAY (SCHOENFELD) |
$1,244,395 | $1,244,395 | $146 $347 |
8,520 | 8,368 | 8 | 101.80% |
DEAR EVAN HANSEN (MUSIC BOX) |
$1,682,484 | $1,682,484 | $211 $448 |
7,985 | 7,872 | 8 | 101.40% |
ESCAPE TO MARGARITAVILLE (MARQUIS) |
$623,747 | $623,747 | $88 $247 |
7,098 | 13,008 | 8 | 54.60% |
FROZEN (ST. JAMES) |
$1,721,926 | $1,721,926 | $130 $297 |
13,225 | 13,440 | 8 | 98.40% |
HAMILTON (RICHARD RODGERS) |
$2,816,606 | $2,816,606 | $262 $849 |
10,738 | 10,568 | 8 | 101.60% |
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$2,125,043 | $2,125,043 | $164 $297 |
12,976 | 12,976 | 8 | 100.00% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
HELLO, DOLLY! (SHUBERT) |
$1,026,124 | $1,026,124 | $96 $297 |
10,700 | 11,568 | 8 | 92.50% |
KINKY BOOTS (AL HIRSCHFELD) |
$676,765 | $676,765 | $88 $249 |
7,654 | 11,392 | 8 | 67.20% |
LOBBY HERO (HAYES) |
$576,721 | $576,721 | $124 $299 |
4,635 | 4,648 | 8 | 99.70% |
MEAN GIRLS (AUGUST WILSON) |
$1,496,978 | $1,496,978 | $151 $378 |
9,892 | 9,800 | 8 | 100.90% |
MY FAIR LADY (VIVIAN BEAUMONT) |
$1,127,666 | $1,127,666 | $132 $323 |
8,553 | 8,552 | 8 | 100.00% |
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$523,075 | $523,075 | $100 $250 |
5,225 | 5,568 | 8 | 93.80% |
SAINT JOAN (FRIEDMAN) |
$218,007 | $218,007 | $53 $199 |
4,145 | 5,176 | 8 | 80.10% |
SCHOOL OF ROCK (WINTER GARDEN) |
$773,758 | $773,758 | $83 $248 |
9,335 | 12,184 | 8 | 76.60% |
SPONGEBOB SQUAREPANTS (PALACE) |
$691,085 | $691,085 | $64 $248 |
10,725 | 12,880 | 8 | 83.30% |
SPRINGSTEEN ON BROADWAY (WALTER KERR) |
$2,411,033 | $2,411,033 | $509 $850 |
4,740 | 4,740 | 5 | 100.00% |
SUMMER (LUNT-FONTANNE) |
$1,125,078 | $1,125,078 | $108 $197 |
10,423 | 11,760 | 8 | 88.60% |
THE BAND'S VISIT (ETHEL BARRYMORE) |
$872,347 | $872,347 | $106 $247 |
8,216 | 8,312 | 8 | 98.80% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,156,336 | $1,156,336 | $134 $478 |
8,661 | 8,376 | 8 | 103.40% |
THE BOYS IN THE BAND (BOOTH) |
$877,471 | $877,471 | $162 $348 |
5,430 | 5,418 | 7 | 100.20% |
THE ICEMAN COMETH (JACOBS) |
$1,120,651 | $1,120,651 | $152 $397 |
7,354 | 7,378 | 7 | 99.70% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE LION KING (MINSKOFF) |
$1,834,578 | $1,834,578 | $154 $225 |
11,876 | 11,872 | 7 | 100.00% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,097,788 | $1,097,788 | $90 $213 |
12,210 | 12,840 | 8 | 95.10% |
THE PLAY THAT GOES WRONG (LYCEUM) |
$314,323 | $314,323 | $65 $197 |
4,820 | 6,832 | 8 | 70.60% |
THREE TALL WOMEN (GOLDEN) |
$923,374 | $923,374 | $147 $373 |
6,296 | 6,296 | 8 | 100.00% |
TRAVESTIES (AMERICAN AIRLINES) |
$400,681 | $400,681 | $88 $250 |
4,578 | 5,816 | 8 | 78.70% |
WAITRESS (BROOKS ATKINSON) |
$880,752 | $880,752 | $119 $270 |
7,386 | 8,360 | 8 | 88.30% |
WICKED (GERSHWIN) |
$1,541,991 | $1,541,991 | $115 $240 |
13,372 | 14,456 | 8 | 92.50% |
TOTAL | $38,621,286 | $1,072,814 | $126.15 $311.76 |
306,163 | 338,026 | 281 | 90.57% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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