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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
ALADDIN (NEW AMSTERDAM) |
$1,451,714 | $1,451,714 | $108 $228 |
13,436 | 13,816 | 8 | 97.20% |
AMERICAN PSYCHO (SCHOENFELD) |
$505,917 | $505,917 | $78 $248 |
6,480 | 7,217 | 7 | 89.80% |
AN AMERICAN IN PARIS (PALACE) |
$930,052 | $930,052 | $92 $223 |
10,161 | 13,432 | 8 | 75.60% |
BEAUTIFUL (STEPHEN SONDHEIM) |
$927,363 | $927,363 | $121 $299 |
7,642 | 8,208 | 8 | 93.10% |
BLACKBIRD (BELASCO) |
$414,556 | $414,556 | $82 $248 |
5,064 | 8,112 | 8 | 62.40% |
BRIGHT STAR (CORT) |
$420,690 | $420,690 | $71 $248 |
5,898 | 8,384 | 8 | 70.30% |
CHICAGO (AMBASSADOR) |
$509,671 | $509,671 | $80 $186 |
6,337 | 8,640 | 8 | 73.30% |
DISASTER! (NEDERLANDER) |
$287,222 | $287,222 | $65 $197 |
4,390 | 9,584 | 8 | 45.80% |
ECLIPSED (GOLDEN) |
$303,684 | $303,684 | $70 $198 |
4,338 | 6,416 | 8 | 67.60% |
FIDDLER ON THE ROOF (BROADWAY) |
$747,626 | $747,626 | $88 $225 |
8,512 | 13,656 | 8 | 62.30% |
FINDING NEVERLAND (LUNT-FONTANNE) |
$571,983 | $571,983 | $72 $225 |
7,963 | 12,032 | 8 | 66.20% |
FULLY COMMITTED (LYCEUM) |
$387,494 | $387,494 | $75 $250 |
5,137 | 7,312 | 8 | 70.30% |
FUN HOME (CIRCLE IN THE SQUARE) |
$416,678 | $416,678 | $84 $220 |
4,972 | 5,920 | 8 | 84.00% |
HAMILTON (RICHARD RODGERS) |
$1,678,620 | $1,678,620 | $156 $475 |
10,732 | 10,568 | 8 | 101.60% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
JERSEY BOYS (AUGUST WILSON) |
$525,127 | $525,127 | $90 $199 |
5,810 | 9,824 | 8 | 59.10% |
KINKY BOOTS (AL HIRSCHFELD) |
$683,090 | $683,090 | $93 $299 |
7,341 | 11,392 | 8 | 64.40% |
LES MISÉRABLES (IMPERIAL) |
$652,783 | $652,783 | $81 $225 |
8,098 | 11,272 | 8 | 71.80% |
LONG DAY'S JOURNEY INTO NIGHT (AMERICAN AIRLINES) |
$375,709 | $375,709 | $77 $252 |
4,871 | 5,180 | 7 | 94.00% |
MATILDA (SHUBERT) |
$774,997 | $774,997 | $81 $250 |
9,529 | 11,456 | 8 | 83.20% |
ON YOUR FEET! (MARQUIS) |
$883,616 | $883,616 | $103 $199 |
8,573 | 13,008 | 8 | 65.90% |
PARAMOUR (LYRIC) |
$190,774 | $190,774 | $101 $199 |
1,897 | 1,896 | 1 | 100.10% |
SCHOOL OF ROCK (WINTER GARDEN) |
$1,022,302 | $1,022,302 | $100 $248 |
10,185 | 11,960 | 8 | 85.20% |
SHE LOVES ME (STUDIO 54) |
$573,941 | $573,941 | $83 $252 |
6,934 | 8,064 | 8 | 86.00% |
SHUFFLE ALONG, OR, THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT (MUSIC BOX) |
$872,205 | $872,205 | $113 $373 |
7,689 | 7,704 | 8 | 99.80% |
SOMETHING ROTTEN! (ST. JAMES) |
$681,402 | $681,402 | $81 $277 |
8,402 | 12,032 | 8 | 69.80% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,343,502 | $1,343,502 | $155 $477 |
8,696 | 8,528 | 8 | 102.00% |
THE COLOR PURPLE (JACOBS) |
$696,493 | $696,493 | $103 $193 |
6,752 | 8,408 | 8 | 80.30% |
THE CRUCIBLE (WALTER KERR) |
$705,805 | $705,805 | $99 $327 |
7,160 | 7,600 | 8 | 94.20% |
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$424,175 | $424,175 | $73 $233 |
5,799 | 8,144 | 8 | 71.20% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE FATHER (FRIEDMAN) |
$226,272 | $226,272 | $50 $150 |
4,548 | 5,200 | 8 | 87.50% |
THE HUMANS (HELEN HAYES) |
$394,296 | $394,296 | $94 $248 |
4,210 | 4,608 | 8 | 91.40% |
THE KING AND I (VIVIAN BEAUMONT) |
$1,013,157 | $1,013,157 | $125 $297 |
8,083 | 8,376 | 8 | 96.50% |
THE LION KING (MINSKOFF) |
$1,939,509 | $1,939,509 | $145 $225 |
13,402 | 13,568 | 8 | 98.80% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$755,682 | $755,682 | $86 $200 |
8,793 | 12,840 | 8 | 68.50% |
TUCK EVERLASTING (BROADHURST) |
$339,031 | $339,031 | $46 $223 |
7,338 | 9,288 | 8 | 79.00% |
WAITRESS (BROOKS ATKINSON) |
$937,590 | $937,590 | $112 $270 |
8,405 | 8,360 | 8 | 100.50% |
WICKED (GERSHWIN) |
$1,612,361 | $1,612,361 | $118 $240 |
13,637 | 14,456 | 8 | 94.30% |
TOTAL | $27,177,089 | $734,516 | $98.04 $252.04 |
277,214 | 346,461 | 287 | 80.01% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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