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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,396,582 | $1,396,582 | $124 $297 |
11,282 | 11,392 | 8 | 99.00% |
|
ALADDIN (NEW AMSTERDAM) |
$2,048,492 | $2,048,492 | $132 $253 |
15,537 | 15,543 | 9 | 100.00% |
|
ALL MY SONS (AMERICAN AIRLINES) |
$482,132 | $482,132 | $85 $350 |
5,689 | 5,920 | 8 | 96.10% |
|
BE MORE CHILL (LYCEUM) |
$727,661 | $727,661 | $107 $248 |
6,789 | 7,128 | 8 | 95.20% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$588,216 | $588,216 | $88 $247 |
6,664 | 8,208 | 8 | 81.20% |
|
BEETLEJUICE (WINTER GARDEN) |
$797,929 | $797,929 | $77 $298 |
10,375 | 10,451 | 7 | 99.30% |
|
BURN THIS (HUDSON) |
$768,766 | $768,766 | $102 $325 |
7,509 | 7,680 | 8 | 97.80% |
|
CHICAGO (AMBASSADOR) |
$809,762 | $809,762 | $95 $207 |
8,511 | 8,640 | 8 | 98.50% |
|
COME FROM AWAY (SCHOENFELD) |
$1,032,438 | $1,032,438 | $121 $297 |
8,530 | 8,368 | 8 | 101.90% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,421,559 | $1,421,559 | $178 $348 |
7,998 | 7,872 | 8 | 101.60% |
|
FROZEN (ST. JAMES) |
$1,784,138 | $1,784,138 | $119 $300 |
15,005 | 15,156 | 9 | 99.00% |
|
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$300,613 | $300,613 | $50 $273 |
6,020 | 6,160 | 8 | 97.70% |
|
HADESTOWN (WALTER KERR) |
$776,253 | $776,253 | $105 $399 |
7,381 | 7,344 | 8 | 100.50% |
|
HAMILTON (RICHARD RODGERS) |
$3,299,435 | $3,299,435 | $307 $849 |
10,749 | 10,568 | 8 | 101.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$2,021,090 | $2,021,090 | $156 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HILLARY AND CLINTON (GOLDEN) |
$340,825 | $340,825 | $56 $297 |
6,080 | 6,296 | 8 | 96.60% |
|
INK (FRIEDMAN) |
$316,263 | $316,263 | $68 $279 |
4,671 | 5,096 | 8 | 91.70% |
|
KING KONG (BROADWAY) |
$986,113 | $986,113 | $81 $347 |
12,112 | 13,904 | 8 | 87.10% |
|
KING LEAR (CORT) |
$608,716 | $608,716 | $94 $273 |
6,482 | 8,392 | 8 | 77.20% |
|
KISS ME, KATE (STUDIO 54) |
$779,009 | $779,009 | $99 $250 |
7,894 | 7,984 | 8 | 98.90% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,360,359 | $1,360,359 | $138 $325 |
9,854 | 9,800 | 8 | 100.60% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$885,763 | $885,763 | $109 $323 |
8,096 | 8,552 | 8 | 94.70% |
|
NETWORK (BELASCO) |
$1,020,896 | $1,020,896 | $144 $373 |
7,107 | 7,105 | 7 | 100.00% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$604,973 | $604,973 | $115 $250 |
5,265 | 5,184 | 8 | 101.60% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$808,523 | $808,523 | $99 $275 |
8,127 | 9,344 | 8 | 87.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,123,520 | $1,123,520 | $129 $478 |
8,688 | 8,376 | 8 | 103.70% |
|
THE CHER SHOW (NEIL SIMON) |
$790,986 | $790,986 | $92 $247 |
8,566 | 11,040 | 8 | 77.60% |
|
THE FERRYMAN (JACOBS) |
$517,931 | $517,931 | $94 $223 |
5,534 | 8,152 | 8 | 67.90% |
|
THE LION KING (MINSKOFF) |
$3,149,674 | $3,149,674 | $207 $225 |
15,230 | 15,264 | 9 | 99.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,444,821 | $1,444,821 | $117 $247 |
12,389 | 12,840 | 8 | 96.50% |
|
THE PROM (LONGACRE) |
$659,804 | $659,804 | $87 $297 |
7,546 | 8,360 | 8 | 90.30% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,720,828 | $1,720,828 | $148 $497 |
11,662 | 11,480 | 8 | 101.60% |
|
TOOTSIE (MARQUIS) |
$907,612 | $907,612 | $74 $247 |
12,287 | 12,816 | 8 | 95.90% |
|
WAITRESS (BROOKS ATKINSON) |
$842,417 | $842,417 | $104 $270 |
8,062 | 8,360 | 8 | 96.40% |
|
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$462,612 | $462,612 | $101 $197 |
4,603 | 4,664 | 8 | 98.70% |
|
WICKED (GERSHWIN) |
$2,633,078 | $2,633,078 | $156 $240 |
16,930 | 17,334 | 9 | 97.70% |
| TOTAL | $40,219,790 | $1,117,216 | $122.55 $309.58 |
328,200 | 343,749 | 290 | 95.48% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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