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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$36,658,740 | $704,976 | $58 $80 |
631,325 | 669,344 | 416 | 94.32% |
|
CHICAGO (SHUBERT) |
$33,327,636 | $640,916 | $55 $70 |
603,797 | 599,736 | 414 | 100.67% |
|
BEAUTY AND THE BEAST (PALACE) |
$30,227,497 | $581,298 | $52 $70 |
583,008 | 723,840 | 416 | 80.54% |
|
RENT (NEDERLANDER) |
$28,653,737 | $551,033 | $57 $75 |
499,288 | 488,224 | 416 | 102.30% |
|
MISS SAIGON (BROADWAY) |
$25,573,008 | $491,789 | $44 $75 |
581,132 | 725,088 | 416 | 80.15% |
|
LES MISÉRABLES - ORIGINAL (IMPERIAL) |
$25,072,048 | $482,155 | $47 $75 |
534,913 | 579,951 | 411 | 92.32% |
|
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (ST. JAMES) |
$24,284,239 | $467,005 | $49 $70 |
489,657 | 671,055 | 415 | 73.02% |
|
TITANIC (LUNT-FONTANNE) |
$23,914,182 | $597,855 | $54 $75 |
430,903 | 457,250 | 310 | 94.08% |
|
THE KING AND I (NEIL SIMON) |
$22,868,223 | $439,774 | $50 $75 |
453,138 | 546,624 | 416 | 82.90% |
|
CATS (WINTER GARDEN) |
$22,010,946 | $423,287 | $45 $70 |
486,490 | 616,512 | 416 | 78.91% |
|
BRING IN DA NOISE BRING IN DA FUNK (AMBASSADOR) |
$21,343,484 | $410,452 | $50 $70 |
422,084 | 441,560 | 415 | 95.60% |
|
SMOKEY JOE'S CAFE (VIRGINIA) |
$18,620,861 | $358,093 | $47 $75 |
400,447 | 504,192 | 416 | 79.43% |
|
JEKYLL AND HYDE (PLYMOUTH) |
$16,932,288 | $412,983 | $58 $75 |
290,216 | 346,125 | 325 | 83.80% |
|
VICTOR/VICTORIA (MARQUIS) |
$15,965,717 | $532,191 | $53 $75 |
298,399 | 384,240 | 240 | 77.67% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ANNIE - 1997 (MARTIN BECK) |
$12,836,836 | $401,151 | $51 $75 |
253,160 | 359,766 | 253 | 70.59% |
|
THE LIFE (ETHEL BARRYMORE) |
$12,700,816 | $334,232 | $51 $75 |
248,211 | 326,028 | 303 | 76.00% |
|
THE LION KING (NEW AMSTERDAM) |
$8,254,191 | $750,381 | $57 $75 |
143,708 | 151,815 | 87 | 94.56% |
|
THE LAST NIGHT OF BALLYHOO (HELEN HAYES) |
$7,965,570 | $169,480 | $46 $55 |
169,278 | 222,084 | 372 | 76.05% |
|
Forever Tango 1997-1998 (WALTER KERR) |
$7,463,935 | $266,569 | $46 $75 |
162,016 | 207,872 | 224 | 77.94% |
|
BARRYMORE (MUSIC BOX) |
$6,566,575 | $193,135 | $38 $45 |
174,965 | 250,480 | 248 | 70.27% |
|
A DOLL'S HOUSE (BELASCO) |
$6,495,976 | $282,434 | $45 $60 |
143,989 | 160,844 | 158 | 89.14% |
|
ONCE UPON A MATTRESS (BROADHURST) |
$6,158,445 | $279,929 | $44 $75 |
139,001 | 201,168 | 176 | 69.09% |
|
THE SCARLET PIMPERNEL (MINSKOFF) |
$6,016,770 | $501,398 | $46 $75 |
133,428 | 164,160 | 96 | 81.28% |
|
STEEL PIER (RICHARD RODGERS) |
$5,587,523 | $399,109 | $47 $75 |
120,530 | 147,477 | 109 | 82.01% |
|
SUNSET BOULEVARD (MINSKOFF) |
$5,501,793 | $458,483 | $43 $70 |
126,902 | 164,160 | 96 | 77.31% |
|
CANDIDE (GERSHWIN) |
$5,065,916 | $337,728 | $34 $65 |
146,016 | 219,164 | 114 | 67.86% |
|
1776 (GERSHWIN) |
$4,963,847 | $225,629 | $45 $75 |
117,061 | 132,125 | 175 | 94.15% |
|
SIDE SHOW (RICHARD RODGERS) |
$3,876,756 | $258,450 | $38 $65 |
105,052 | 153,216 | 114 | 69.74% |
|
TRIUMPH OF LOVE (ROYALE) |
$3,429,354 | $244,954 | $46 $80 |
75,499 | 110,852 | 107 | 67.73% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
DREAM: THE JOHNNY MERCER MUSICAL (ROYALE) |
$3,311,853 | $194,815 | $39 $70 |
84,598 | 137,788 | 133 | 61.54% |
|
Master Class 1995 (Golden) |
$2,767,934 | $110,717 | $28 $45 |
96,882 | 136,396 | 172 | 70.94% |
|
AN AMERICAN DAUGHTER (CORT) |
$2,712,516 | $180,834 | $30 $50 |
93,476 | 125,164 | 116 | 75.05% |
|
PRESENT LAUGHTER 1996-1997 (WALTER KERR) |
$2,664,493 | $166,531 | $32 $55 |
84,524 | 119,808 | 128 | 70.55% |
|
IVANOV (VIVIAN BEAUMONT) |
$2,590,865 | $259,086 | $35 $55 |
75,415 | 81,474 | 74 | 92.64% |
|
THE GIN GAME (LYCEUM) |
$2,260,537 | $107,645 | $28 $55 |
81,779 | 148,976 | 164 | 54.05% |
|
THE CAPEMAN (MARQUIS) |
$2,211,100 | $552,775 | $55 $68 |
39,826 | 44,492 | 28 | 89.35% |
|
DEFENDING THE CAVEMAN (BOOTH) |
$2,150,025 | $97,728 | $36 $50 |
59,149 | 102,534 | 134 | 57.62% |
|
PROPOSALS (BROADHURST) |
$1,871,439 | $207,938 | $44 $65 |
43,444 | 84,206 | 71 | 51.90% |
|
THE LITTLE FOXES (VIVIAN BEAUMONT) |
$1,759,936 | $159,994 | $27 $50 |
65,952 | 92,484 | 84 | 72.05% |
|
THREE SISTERS (CRITERION) |
$1,708,904 | $155,355 | $39 $55 |
43,322 | 43,413 | 87 | 99.79% |
|
LONDON ASSURANCE (CRITERION) |
$1,493,967 | $135,815 | $37 $55 |
39,976 | 42,914 | 86 | 92.84% |
|
PLAY ON! (BROOKS ATKINSON) |
$1,402,692 | $140,269 | $23 $70 |
61,278 | 82,400 | 80 | 74.38% |
|
THE DIARY OF ANNE FRANK (MUSIC BOX) |
$1,382,904 | $230,484 | $41 $60 |
33,546 | 43,340 | 44 | 78.75% |
|
THE OLD NEIGHBORHOOD (BOOTH) |
$1,369,699 | $195,671 | $36 $55 |
38,445 | 43,400 | 56 | 88.59% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE YOUNG MAN FROM ATLANTA (LONGACRE) |
$1,340,187 | $103,091 | $27 $45 |
50,356 | 110,595 | 101 | 45.36% |
|
JACKIE: AN AMERICAN LIFE (BELASCO) |
$1,204,964 | $100,414 | $34 $68 |
36,791 | 90,900 | 90 | 41.88% |
|
STANLEY (CIRCLE) |
$1,197,565 | $99,797 | $24 $45 |
48,320 | 60,990 | 95 | 78.81% |
|
THE CHERRY ORCHARD (MARTIN BECK) |
$800,000 | $400,000 | $62 $75 |
13,000 | 18,486 | 13 | 70.75% |
|
THE SUNSHINE BOYS (LYCEUM) |
$779,330 | $155,866 | $39 $60 |
19,681 | 32,904 | 36 | 59.48% |
|
SHOW BOAT (GERSHWIN) |
$723,344 | $723,344 | $57 $75 |
12,735 | 15,344 | 8 | 83.00% |
|
AN IDEAL HUSBAND (ETHEL BARRYMORE) |
$716,644 | $179,161 | $34 $55 |
20,956 | 35,072 | 32 | 59.78% |
|
KING DAVID (NEW AMSTERDAM) |
$677,313 | $338,656 | $53 $75 |
12,745 | 15,444 | 9 | 82.55% |
|
STREET CORNER SYMPHONY (BROOKS ATKINSON) |
$674,396 | $74,933 | $17 $70 |
40,719 | 65,331 | 63 | 64.40% |
|
A VIEW FROM THE BRIDGE 1997-1998 (CRITERION) |
$649,261 | $129,852 | $38 $55 |
17,234 | 19,960 | 40 | 86.40% |
|
MANDY PATINKIN (LYCEUM) |
$563,627 | $140,907 | $46 $60 |
12,229 | 14,784 | 16 | 84.63% |
|
RAGTIME 1997-2000 (FORD CENTER) |
$455,674 | $455,674 | $63 $75 |
7,235 | 7,252 | 4 | 99.80% |
|
MEN ARE FROM MARS WOMEN ARE FROM VENUS (GERSHWIN) |
$358,316 | $358,316 | $32 $55 |
11,336 | 13,426 | 7 | 84.40% |
|
JUAN DARIEN (VIVIAN BEAUMONT) |
$207,382 | $207,382 | $33 $45 |
6,237 | 8,304 | 8 | 75.10% |
|
THE REHEARSAL (CRITERION) |
$185,522 | $92,761 | $29 $55 |
6,287 | 6,487 | 13 | 97.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LOVE THY NEIGHBOR (BOOTH) |
$124,771 | $124,771 | $32 $50 |
3,914 | 4,686 | 6 | 83.50% |
|
EUGENE ONEGIN (MARTIN BECK) |
$97,542 | $97,542 | $0 $24 |
4,047 | 9,100 | 7 | 44.50% |
|
IT'S A SLIPPERY SLOPE (VIVIAN BEAUMONT) |
$75,589 | $37,794 | $25 $35 |
3,059 | 3,114 | 3 | 98.25% |
| TOTAL | $490,827,200 | $305,045 | $47.97 $63.68 |
10,232,106 | 12,585,920 | 10082 | 81.30% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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