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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ALADDIN (NEW AMSTERDAM) |
$1,634,003 | $1,634,003 | $120 $228 |
13,616 | 13,816 | 8 | 98.60% |
|
AMERICAN SON (BOOTH) |
$563,572 | $563,572 | $104 $248 |
5,444 | 6,192 | 8 | 87.90% |
|
ANASTASIA (BROADHURST) |
$785,201 | $785,201 | $107 $273 |
7,330 | 8,001 | 7 | 91.60% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$623,691 | $623,691 | $86 $247 |
7,213 | 8,208 | 8 | 87.90% |
|
CHICAGO (AMBASSADOR) |
$695,186 | $695,186 | $101 $238 |
6,890 | 8,640 | 8 | 79.70% |
|
CHOIR BOY (FRIEDMAN) |
$239,474 | $239,474 | $49 $199 |
4,878 | 5,096 | 8 | 95.70% |
|
COME FROM AWAY (SCHOENFELD) |
$1,057,355 | $1,057,355 | $124 $297 |
8,543 | 8,368 | 8 | 102.10% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,455,252 | $1,455,252 | $182 $448 |
7,998 | 7,872 | 8 | 101.60% |
|
FROZEN (ST. JAMES) |
$1,675,854 | $1,675,854 | $125 $350 |
13,383 | 13,472 | 8 | 99.30% |
|
HAMILTON (RICHARD RODGERS) |
$3,344,261 | $3,344,261 | $311 $849 |
10,757 | 10,568 | 8 | 101.80% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$2,251,788 | $2,251,788 | $174 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HEAD OVER HEELS (HUDSON) |
$342,866 | $342,866 | $58 $258 |
5,908 | 6,741 | 7 | 87.60% |
|
KING KONG (BROADWAY) |
$799,952 | $799,952 | $100 $397 |
8,000 | 12,166 | 7 | 65.80% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$760,267 | $760,267 | $94 $249 |
8,050 | 11,392 | 8 | 70.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MEAN GIRLS (AUGUST WILSON) |
$1,444,084 | $1,444,084 | $147 $325 |
9,845 | 9,800 | 8 | 100.50% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$1,038,006 | $1,038,006 | $132 $323 |
7,880 | 8,552 | 8 | 92.10% |
|
NETWORK (BELASCO) |
$1,197,000 | $1,197,000 | $149 $473 |
8,059 | 8,120 | 8 | 99.20% |
|
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$727,236 | $727,236 | $126 $250 |
5,778 | 5,568 | 8 | 103.80% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$940,504 | $940,504 | $115 $275 |
8,162 | 9,344 | 8 | 87.40% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$1,057,604 | $1,057,604 | $94 $273 |
11,249 | 12,184 | 8 | 92.30% |
|
THE BAND'S VISIT (ETHEL BARRYMORE) |
$534,785 | $534,785 | $90 $297 |
5,925 | 7,273 | 7 | 81.50% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,232,861 | $1,232,861 | $142 $478 |
8,691 | 8,376 | 8 | 103.80% |
|
THE CHER SHOW (NEIL SIMON) |
$1,095,627 | $1,095,627 | $106 $247 |
10,307 | 11,040 | 8 | 93.40% |
|
THE FERRYMAN (JACOBS) |
$781,247 | $781,247 | $105 $297 |
7,414 | 8,152 | 8 | 90.90% |
|
THE LIFESPAN OF A FACT (STUDIO 54) |
$902,522 | $902,522 | $117 $247 |
7,699 | 8,032 | 8 | 95.90% |
|
THE LION KING (MINSKOFF) |
$2,468,269 | $2,468,269 | $184 $225 |
13,418 | 13,568 | 8 | 98.90% |
|
THE NEW ONE (CORT) |
$353,462 | $353,462 | $69 $223 |
5,143 | 8,584 | 8 | 59.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,208,965 | $1,208,965 | $111 $247 |
10,863 | 12,840 | 8 | 84.60% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$497,220 | $497,220 | $82 $197 |
6,033 | 6,832 | 8 | 88.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PROM (LONGACRE) |
$617,817 | $617,817 | $87 $247 |
7,139 | 8,360 | 8 | 85.40% |
|
THE WAVERLY GALLERY (GOLDEN) |
$345,186 | $345,186 | $71 $273 |
4,865 | 5,509 | 7 | 88.30% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,585,250 | $1,585,250 | $136 $497 |
11,667 | 11,480 | 8 | 101.60% |
|
TORCH SONG (HAYES) |
$276,173 | $276,173 | $69 $248 |
4,000 | 4,680 | 8 | 85.50% |
|
TRUE WEST (AMERICAN AIRLINES) |
$418,006 | $418,006 | $86 $350 |
4,871 | 5,180 | 7 | 94.00% |
|
WAITRESS (BROOKS ATKINSON) |
$539,472 | $539,472 | $98 $270 |
5,510 | 8,360 | 8 | 65.90% |
|
WICKED (GERSHWIN) |
$2,040,256 | $2,040,256 | $135 $240 |
15,058 | 15,408 | 8 | 97.70% |
| TOTAL | $37,530,273 | $1,042,508 | $124.87 $307.69 |
300,562 | 330,750 | 282 | 90.87% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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