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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
ALADDIN (NEW AMSTERDAM) |
$1,397,674 | $1,397,674 | $103 $228 |
13,549 | 13,816 | 8 | 98.10% |
AMERICAN PSYCHO (SCHOENFELD) |
$492,703 | $492,703 | $78 $248 |
6,341 | 8,248 | 8 | 76.90% |
AN AMERICAN IN PARIS (PALACE) |
$842,148 | $842,148 | $89 $223 |
9,494 | 13,432 | 8 | 70.70% |
BEAUTIFUL (STEPHEN SONDHEIM) |
$926,725 | $926,725 | $125 $299 |
7,405 | 8,208 | 8 | 90.20% |
BLACKBIRD (BELASCO) |
$408,567 | $408,567 | $75 $248 |
5,470 | 8,112 | 8 | 67.40% |
BRIGHT STAR (CORT) |
$416,362 | $416,362 | $73 $248 |
5,716 | 8,352 | 8 | 68.40% |
CHICAGO (AMBASSADOR) |
$550,045 | $550,045 | $84 $186 |
6,533 | 8,640 | 8 | 75.60% |
DISASTER! (NEDERLANDER) |
$387,184 | $387,184 | $65 $197 |
5,945 | 9,584 | 8 | 62.00% |
ECLIPSED (GOLDEN) |
$329,271 | $329,271 | $78 $198 |
4,246 | 6,416 | 8 | 66.20% |
FIDDLER ON THE ROOF (BROADWAY) |
$754,291 | $754,291 | $87 $225 |
8,712 | 13,656 | 8 | 63.80% |
FINDING NEVERLAND (LUNT-FONTANNE) |
$527,545 | $527,545 | $76 $225 |
6,903 | 12,032 | 8 | 57.40% |
FULLY COMMITTED (LYCEUM) |
$385,642 | $385,642 | $77 $250 |
4,995 | 7,312 | 8 | 68.30% |
FUN HOME (CIRCLE IN THE SQUARE) |
$415,694 | $415,694 | $81 $220 |
5,117 | 5,920 | 8 | 86.40% |
HAMILTON (RICHARD RODGERS) |
$1,833,473 | $1,833,473 | $170 $475 |
10,754 | 10,568 | 8 | 101.80% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
JERSEY BOYS (AUGUST WILSON) |
$520,425 | $520,425 | $91 $199 |
5,701 | 9,824 | 8 | 58.00% |
KINKY BOOTS (AL HIRSCHFELD) |
$677,547 | $677,547 | $95 $299 |
7,146 | 11,392 | 8 | 62.70% |
LES MISÉRABLES (IMPERIAL) |
$622,687 | $622,687 | $79 $225 |
7,901 | 11,272 | 8 | 70.10% |
LONG DAY'S JOURNEY INTO NIGHT (AMERICAN AIRLINES) |
$433,606 | $433,606 | $86 $252 |
5,047 | 5,180 | 7 | 97.40% |
MATILDA (SHUBERT) |
$675,744 | $675,744 | $78 $250 |
8,697 | 11,456 | 8 | 75.90% |
ON YOUR FEET! (MARQUIS) |
$959,447 | $959,447 | $100 $199 |
9,619 | 13,008 | 8 | 73.90% |
PARAMOUR (LYRIC) |
$1,074,996 | $1,074,996 | $94 $199 |
11,443 | 13,272 | 7 | 86.20% |
SCHOOL OF ROCK (WINTER GARDEN) |
$816,811 | $816,811 | $86 $248 |
9,472 | 11,960 | 8 | 79.20% |
SHE LOVES ME (STUDIO 54) |
$619,969 | $619,969 | $87 $252 |
7,138 | 8,064 | 8 | 88.50% |
SHUFFLE ALONG, OR, THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT (MUSIC BOX) |
$924,352 | $924,352 | $119 $373 |
7,771 | 7,704 | 8 | 100.90% |
SOMETHING ROTTEN! (ST. JAMES) |
$565,473 | $565,473 | $80 $252 |
7,108 | 12,688 | 8 | 56.00% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,289,782 | $1,289,782 | $148 $477 |
8,692 | 8,528 | 8 | 101.90% |
THE COLOR PURPLE (JACOBS) |
$967,352 | $967,352 | $116 $193 |
8,330 | 8,408 | 8 | 99.10% |
THE CRUCIBLE (WALTER KERR) |
$618,331 | $618,331 | $94 $327 |
6,590 | 7,600 | 8 | 86.70% |
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$359,124 | $359,124 | $73 $233 |
4,944 | 8,144 | 8 | 60.70% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE FATHER (FRIEDMAN) |
$257,203 | $257,203 | $72 $0 |
3,574 | 5,200 | 8 | 68.70% |
THE HUMANS (HELEN HAYES) |
$432,744 | $432,744 | $105 $248 |
4,136 | 4,608 | 8 | 89.80% |
THE KING AND I (VIVIAN BEAUMONT) |
$567,326 | $567,326 | $87 $297 |
6,515 | 8,376 | 8 | 77.80% |
THE LION KING (MINSKOFF) |
$2,007,738 | $2,007,738 | $149 $225 |
13,489 | 13,568 | 8 | 99.40% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$803,456 | $803,456 | $85 $200 |
9,474 | 12,840 | 8 | 73.80% |
TUCK EVERLASTING (BROADHURST) |
$282,911 | $282,911 | $47 $223 |
6,009 | 9,288 | 8 | 64.70% |
WAITRESS (BROOKS ATKINSON) |
$960,477 | $960,477 | $115 $270 |
8,375 | 8,360 | 8 | 100.20% |
WICKED (GERSHWIN) |
$1,474,349 | $1,474,349 | $116 $240 |
12,691 | 14,456 | 8 | 87.80% |
TOTAL | $27,579,174 | $745,383 | $98.13 $247.31 |
281,042 | 359,492 | 294 | 78.18% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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