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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$663,459 | $663,459 | $94 $250 |
7,065 | 7,256 | 8 | 97.40% |
|
A RAISIN IN THE SUN (ETHEL BARRYMORE) |
$1,184,774 | $1,184,774 | $142 $348 |
8,368 | 8,368 | 8 | 100.00% |
|
ACT ONE (VIVIAN BEAUMONT) |
$433,912 | $433,912 | $74 $135 |
5,867 | 8,672 | 8 | 67.70% |
|
AFTER MIDNIGHT (BROOKS ATKINSON) |
$658,463 | $658,463 | $88 $197 |
7,493 | 8,288 | 8 | 90.40% |
|
ALADDIN (NEW AMSTERDAM) |
$1,171,988 | $1,171,988 | $85 $200 |
13,782 | 13,784 | 8 | 100.00% |
|
ALL THE WAY (NEIL SIMON) |
$828,296 | $828,296 | $116 $225 |
7,120 | 8,532 | 6 | 83.50% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,087,702 | $1,087,702 | $132 $252 |
8,259 | 8,208 | 8 | 100.60% |
|
BULLETS OVER BROADWAY (ST. JAMES) |
$952,840 | $952,840 | $91 $252 |
10,481 | 13,040 | 8 | 80.40% |
|
CABARET (STUDIO 54) |
$783,761 | $783,761 | $111 $162 |
7,083 | 7,096 | 8 | 99.80% |
|
CASA VALENTINA (FRIEDMAN) |
$249,728 | $249,728 | $57 $125 |
4,409 | 5,152 | 8 | 85.60% |
|
CHICAGO (AMBASSADOR) |
$597,445 | $597,445 | $82 $186 |
7,244 | 8,640 | 8 | 83.80% |
|
CINDERELLA (BROADWAY) |
$742,072 | $742,072 | $78 $297 |
9,536 | 14,008 | 8 | 68.10% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$971,988 | $971,988 | $135 $248 |
7,210 | 7,049 | 7 | 102.30% |
|
IF/THEN (RICHARD RODGERS) |
$1,001,802 | $1,001,802 | $106 $223 |
9,408 | 10,488 | 8 | 89.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
JERSEY BOYS (AUGUST WILSON) |
$744,831 | $744,831 | $100 $237 |
7,436 | 9,824 | 8 | 75.70% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$668,658 | $668,658 | $121 $349 |
5,524 | 5,696 | 4 | 97.00% |
|
LADY DAY AT EMERSON'S BAR & GRILL (CIRCLE IN THE SQUARE) |
$528,025 | $528,025 | $113 $300 |
4,664 | 4,774 | 7 | 97.70% |
|
LES MISÉRABLES (IMPERIAL) |
$1,049,079 | $1,049,079 | $105 $273 |
10,028 | 11,272 | 8 | 89.00% |
|
MAMMA MIA! (BROADHURST) |
$696,527 | $696,527 | $88 $225 |
7,881 | 9,328 | 8 | 84.50% |
|
MATILDA (SHUBERT) |
$915,544 | $915,544 | $90 $250 |
10,217 | 11,456 | 8 | 89.20% |
|
MOTHERS AND SONS (GOLDEN) |
$203,679 | $203,679 | $64 $225 |
3,194 | 6,416 | 8 | 49.80% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$1,159,405 | $1,159,405 | $105 $250 |
11,032 | 12,056 | 8 | 91.50% |
|
NEWSIES (NEDERLANDER) |
$592,716 | $592,716 | $73 $199 |
8,132 | 9,480 | 8 | 85.80% |
|
OF MICE AND MEN (LONGACRE) |
$852,668 | $852,668 | $105 $223 |
8,156 | 8,584 | 8 | 95.00% |
|
ONCE (JACOBS) |
$469,441 | $469,441 | $87 $198 |
5,369 | 8,472 | 8 | 63.40% |
|
PIPPIN (MUSIC BOX) |
$615,001 | $615,001 | $91 $225 |
6,784 | 7,920 | 8 | 85.70% |
|
ROCK OF AGES (HELEN HAYES) |
$310,326 | $310,326 | $84 $197 |
3,701 | 4,664 | 8 | 79.40% |
|
ROCKY (WINTER GARDEN) |
$741,927 | $741,927 | $84 $248 |
8,795 | 12,128 | 8 | 72.50% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,667,542 | $1,667,542 | $191 $477 |
8,752 | 8,528 | 8 | 102.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE BRIDGES OF MADISON COUNTY (SCHOENFELD) |
$392,986 | $392,986 | $63 $223 |
6,221 | 8,152 | 8 | 76.30% |
|
THE CRIPPLE OF INISHMAAN (CORT) |
$571,593 | $571,593 | $91 $248 |
6,309 | 8,584 | 8 | 73.50% |
|
THE LION KING (MINSKOFF) |
$1,693,549 | $1,693,549 | $142 $198 |
11,904 | 11,900 | 7 | 100.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$882,551 | $882,551 | $81 $200 |
10,886 | 12,840 | 8 | 84.80% |
|
THE REALISTIC JONESES (LYCEUM) |
$569,042 | $569,042 | $94 $223 |
6,046 | 6,976 | 8 | 86.70% |
|
VIOLET (AMERICAN AIRLINES) |
$360,843 | $360,843 | $72 $142 |
5,014 | 5,872 | 8 | 85.40% |
|
WICKED (GERSHWIN) |
$1,736,317 | $1,736,317 | $118 $300 |
14,711 | 15,184 | 8 | 96.90% |
| TOTAL | $28,750,480 | $798,624 | $101.21 $236.35 |
284,081 | 328,687 | 279 | 86.43% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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