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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
A CHRISTMAS CAROL (LYCEUM) |
$418,556 | $418,556 | $88 $313 |
4,744 | 6,784 | 8 | 69.90% |
A SOLDIER'S PLAY (AMERICAN AIRLINES) |
$286,010 | $286,010 | $58 $297 |
4,932 | 5,047 | 7 | 97.70% |
AIN'T TOO PROUD (IMPERIAL) |
$1,507,514 | $1,507,514 | $137 $348 |
11,022 | 12,816 | 9 | 86.00% |
ALADDIN (NEW AMSTERDAM) |
$1,807,151 | $1,807,151 | $133 $300 |
13,622 | 13,816 | 8 | 98.60% |
AMERICAN UTOPIA (HUDSON) |
$1,237,144 | $1,237,144 | $184 $329 |
6,709 | 6,727 | 7 | 99.70% |
BEETLEJUICE (WINTER GARDEN) |
$1,435,799 | $1,435,799 | $134 $373 |
10,680 | 10,451 | 7 | 102.20% |
CHICAGO (AMBASSADOR) |
$883,805 | $883,805 | $112 $227 |
7,918 | 8,640 | 8 | 91.60% |
COME FROM AWAY (SCHOENFELD) |
$1,073,381 | $1,073,381 | $126 $297 |
8,544 | 8,368 | 8 | 102.10% |
DEAR EVAN HANSEN (MUSIC BOX) |
$1,245,047 | $1,245,047 | $156 $448 |
7,995 | 7,872 | 8 | 101.60% |
DERREN BROWN: SECRET (CORT) |
$661,050 | $661,050 | $110 $297 |
6,005 | 7,112 | 7 | 84.40% |
FREESTYLE LOVE SUPREME (BOOTH) |
$971,365 | $971,365 | $163 $297 |
5,971 | 6,120 | 8 | 97.60% |
FROZEN (ST. JAMES) |
$1,397,782 | $1,397,782 | $104 $218 |
13,453 | 13,472 | 8 | 99.90% |
GRAND HORIZONS (HAYES) |
$151,061 | $151,061 | $46 $199 |
3,319 | 4,680 | 8 | 70.90% |
HADESTOWN (WALTER KERR) |
$1,451,289 | $1,451,289 | $195 $499 |
7,447 | 7,344 | 8 | 101.40% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
HAMILTON (RICHARD RODGERS) |
$3,194,411 | $3,194,411 | $297 $996 |
10,757 | 10,592 | 8 | 101.60% |
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,602,106 | $1,602,106 | $123 $297 |
12,976 | 12,976 | 8 | 100.00% |
JAGGED LITTLE PILL (BROADHURST) |
$1,113,295 | $1,113,295 | $124 $397 |
8,951 | 9,000 | 8 | 99.50% |
MEAN GIRLS (AUGUST WILSON) |
$1,297,303 | $1,297,303 | $133 $250 |
9,746 | 9,800 | 8 | 99.40% |
MOULIN ROUGE! (AL HIRSCHFELD) |
$2,085,754 | $2,085,754 | $199 $799 |
10,469 | 10,416 | 8 | 100.50% |
MY NAME IS LUCY BARTON (FRIEDMAN) |
$65,298 | $65,298 | $105 $299 |
619 | 646 | 1 | 95.80% |
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$521,044 | $521,044 | $104 $250 |
5,025 | 5,208 | 8 | 96.50% |
SLAVA'S SNOWSHOW (STEPHEN SONDHEIM) |
$570,732 | $570,732 | $84 $225 |
6,777 | 8,440 | 8 | 80.30% |
SLAVE PLAY (GOLDEN) |
$541,916 | $541,916 | $90 $247 |
6,017 | 6,344 | 8 | 94.80% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,409,907 | $1,409,907 | $164 $478 |
8,605 | 8,376 | 8 | 102.70% |
THE ILLUSIONISTS - MAGIC OF THE HOLIDAYS (NEIL SIMON) |
$1,268,153 | $1,268,153 | $85 $247 |
11,519 | 16,512 | 12 | 69.80% |
THE INHERITANCE (ETHEL BARRYMORE) |
$409,320 | $409,320 | $83 $347 |
4,935 | 8,384 | 8 | 58.90% |
THE LIGHTNING THIEF (LONGACRE) |
$655,762 | $655,762 | $79 $197 |
8,298 | 8,584 | 8 | 96.70% |
THE LION KING (MINSKOFF) |
$2,493,061 | $2,493,061 | $186 $347 |
13,431 | 13,568 | 8 | 99.00% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,375,934 | $1,375,934 | $123 $247 |
11,167 | 11,235 | 7 | 99.40% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE SOUND INSIDE (STUDIO 54) |
$447,916 | $447,916 | $81 $275 |
5,511 | 7,984 | 8 | 69.00% |
TINA - THE TINA TURNER MUSICAL (LUNT-FONTANNE) |
$1,588,633 | $1,588,633 | $153 $323 |
10,381 | 10,346 | 7 | 100.30% |
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,724,760 | $1,724,760 | $149 $497 |
11,585 | 11,480 | 8 | 100.90% |
TOOTSIE (MARQUIS) |
$955,611 | $955,611 | $88 $297 |
10,827 | 12,816 | 8 | 84.50% |
WAITRESS (BROOKS ATKINSON) |
$1,316,747 | $1,316,747 | $156 $598 |
8,444 | 8,360 | 8 | 101.00% |
WEST SIDE STORY (BROADWAY) |
$1,730,917 | $1,730,917 | $124 $448 |
13,920 | 13,920 | 8 | 100.00% |
WICKED (GERSHWIN) |
$2,200,110 | $2,200,110 | $143 $240 |
15,358 | 15,408 | 8 | 99.70% |
TOTAL | $43,095,641 | $1,197,101 | $135.66 $353.89 |
317,679 | 339,644 | 280 | 93.53% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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