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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAMILTON (RICHARD RODGERS) |
$105,471,174 | $2,028,292 | $189 $998 |
558,977 | 549,536 | 416 | 101.74% |
|
THE LION KING (MINSKOFF) |
$103,190,515 | $1,984,433 | $148 $225 |
695,017 | 705,536 | 416 | 98.43% |
|
WICKED (GERSHWIN) |
$89,011,205 | $1,711,754 | $123 $240 |
719,606 | 763,317 | 417 | 94.21% |
|
ALADDIN (NEW AMSTERDAM) |
$78,207,521 | $1,503,991 | $111 $300 |
699,143 | 718,432 | 416 | 97.27% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$70,592,536 | $1,357,549 | $156 $477 |
453,124 | 443,456 | 416 | 102.17% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$53,555,580 | $1,029,915 | $98 $248 |
541,050 | 615,464 | 415 | 87.79% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$46,179,572 | $888,069 | $89 $203 |
515,719 | 664,470 | 414 | 77.54% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$45,562,647 | $876,205 | $117 $299 |
389,115 | 423,738 | 413 | 91.78% |
|
ON YOUR FEET! (MARQUIS) |
$44,803,567 | $861,607 | $99 $199 |
451,114 | 671,538 | 413 | 67.16% |
|
MATILDA (SHUBERT) |
$43,373,994 | $834,115 | $84 $250 |
511,972 | 592,848 | 414 | 86.25% |
|
FIDDLER ON THE ROOF (BROADWAY) |
$41,878,061 | $805,347 | $85 $225 |
489,463 | 706,698 | 414 | 69.28% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$39,215,927 | $754,152 | $95 $299 |
412,972 | 589,536 | 414 | 69.97% |
|
THE COLOR PURPLE (JACOBS) |
$36,962,503 | $710,817 | $97 $193 |
378,933 | 434,063 | 413 | 87.31% |
|
WAITRESS (BROOKS ATKINSON) |
$36,902,806 | $922,570 | $120 $270 |
309,504 | 327,085 | 313 | 94.71% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
SOMETHING ROTTEN! (ST. JAMES) |
$35,158,439 | $676,124 | $81 $277 |
431,352 | 615,493 | 413 | 70.00% |
|
PARAMOUR (LYRIC) |
$34,236,035 | $925,298 | $89 $199 |
388,105 | 517,608 | 273 | 76.14% |
|
JERSEY BOYS (AUGUST WILSON) |
$34,126,391 | $656,277 | $94 $199 |
357,083 | 505,936 | 412 | 70.60% |
|
AN AMERICAN IN PARIS (PALACE) |
$33,348,637 | $813,381 | $86 $223 |
386,138 | 547,354 | 326 | 70.48% |
|
LES MISÉRABLES (IMPERIAL) |
$29,416,346 | $817,121 | $86 $225 |
338,278 | 402,974 | 286 | 83.80% |
|
CHICAGO (AMBASSADOR) |
$28,490,469 | $547,894 | $83 $187 |
341,770 | 447,120 | 414 | 76.29% |
|
FINDING NEVERLAND (LUNT-FONTANNE) |
$23,247,918 | $683,762 | $79 $225 |
290,872 | 407,584 | 271 | 71.40% |
|
THE HUMANS (HELEN HAYES) |
$22,190,520 | $472,139 | $92 $299 |
242,292 | 285,031 | 368 | 87.13% |
|
CATS (NEIL SIMON) |
$22,180,812 | $924,200 | $103 $197 |
216,703 | 251,525 | 183 | 86.52% |
|
THE KING AND I (VIVIAN BEAUMONT) |
$17,712,069 | $681,233 | $99 $297 |
178,121 | 215,682 | 206 | 82.53% |
|
THE FRONT PAGE (BROADHURST) |
$16,531,669 | $1,180,834 | $132 $373 |
125,405 | 127,179 | 108 | 98.57% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$16,497,770 | $458,271 | $76 $233 |
217,044 | 291,148 | 286 | 74.63% |
|
FUN HOME (CIRCLE IN THE SQUARE) |
$15,784,724 | $426,614 | $83 $280 |
189,081 | 217,560 | 294 | 86.89% |
|
SHUFFLE ALONG, OR, THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT (MUSIC BOX) |
$15,174,445 | $798,655 | $116 $373 |
131,619 | 132,894 | 138 | 99.11% |
|
SHE LOVES ME (STUDIO 54) |
$11,744,157 | $559,246 | $80 $252 |
145,633 | 163,368 | 163 | 89.03% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE CRUCIBLE (WALTER KERR) |
$11,687,115 | $584,356 | $89 $327 |
131,650 | 147,566 | 157 | 89.35% |
|
NATASHA, PIERRE & THE GREAT COMET OF 1812 (IMPERIAL) |
$11,133,082 | $1,113,308 | $127 $297 |
87,424 | 91,008 | 80 | 96.06% |
|
HOLIDAY INN (STUDIO 54) |
$8,336,851 | $490,403 | $79 $167 |
102,642 | 130,776 | 131 | 78.18% |
|
BLACKBIRD (BELASCO) |
$7,855,675 | $413,457 | $74 $248 |
107,039 | 147,086 | 145 | 73.52% |
|
BRIGHT STAR (CORT) |
$7,474,494 | $415,250 | $67 $248 |
111,483 | 145,384 | 139 | 76.64% |
|
FULLY COMMITTED (LYCEUM) |
$7,068,657 | $392,703 | $76 $250 |
93,227 | 127,960 | 140 | 72.97% |
|
OH, HELLO ON BROADWAY (LYCEUM) |
$6,974,924 | $498,209 | $85 $248 |
82,306 | 95,655 | 105 | 86.20% |
|
FALSETTOS (WALTER KERR) |
$6,938,358 | $533,720 | $84 $327 |
82,018 | 92,316 | 99 | 88.42% |
|
LES LIAISONS DANGEREUSES (BOOTH) |
$5,939,591 | $494,966 | $109 $273 |
54,285 | 68,024 | 88 | 80.93% |
|
ECLIPSED (GOLDEN) |
$5,744,145 | $337,891 | $74 $198 |
77,911 | 108,270 | 135 | 72.16% |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$5,655,355 | $706,919 | $107 $275 |
53,148 | 57,420 | 55 | 92.61% |
|
AMERICAN PSYCHO (SCHOENFELD) |
$5,627,480 | $511,589 | $78 $248 |
72,358 | 83,511 | 81 | 87.44% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$5,415,583 | $902,597 | $122 $297 |
44,388 | 44,280 | 45 | 100.23% |
|
LONG DAY'S JOURNEY INTO NIGHT (AMERICAN AIRLINES) |
$5,153,917 | $396,455 | $87 $252 |
59,821 | 61,990 | 84 | 96.41% |
|
NOISES OFF (AMERICAN AIRLINES) |
$4,847,179 | $440,653 | $79 $149 |
61,060 | 63,640 | 86 | 95.84% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MISERY (BROADHURST) |
$4,791,416 | $684,488 | $101 $297 |
47,059 | 63,504 | 54 | 73.76% |
|
AN ACT OF GOD (BOOTH) |
$4,566,859 | $304,457 | $81 $247 |
56,696 | 81,324 | 108 | 70.86% |
|
HEISENBERG (FRIEDMAN) |
$4,516,447 | $376,371 | $78 $165 |
57,555 | 64,526 | 93 | 89.23% |
|
DISASTER! (NEDERLANDER) |
$4,293,431 | $330,264 | $61 $197 |
70,701 | 124,584 | 104 | 56.75% |
|
THE CHERRY ORCHARD (AMERICAN AIRLINES) |
$3,899,478 | $324,956 | $70 $252 |
55,736 | 67,210 | 92 | 83.23% |
|
A VIEW FROM THE BRIDGE (LYCEUM) |
$3,815,450 | $476,931 | $73 $248 |
52,345 | 63,302 | 62 | 82.50% |
|
THE ENCOUNTER (GOLDEN) |
$3,692,027 | $263,716 | $65 $223 |
56,583 | 83,981 | 111 | 67.28% |
|
THE ILLUSIONISTS - TURN OF THE CENTURY (PALACE) |
$3,449,904 | $689,981 | $78 $247 |
44,538 | 67,640 | 40 | 65.76% |
|
THE FATHER (FRIEDMAN) |
$3,419,470 | $263,036 | $68 $160 |
50,634 | 66,950 | 103 | 75.55% |
|
KING CHARLES III (MUSIC BOX) |
$3,139,231 | $627,846 | $97 $225 |
32,403 | 37,126 | 38 | 87.16% |
|
ALLEGIANCE (LONGACRE) |
$3,121,415 | $445,916 | $74 $223 |
41,666 | 57,078 | 54 | 72.64% |
|
TUCK EVERLASTING (BROADHURST) |
$2,943,941 | $327,105 | $51 $223 |
59,117 | 77,787 | 67 | 76.96% |
|
CHINA DOLL (SCHOENFELD) |
$2,898,696 | $579,739 | $116 $350 |
24,856 | 33,139 | 31 | 74.68% |
|
SPRING AWAKENING (BROOKS ATKINSON) |
$2,457,353 | $614,338 | $84 $247 |
29,285 | 31,806 | 31 | 92.60% |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$2,025,426 | $675,142 | $93 $327 |
21,773 | 22,675 | 25 | 95.97% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HUGHIE (BOOTH) |
$2,023,264 | $289,038 | $64 $198 |
31,993 | 42,460 | 55 | 75.73% |
|
MY LOVE LETTER TO BROADWAY (LUNT-FONTANNE) |
$1,854,959 | $927,480 | $114 $247 |
16,313 | 18,048 | 12 | 90.35% |
|
THE ILLUSIONISTS - LIVE ON BROADWAY (NEIL SIMON) |
$1,801,327 | $1,801,327 | $119 $250 |
15,149 | 17,979 | 13 | 84.30% |
|
OUR MOTHER'S BRIEF AFFAIR (FRIEDMAN) |
$1,727,741 | $172,774 | $49 $140 |
35,508 | 48,750 | 75 | 72.81% |
|
IN TRANSIT (CIRCLE IN THE SQUARE) |
$1,644,144 | $234,878 | $59 $249 |
28,376 | 34,216 | 52 | 83.46% |
|
MOTOWN THE MUSICAL (NEDERLANDER) |
$1,496,081 | $498,694 | $75 $275 |
19,902 | 28,032 | 24 | 71.03% |
|
FRANKIE VALLI AND THE FOUR SEASONS ON BROADWAY (LUNT-FONTANNE) |
$1,267,177 | $633,588 | $132 $250 |
9,689 | 10,528 | 7 | 92.10% |
|
THE PRESENT (ETHEL BARRYMORE) |
$1,095,670 | $547,835 | $138 $272 |
8,180 | 8,424 | 8 | 98.25% |
|
BLACK TO THE FUTURE (MARQUIS) |
$905,893 | $150,982 | $98 $167 |
9,178 | 9,756 | 6 | 94.08% |
|
LORD OF THE DANCE: DANGEROUS GAMES (LYRIC) |
$870,337 | $870,337 | $74 $225 |
11,750 | 17,064 | 9 | 68.90% |
|
THE GIN GAME (GOLDEN) |
$850,136 | $425,068 | $73 $223 |
11,625 | 12,832 | 16 | 90.60% |
|
ALTON BROWN LIVE: EAT YOUR SCIENCE (ETHEL BARRYMORE) |
$580,738 | $580,738 | $103 $198 |
5,651 | 8,208 | 8 | 68.80% |
|
HAND TO GOD (BOOTH) |
$425,669 | $425,669 | $73 $223 |
5,836 | 6,176 | 8 | 94.50% |
|
SYLVIA (CORT) |
$391,703 | $391,703 | $56 $199 |
6,950 | 9,639 | 9 | 72.10% |
|
THÉRÈSE RAQUIN (STUDIO 54) |
$370,028 | $370,028 | $68 $139 |
5,452 | 7,133 | 7 | 76.40% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
DAMES AT SEA (HELEN HAYES) |
$211,207 | $211,207 | $52 $250 |
4,069 | 5,247 | 9 | 77.50% |
| TOTAL | $1,367,147,033 | $675,173 | $103.16 $256.05 |
13,252,533 | 16,026,183 | 12746 | 82.69% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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