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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
Total Seats
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
DANCE OF THE VAMPIRES (MINSKOFF) |
$7,548,464 | $686,224 | $63 $240 |
121,746 | 144,222 | 86 | 84.92% |
|
42ND STREET (FORD CENTER) |
$37,961,068 | $730,021 | $63 $101 |
596,909 | 750,582 | 414 | 79.51% |
|
THE LION KING (NEW AMSTERDAM) |
$56,306,634 | $1,082,820 | $75 $240 |
751,983 | 747,681 | 417 | 100.57% |
|
THE PRODUCERS (ST. JAMES) |
$59,967,404 | $1,153,219 | $86 $480 |
696,924 | 709,696 | 416 | 98.20% |
|
LA BOHÈME (BROADWAY) |
$3,468,348 | $693,670 | $69 $101 |
49,887 | 63,045 | 37 | 78.60% |
|
AIDA (PALACE) |
$35,983,384 | $691,988 | $62 $180 |
575,183 | 705,120 | 416 | 81.57% |
|
OKLAHOMA! 2002/2003 (GERSHWIN) |
$31,645,701 | $703,238 | $66 $95 |
481,446 | 583,179 | 349 | 83.08% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$28,932,348 | $556,391 | $55 $100 |
526,069 | 668,512 | 416 | 78.70% |
|
MAN OF LA MANCHA (MARTIN BECK) |
$4,086,420 | $681,070 | $74 $240 |
54,608 | 63,990 | 45 | 85.50% |
|
THOROUGHLY MODERN MILLIE (MARQUIS) |
$30,874,888 | $753,046 | $66 $240 |
462,718 | 511,272 | 324 | 90.49% |
|
BEAUTY AND THE BEAST (LUNT-FONTANNE) |
$30,744,525 | $591,241 | $57 $95 |
538,386 | 627,744 | 416 | 85.76% |
|
MAMMA MIA! (CADILLAC WINTER G) |
$52,546,493 | $1,010,509 | $85 $125 |
620,519 | 623,168 | 416 | 99.57% |
|
MOVIN' OUT (RICHARD RODGERS) |
$9,512,771 | $731,752 | $75 $240 |
126,941 | 138,810 | 105 | 91.36% |
|
CHICAGO (SHUBERT) |
$22,945,785 | $441,265 | $55 $180 |
418,047 | 607,360 | 416 | 68.83% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAIRSPRAY (NEIL SIMON) |
$21,069,886 | $877,912 | $79 $360 |
263,659 | 266,916 | 188 | 98.72% |
|
SWEET SMELL OF SUCCESS (MARTIN BECK) |
$7,860,322 | $462,372 | $66 $96 |
119,972 | 180,594 | 127 | 66.49% |
|
LES MISÉRABLES - ORIGINAL (IMPERIAL) |
$21,217,866 | $408,036 | $50 $100 |
418,996 | 589,472 | 416 | 71.09% |
|
45 SECONDS FROM BROADWAY (RICHARD RODGERS) |
$462,744 | $231,372 | $36 $70 |
12,864 | 20,700 | 15 | 61.45% |
|
FLOWER DRUM SONG (VIRGINIA) |
$7,658,554 | $547,040 | $71 $240 |
108,488 | 133,540 | 110 | 81.35% |
|
DANCE OF DEATH (BROADHURST) |
$562,798 | $281,399 | $47 $71 |
11,984 | 18,912 | 16 | 63.35% |
|
RENT (NEDERLANDER) |
$19,612,280 | $377,159 | $51 $180 |
385,160 | 491,296 | 416 | 78.40% |
|
PRIVATE LIVES 2002 (RICHARD RODGERS) |
$7,083,941 | $354,197 | $54 $75 |
132,104 | 181,424 | 136 | 72.87% |
|
INTO THE WOODS (BROADHURST) |
$14,731,618 | $387,674 | $63 $100 |
233,472 | 337,095 | 297 | 68.87% |
|
TOPDOG / UNDERDOG (AMBASSADOR) |
$5,405,007 | $245,682 | $43 $76 |
121,725 | 194,075 | 175 | 62.66% |
|
THE CRUCIBLE (VIRGINIA) |
$7,657,715 | $450,454 | $67 $240 |
115,021 | 150,712 | 120 | 77.34% |
|
ONE MO' TIME (LONGACRE) |
$514,302 | $102,860 | $39 $76 |
13,080 | 40,515 | 37 | 32.20% |
|
DEF POETRY JAM (LONGACRE) |
$1,211,388 | $134,599 | $33 $66 |
35,405 | 77,674 | 71 | 45.30% |
|
DINNER AT EIGHT (VIVIAN BEAUMONT) |
$1,254,439 | $209,073 | $40 $70 |
32,176 | 44,649 | 41 | 70.22% |
|
HEDDA GABLER 2001-2002 (AMBASSADOR) |
$420,741 | $210,370 | $39 $71 |
10,710 | 16,215 | 15 | 65.35% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE ELEPHANT MAN (ROYALE) |
$1,574,221 | $157,422 | $35 $76 |
44,594 | 86,240 | 80 | 51.70% |
|
THE GRADUATE (PLYMOUTH) |
$15,723,522 | $374,370 | $56 $354 |
278,532 | 356,920 | 332 | 78.17% |
|
HOLLYWOOD ARMS (CORT) |
$1,944,911 | $162,076 | $44 $86 |
44,646 | 102,816 | 96 | 43.42% |
|
CONTACT (VIVIAN BEAUMONT) |
$10,983,003 | $313,800 | $56 $90 |
198,744 | 298,760 | 280 | 66.52% |
|
IMAGINARY FRIENDS (BARRYMORE) |
$1,340,529 | $268,106 | $62 $91 |
21,517 | 42,464 | 40 | 50.68% |
|
NOISES OFF (BROOKS ATKINSON) |
$10,288,032 | $293,944 | $48 $75 |
211,568 | 293,229 | 279 | 72.22% |
|
THE TALE OF THE ALLERGIST'S WIFE (ETHEL BARRYMORE) |
$9,141,320 | $247,063 | $47 $75 |
195,321 | 309,616 | 296 | 63.09% |
|
THOU SHALT NOT (PLYMOUTH) |
$179,459 | $179,459 | $42 $86 |
4,233 | 8,264 | 8 | 51.20% |
|
THE MYSTERY OF CHARLES DICKENS (BELASCO) |
$253,992 | $63,498 | $33 $66 |
7,526 | 27,486 | 27 | 26.08% |
|
FRANKIE AND JOHNNY IN THE CLAIRE DE LUNE (BELASCO) |
$9,805,175 | $426,312 | $62 $86 |
156,733 | 187,000 | 180 | 83.43% |
|
FORTUNE'S FOOL (MUSIC BOX) |
$4,318,899 | $215,945 | $44 $76 |
98,735 | 155,635 | 155 | 63.43% |
|
AMOUR (MUSIC BOX) |
$1,338,399 | $191,200 | $46 $86 |
29,103 | 46,128 | 48 | 62.89% |
|
Sexaholix 2001-2002 (ROYALE) |
$1,929,311 | $321,552 | $50 $81 |
39,007 | 41,886 | 39 | 93.70% |
|
CABARET (STUDIO 54) |
$20,510,644 | $394,435 | $59 $180 |
345,464 | 382,720 | 416 | 90.27% |
|
MEDEA (BROOKS ATKINSON) |
$526,865 | $131,716 | $32 $80 |
16,372 | 27,196 | 26 | 61.03% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MORNING'S AT SEVEN (LYCEUM) |
$2,766,340 | $153,686 | $36 $71 |
75,829 | 128,004 | 139 | 58.41% |
|
ELAINE STRITCH AT LIBERTY (NEIL SIMON) |
$5,000,248 | $312,516 | $59 $85 |
84,481 | 106,240 | 80 | 79.51% |
|
PROOF (WALTER KERR) |
$11,567,176 | $222,446 | $49 $76 |
234,984 | 383,460 | 415 | 61.31% |
|
THE GOAT OR WHO IS SYLVIA? (Golden) |
$7,932,478 | $184,476 | $44 $76 |
179,887 | 266,928 | 332 | 67.96% |
|
I'M NOT RAPPAPORT (BOOTH) |
$793,377 | $88,153 | $37 $76 |
21,365 | 53,652 | 68 | 39.62% |
|
BEA ARTHUR ON BROADWAY (BOOTH) |
$1,715,877 | $155,989 | $46 $66 |
37,143 | 68,728 | 88 | 54.03% |
|
TARTUFFE (AMERICAN AIRLINES) |
$705,801 | $176,450 | $41 $66 |
17,282 | 21,460 | 29 | 80.52% |
|
THE MAN WHO HAD ALL THE LUCK (AMERICAN AIRLINES) |
$2,610,518 | $237,320 | $45 $65 |
57,457 | 62,900 | 85 | 91.10% |
|
THE WOMEN (AMERICAN AIRLINES) |
$710,380 | $355,190 | $58 $70 |
12,172 | 11,840 | 16 | 102.80% |
|
AN ALMOST HOLY PICTURE (AMERICAN AIRLINES) |
$2,534,937 | $230,449 | $45 $65 |
56,198 | 65,120 | 88 | 86.31% |
|
THE BOYS FROM SYRACUSE (AMERICAN AIRLINES) |
$3,286,075 | $252,775 | $48 $90 |
68,115 | 74,256 | 102 | 91.76% |
|
PRUNE DANISH (ROYALE) |
$2,080,448 | $260,056 | $59 $76 |
35,323 | 58,353 | 53 | 60.96% |
|
THE ROCKY HORROR SHOW (CIRCLE) |
$285,946 | $285,946 | $50 $85 |
5,719 | 5,504 | 8 | 103.90% |
|
OUR TOWN (BOOTH) |
$2,073,926 | $345,654 | $65 $76 |
31,652 | 33,295 | 43 | 95.10% |
|
METAMORPHOSES (CIRCLE) |
$9,071,128 | $201,581 | $53 $75 |
170,548 | 232,050 | 357 | 73.58% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
URINETOWN (HENRY MILLER) |
$15,521,900 | $298,498 | $71 $85 |
219,104 | 260,603 | 413 | 84.15% |
|
THE SMELL OF THE KILL (HELEN HAYES) |
$533,380 | $66,672 | $30 $70 |
17,858 | 35,820 | 60 | 50.87% |
|
SAY GOODNIGHT GRACIE (HELEN HAYES) |
$2,076,414 | $138,428 | $47 $66 |
44,605 | 70,567 | 119 | 63.35% |
|
BARBARA COOK: MOSTLY SONDHEIM (VIVIAN BEAUMONT) |
$1,163,086 | $68,417 | $43 $60 |
27,164 | 32,010 | 30 | 85.14% |
|
QED (VIVIAN BEAUMONT) |
$1,491,340 | $82,852 | $50 $60 |
29,549 | 32,010 | 30 | 92.45% |
| TOTAL | $693,026,891 | $369,455 | $62.13 $118.77 |
11,154,712 | 14,057,330 | 11310 | 79.35% |
Total Seats
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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