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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
BEAUTY AND THE BEAST (PALACE) |
$649,939 | $649,939 | $52 $68 |
12,550 | 13,920 | 8 | 90.20% |
BUS STOP (CIRCLE) |
$109,821 | $109,821 | $21 $50 |
5,323 | 5,768 | 8 | 92.30% |
CATS (WINTER GARDEN) |
$427,675 | $427,675 | $41 $68 |
10,493 | 11,856 | 8 | 88.50% |
DEFENDING THE CAVEMAN (HELEN HAYES) |
$103,790 | $103,790 | $38 $48 |
2,761 | 3,582 | 6 | 77.10% |
GETTING AWAY WITH MURDER (BROADHURST) |
$225,680 | $225,680 | $33 $55 |
6,838 | 0 | 8 | 0.00% |
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING 95/96 (RICHARD RODGERS) |
$295,074 | $295,074 | $36 $68 |
8,165 | 0 | 8 | 0.00% |
INHERIT THE WIND 1996 (ROYALE) |
$207,756 | $207,756 | $40 $60 |
5,178 | 0 | 8 | 0.00% |
LES MISÉRABLES - ORIGINAL (IMPERIAL) |
$495,646 | $495,646 | $45 $68 |
11,123 | 0 | 8 | 0.00% |
Master Class 1995 (Golden) |
$224,747 | $224,747 | $41 $50 |
5,541 | 0 | 7 | 0.00% |
MISS SAIGON (BROADWAY) |
$547,341 | $547,341 | $41 $68 |
13,307 | 0 | 8 | 0.00% |
MOON OVER BUFFALO (MARTIN BECK) |
$139,832 | $139,832 | $20 $60 |
6,963 | 0 | 8 | 0.00% |
SEVEN GUITARS (WALTER KERR) |
$22,224 | $22,224 | $32 $60 |
700 | 0 | 1 | 0.00% |
SHOW BOAT (GERSHWIN) |
$670,944 | $670,944 | $50 $75 |
13,369 | 0 | 8 | 0.00% |
SMOKEY JOE'S CAFE (VIRGINIA) |
$414,411 | $414,411 | $45 $68 |
9,158 | 9,696 | 8 | 94.50% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
SUNSET BOULEVARD (MINSKOFF) |
$649,318 | $649,318 | $56 $70 |
11,577 | 0 | 8 | 0.00% |
THE NIGHT OF THE IGUANA (CRITERION) |
$157,984 | $157,984 | $40 $50 |
3,992 | 0 | 8 | 0.00% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$608,619 | $608,619 | $47 $68 |
13,080 | 0 | 8 | 0.00% |
VICTOR/VICTORIA (MARQUIS) |
$484,640 | $484,640 | $56 $75 |
8,672 | 0 | 8 | 0.00% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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