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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$993,910 | $993,910 | $130 $323 |
7,668 | 8,208 | 8 | 93.40% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$852,506 | $852,506 | $150 $348 |
5,678 | 9,224 | 8 | 61.60% |
|
ALADDIN (NEW AMSTERDAM) |
$1,344,150 | $1,344,150 | $103 $216 |
13,081 | 13,816 | 8 | 94.70% |
|
AN ENEMY OF THE PEOPLE (CIRCLE IN THE SQUARE) |
$1,080,790 | $1,080,790 | $159 $480 |
6,802 | 6,624 | 8 | 102.70% |
|
APPROPRIATE (BELASCO) |
$649,404 | $649,404 | $112 $297 |
5,793 | 6,504 | 8 | 89.10% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$1,050,936 | $1,050,936 | $101 $267 |
10,435 | 11,824 | 8 | 88.30% |
|
CABARET AT THE KIT KAT CLUB (AUGUST WILSON) |
$823,217 | $823,217 | $128 $599 |
6,426 | 6,420 | 6 | 100.10% |
|
CHICAGO (AMBASSADOR) |
$602,582 | $602,582 | $100 $237 |
6,034 | 8,640 | 8 | 69.80% |
|
DOUBT: A PARABLE (TODD HAIMES) |
$549,803 | $549,803 | $102 $323 |
5,413 | 5,816 | 8 | 93.10% |
|
HADESTOWN (WALTER KERR) |
$857,390 | $857,390 | $118 $274 |
7,292 | 7,344 | 8 | 99.30% |
|
HAMILTON (RICHARD RODGERS) |
$1,897,663 | $1,897,663 | $180 $399 |
10,514 | 10,592 | 8 | 99.30% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,141,596 | $1,141,596 | $109 $299 |
10,438 | 12,976 | 8 | 80.40% |
|
HELL'S KITCHEN (SHUBERT) |
$776,634 | $776,634 | $79 $323 |
9,873 | 10,101 | 7 | 97.70% |
|
KIMBERLY AKIMBO (BOOTH) |
$511,958 | $511,958 | $100 $273 |
5,129 | 6,184 | 8 | 82.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LEMPICKA (LONGACRE) |
$354,585 | $354,585 | $56 $248 |
6,278 | 8,376 | 8 | 75.00% |
|
MARY JANE (FRIEDMAN) |
$373,284 | $373,284 | $76 $299 |
4,929 | 5,144 | 8 | 95.80% |
|
MERRILY WE ROLL ALONG (HUDSON) |
$1,313,359 | $1,313,359 | $170 $649 |
7,728 | 7,728 | 8 | 100.00% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,509,885 | $1,509,885 | $147 $329 |
10,286 | 11,096 | 8 | 92.70% |
|
MOTHER PLAY (HAYES) |
$520,636 | $520,636 | $113 $297 |
4,591 | 4,648 | 8 | 98.80% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,400,282 | $1,400,282 | $135 $399 |
10,371 | 10,400 | 8 | 99.70% |
|
PATRIOTS (ETHEL BARRYMORE) |
$375,842 | $375,842 | $56 $273 |
6,688 | 7,245 | 7 | 92.30% |
|
SIX (LENA HORNE) |
$926,211 | $926,211 | $115 $249 |
8,057 | 8,248 | 8 | 97.70% |
|
STEREOPHONIC (GOLDEN) |
$335,737 | $335,737 | $62 $297 |
5,446 | 5,446 | 7 | 100.00% |
|
SUFFS (MUSIC BOX) |
$555,012 | $555,012 | $76 $278 |
7,273 | 7,784 | 8 | 93.40% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,391,061 | $1,391,061 | $138 $329 |
10,062 | 10,486 | 7 | 96.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$892,498 | $892,498 | $110 $299 |
8,131 | 8,528 | 8 | 95.30% |
|
THE GREAT GATSBY (BROADWAY) |
$1,033,970 | $1,033,970 | $91 $277 |
11,308 | 11,880 | 8 | 95.20% |
|
THE HEART OF ROCK AND ROLL (JAMES EARL JONES) |
$262,179 | $262,179 | $38 $267 |
6,910 | 8,568 | 8 | 80.60% |
|
THE LION KING (MINSKOFF) |
$2,174,986 | $2,174,986 | $171 $277 |
12,725 | 13,568 | 8 | 93.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE NOTEBOOK (SCHOENFELD) |
$772,046 | $772,046 | $111 $323 |
6,930 | 8,136 | 8 | 85.20% |
|
THE OUTSIDERS (JACOBS) |
$889,738 | $889,738 | $110 $278 |
8,078 | 8,184 | 8 | 98.70% |
|
THE WHO'S TOMMY (NEDERLANDER) |
$1,028,078 | $1,028,078 | $132 $299 |
7,764 | 9,400 | 8 | 82.60% |
|
THE WIZ (MARQUIS) |
$1,481,592 | $1,481,592 | $117 $399 |
12,650 | 12,800 | 8 | 98.80% |
|
UNCLE VANYA (VIVIAN BEAUMONT) |
$928,893 | $928,893 | $113 $299 |
8,244 | 8,376 | 8 | 98.40% |
|
WATER FOR ELEPHANTS (IMPERIAL) |
$1,032,068 | $1,032,068 | $113 $278 |
9,123 | 11,080 | 8 | 82.30% |
|
WICKED (GERSHWIN) |
$1,966,132 | $1,966,132 | $131 $275 |
14,959 | 15,408 | 8 | 97.10% |
| TOTAL | $34,650,614 | $962,517 | $115.85 $321.53 |
299,107 | 326,802 | 282 | 91.53% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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