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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
110 IN THE SHADE (STUDIO 54) |
$262,544 | $262,544 | $50 $111 |
5,272 | 6,972 | 7 | 75.60% |
A CHORUS LINE (SCHOENFELD) |
$659,890 | $659,890 | $88 $301 |
7,490 | 8,552 | 8 | 87.60% |
A MOON FOR THE MISBEGOTTEN (BROOKS ATKINSON) |
$524,353 | $524,353 | $77 $252 |
6,774 | 7,238 | 7 | 93.60% |
AVENUE Q (Golden) |
$337,656 | $337,656 | $69 $201 |
4,929 | 6,368 | 8 | 77.40% |
BEAUTY AND THE BEAST (LUNT-FONTANNE) |
$741,487 | $741,487 | $68 $175 |
10,875 | 12,072 | 8 | 90.10% |
CHICAGO (AMBASSADOR) |
$522,585 | $522,585 | $70 $251 |
7,462 | 8,640 | 8 | 86.40% |
COMPANY (BARRYMORE) |
$254,023 | $254,023 | $64 $251 |
3,939 | 8,368 | 8 | 47.10% |
CORAM BOY (IMPERIAL) |
$210,256 | $210,256 | $48 $176 |
4,370 | 10,017 | 7 | 43.60% |
CURTAINS (AL HIRSCHFELD) |
$782,575 | $782,575 | $80 $252 |
9,776 | 11,376 | 8 | 85.90% |
DEUCE (MUSIC BOX) |
$401,553 | $401,553 | $64 $251 |
6,240 | 8,072 | 8 | 77.30% |
FROST/NIXON (JACOBS) |
$276,606 | $276,606 | $61 $201 |
4,566 | 8,560 | 8 | 53.30% |
GREY GARDENS (WALTER KERR) |
$323,278 | $323,278 | $71 $252 |
4,535 | 7,376 | 8 | 61.50% |
HAIRSPRAY (NEIL SIMON) |
$620,032 | $620,032 | $63 $240 |
9,778 | 11,424 | 8 | 85.60% |
INHERIT THE WIND (LYCEUM) |
$409,140 | $409,140 | $67 $251 |
6,086 | 7,448 | 8 | 81.70% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
JERSEY BOYS (AUGUST WILSON) |
$1,162,541 | $1,162,541 | $118 $352 |
9,844 | 9,776 | 8 | 100.70% |
JOURNEY'S END (BELASCO) |
$160,917 | $160,917 | $50 $201 |
3,196 | 8,136 | 8 | 39.30% |
LEGALLY BLONDE (PALACE) |
$667,355 | $667,355 | $60 $250 |
11,134 | 11,459 | 7 | 97.20% |
LES MISÉRABLES (BROADHURST) |
$636,084 | $636,084 | $73 $251 |
8,704 | 8,976 | 8 | 97.00% |
LOVEMUSIK (BILTMORE) |
$228,794 | $228,794 | $60 $101 |
3,801 | 4,952 | 8 | 76.80% |
MAMMA MIA! (WINTER GARDEN) |
$900,289 | $900,289 | $77 $251 |
11,767 | 11,984 | 8 | 98.20% |
MARY POPPINS (NEW AMSTERDAM) |
$1,147,284 | $1,147,284 | $83 $250 |
13,801 | 14,328 | 8 | 96.30% |
PRELUDE TO A KISS (AMERICAN AIRLINES) |
$170,160 | $170,160 | $44 $86 |
3,829 | 5,920 | 8 | 64.70% |
RADIO GOLF (CORT) |
$62,832 | $62,832 | $36 $201 |
1,742 | 3,246 | 3 | 53.70% |
RENT (NEDERLANDER) |
$323,902 | $323,902 | $57 $200 |
5,703 | 9,448 | 8 | 60.40% |
SPAMALOT (SHUBERT) |
$784,818 | $784,818 | $77 $251 |
10,196 | 11,528 | 8 | 88.40% |
SPRING AWAKENING (EUGENE O'NEILL) |
$480,923 | $480,923 | $78 $201 |
6,190 | 8,720 | 8 | 71.00% |
TALK RADIO (LONGACRE) |
$226,573 | $226,573 | $58 $251 |
3,920 | 8,760 | 8 | 44.70% |
TARZAN (RICHARD RODGERS) |
$563,186 | $563,186 | $70 $251 |
8,059 | 10,552 | 8 | 76.40% |
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (CIRCLE) |
$222,699 | $222,699 | $52 $175 |
4,305 | 5,472 | 8 | 78.70% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE COAST OF UTOPIA (VIVIAN BEAUMONT) |
$573,276 | $573,276 | $86 $100 |
6,680 | 7,329 | 7 | 91.10% |
THE COLOR PURPLE (BROADWAY) |
$1,047,073 | $1,047,073 | $84 $251 |
12,524 | 13,744 | 8 | 91.10% |
THE DROWSY CHAPERONE (MARQUIS) |
$766,491 | $766,491 | $75 $250 |
10,264 | 12,888 | 8 | 79.60% |
THE LION KING (MINSKOFF) |
$1,167,001 | $1,167,001 | $90 $251 |
12,904 | 13,232 | 8 | 97.50% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$760,326 | $760,326 | $63 $201 |
12,017 | 12,856 | 8 | 93.50% |
THE PIRATE QUEEN (HILTON THEATRE) |
$693,237 | $693,237 | $62 $111 |
11,182 | 14,392 | 8 | 77.70% |
THE PRODUCERS (ST. JAMES) |
$519,213 | $519,213 | $67 $242 |
7,694 | 13,648 | 8 | 56.40% |
THE YEAR OF MAGICAL THINKING (BOOTH) |
$405,123 | $405,123 | $79 $251 |
5,152 | 5,474 | 7 | 94.10% |
WICKED (GERSHWIN) |
$1,401,980 | $1,401,980 | $97 $300 |
14,472 | 14,472 | 8 | 100.00% |
TOTAL | $21,398,055 | $563,107 | $73.49 $220.99 |
291,172 | 363,775 | 293 | 80.04% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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