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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
Attendance Percentage - This Week
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
SPRING AWAKENING (EUGENE O'NEILL) |
$2,012,534 | $670,845 | $77 $250 |
26,259 | 26,160 | 24 | 100.37% |
|
SPAMALOT (SHUBERT) |
$1,880,172 | $940,086 | $81 $250 |
23,176 | 23,056 | 16 | 100.55% |
|
JERSEY BOYS (AUGUST WILSON) |
$57,377,989 | $1,103,423 | $113 $350 |
505,603 | 508,352 | 416 | 99.46% |
|
CHICAGO (AMBASSADOR) |
$28,866,526 | $555,126 | $77 $250 |
374,656 | 449,280 | 416 | 83.39% |
|
YOU'RE WELCOME AMERICA. A FINAL NIGHT WITH GEORGE W. BUSH (CORT) |
$6,723,050 | $840,381 | $101 $250 |
66,710 | 68,288 | 64 | 97.68% |
|
WICKED (GERSHWIN) |
$78,272,351 | $1,505,238 | $106 $300 |
740,821 | 752,544 | 416 | 98.44% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$42,452,119 | $816,387 | $73 $200 |
578,718 | 671,840 | 416 | 86.14% |
|
THE LION KING (MINSKOFF) |
$64,088,308 | $1,232,467 | $99 $250 |
645,795 | 688,064 | 416 | 93.85% |
|
SOUTH PACIFIC (VIVIAN BEAUMONT) |
$41,558,035 | $799,193 | $107 $125 |
388,687 | 433,056 | 416 | 89.76% |
|
MAMMA MIA! (WINTER GARDEN) |
$47,884,773 | $920,861 | $83 $200 |
575,833 | 623,168 | 416 | 92.40% |
|
GREASE (BROOKS ATKINSON) |
$768,163 | $768,163 | $89 $300 |
8,647 | 8,672 | 8 | 99.70% |
|
BYE BYE BIRDIE (HENRY MILLER) |
$9,240,822 | $577,551 | $76 $142 |
121,570 | 128,235 | 125 | 94.91% |
|
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$67,097,098 | $1,290,329 | $117 $300 |
570,862 | 591,136 | 416 | 96.57% |
|
9 TO 5 (MARQUIS) |
$15,231,411 | $692,337 | $70 $300 |
218,823 | 275,481 | 171 | 79.98% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A STEADY RAIN (SCHOENFELD) |
$15,168,742 | $1,166,826 | $139 $375 |
109,175 | 108,171 | 101 | 100.90% |
|
ROCK OF AGES (BROOKS ATKINSON) |
$22,403,083 | $546,417 | $76 $225 |
294,561 | 322,639 | 325 | 91.35% |
|
SHREK THE MUSICAL (BROADWAY) |
$39,347,106 | $756,675 | $74 $300 |
526,896 | 721,280 | 416 | 73.05% |
|
HAIRSPRAY (NEIL SIMON) |
$921,534 | $921,534 | $81 $240 |
11,436 | 11,560 | 8 | 98.90% |
|
MARY POPPINS (NEW AMSTERDAM) |
$40,646,276 | $781,659 | $69 $250 |
585,440 | 747,552 | 416 | 78.31% |
|
THE LITTLE MERMAID (LUNT-FONTANNE) |
$28,658,958 | $818,827 | $76 $250 |
371,317 | 425,488 | 280 | 87.27% |
|
West Side Story 2009-2011 (PALACE) |
$50,717,688 | $1,152,675 | $94 $300 |
537,104 | 595,027 | 351 | 90.28% |
|
HEDDA GABLER 2009 (AMERICAN AIRLINES) |
$2,742,238 | $228,520 | $49 $112 |
56,067 | 70,300 | 95 | 80.14% |
|
GUYS AND DOLLS (NEDERLANDER) |
$10,220,561 | $537,924 | $67 $275 |
152,117 | 180,492 | 149 | 84.57% |
|
13 (JACOBS) |
$655,655 | $655,655 | $74 $199 |
8,914 | 9,378 | 9 | 95.10% |
|
BURN THE FLOOR (LONGACRE) |
$8,127,159 | $353,355 | $62 $174 |
129,885 | 185,111 | 177 | 71.08% |
|
AFTER MISS JULIE (AMERICAN AIRLINES) |
$2,534,646 | $211,220 | $46 $112 |
54,538 | 68,820 | 93 | 79.73% |
|
BOEING-BOEING (LONGACRE) |
$450,913 | $450,913 | $56 $250 |
8,030 | 8,616 | 8 | 93.20% |
|
DIVIDING THE ESTATE (BOOTH) |
$335,231 | $335,231 | $66 $95 |
5,087 | 5,460 | 7 | 93.20% |
|
IN THE HEIGHTS (RICHARD RODGERS) |
$38,849,051 | $747,097 | $83 $300 |
468,816 | 567,840 | 416 | 82.56% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
SOUL OF SHAOLIN (MARQUIS) |
$1,225,360 | $408,453 | $41 $200 |
30,406 | 38,664 | 24 | 78.63% |
|
ALL MY SONS (SCHOENFELD) |
$1,419,096 | $709,548 | $84 $300 |
16,991 | 17,884 | 17 | 95.20% |
|
WAITING FOR GODOT (STUDIO 54) |
$6,908,255 | $460,550 | $62 $122 |
111,164 | 116,464 | 116 | 95.33% |
|
GYPSY 2008 (ST. JAMES) |
$1,564,205 | $782,102 | $63 $250 |
24,779 | 27,312 | 16 | 90.75% |
|
PAL JOEY (STUDIO 54) |
$3,172,105 | $352,456 | $52 $137 |
60,916 | 72,256 | 72 | 84.30% |
|
LIZA'S AT THE PALACE (PALACE) |
$587,196 | $587,196 | $95 $250 |
6,208 | 6,796 | 4 | 91.30% |
|
AVENUE Q (GOLDEN) |
$11,776,450 | $318,282 | $65 $250 |
180,002 | 235,616 | 296 | 76.40% |
|
A LITTLE NIGHT MUSIC (WALTER KERR) |
$4,154,446 | $830,889 | $124 $350 |
33,496 | 34,447 | 37 | 97.08% |
|
HAMLET 2009 (BROADHURST) |
$10,010,252 | $770,019 | $101 $250 |
99,759 | 113,878 | 97 | 87.50% |
|
EXIT THE KING (BARRYMORE) |
$6,703,380 | $446,892 | $69 $250 |
96,429 | 119,716 | 114 | 80.96% |
|
THE PHILANTHROPIST (AMERICAN AIRLINES) |
$2,463,705 | $205,309 | $49 $112 |
49,691 | 68,080 | 92 | 73.61% |
|
THE 39 STEPS (CORT) |
$9,954,948 | $199,099 | $61 $225 |
162,436 | 236,595 | 399 | 68.56% |
|
MEMPHIS (SHUBERT) |
$7,709,710 | $550,694 | $64 $250 |
122,310 | 161,700 | 110 | 75.84% |
|
HAIR (AL HIRSCHFELD) |
$36,751,424 | $854,684 | $87 $252 |
423,349 | 480,080 | 340 | 88.15% |
|
RACE (BARRYMORE) |
$3,160,124 | $526,687 | $81 $250 |
39,278 | 50,784 | 48 | 77.37% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
OLEANNA (GOLDEN) |
$2,177,335 | $217,734 | $55 $200 |
39,824 | 64,096 | 80 | 62.23% |
|
FELA! (EUGENE O'NEILL) |
$3,883,374 | $388,337 | $59 $225 |
63,716 | 74,160 | 72 | 85.77% |
|
SUPERIOR DONUTS (MUSIC BOX) |
$3,935,948 | $262,397 | $58 $250 |
69,712 | 117,196 | 118 | 59.83% |
|
SLAVA'S SNOWSHOW (HELEN HAYES) |
$363,887 | $363,887 | $86 $112 |
4,250 | 5,202 | 9 | 81.70% |
|
NEXT TO NORMAL (BOOTH) |
$14,726,114 | $368,153 | $71 $200 |
205,537 | 241,636 | 313 | 84.96% |
|
EQUUS (BROADHURST) |
$2,863,140 | $477,190 | $71 $300 |
40,170 | 57,888 | 48 | 69.38% |
|
RAGTIME (NEIL SIMON) |
$4,695,393 | $469,539 | $64 $300 |
74,085 | 110,682 | 78 | 67.43% |
|
IRVING BERLIN'S WHITE CHRISTMAS 2008-2009 (MARQUIS) |
$6,983,582 | $872,948 | $96 $300 |
70,333 | 103,332 | 64 | 67.83% |
|
IMPRESSIONISM (SCHOENFELD) |
$2,776,558 | $252,414 | $64 $300 |
44,558 | 84,609 | 79 | 54.73% |
|
GOD OF CARNAGE (JACOBS) |
$29,290,217 | $770,795 | $98 $250 |
292,238 | 314,776 | 292 | 92.60% |
|
FINIAN'S RAINBOW (ST. JAMES) |
$5,810,831 | $484,236 | $58 $250 |
101,334 | 153,090 | 90 | 66.61% |
|
THE ROYAL FAMILY (FRIEDMAN) |
$2,627,586 | $202,122 | $49 $112 |
53,252 | 66,950 | 103 | 79.67% |
|
WISHFUL DRINKING (STUDIO 54) |
$4,619,175 | $329,941 | $55 $127 |
84,962 | 112,448 | 112 | 75.54% |
|
BLITHE SPIRIT (SHUBERT) |
$11,603,724 | $552,558 | $71 $300 |
162,121 | 244,035 | 165 | 66.42% |
|
ACCENT ON YOUTH (FRIEDMAN) |
$2,028,775 | $169,065 | $49 $95 |
41,751 | 61,750 | 95 | 67.59% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AUGUST: OSAGE COUNTY (MUSIC BOX) |
$6,825,643 | $262,525 | $61 $250 |
112,336 | 204,611 | 209 | 54.87% |
|
THE AMERICAN PLAN (FRIEDMAN) |
$2,001,797 | $166,816 | $51 $105 |
38,583 | 59,800 | 92 | 64.27% |
|
33 VARIATIONS (EUGENE O'NEILL) |
$4,380,302 | $292,020 | $63 $350 |
70,012 | 123,216 | 116 | 56.99% |
|
BRIGHTON BEACH MEMOIRS (NEDERLANDER) |
$539,369 | $107,874 | $26 $149 |
21,631 | 40,878 | 34 | 53.22% |
|
IRENA'S VOW (WALTER KERR) |
$3,070,112 | $191,882 | $48 $150 |
64,931 | 121,216 | 128 | 53.56% |
|
JOE TURNER'S COME AND GONE (BELASCO) |
$3,022,226 | $232,479 | $45 $95 |
66,014 | 101,392 | 100 | 64.75% |
|
SPEED THE PLOW (BARRYMORE) |
$2,855,947 | $356,993 | $70 $250 |
40,726 | 67,712 | 64 | 60.14% |
|
IN THE NEXT ROOM OR THE VIBRATOR PLAY (LYCEUM) |
$1,580,950 | $158,095 | $43 $95 |
36,772 | 68,069 | 75 | 53.60% |
|
MARY STUART (BROADHURST) |
$6,088,106 | $304,405 | $59 $225 |
103,007 | 182,880 | 159 | 56.21% |
|
REASONS TO BE PRETTY (LYCEUM) |
$1,936,204 | $138,300 | $44 $225 |
43,457 | 96,460 | 106 | 44.72% |
|
DESIRE UNDER THE ELMS (ST. JAMES) |
$1,381,950 | $230,325 | $52 $252 |
26,397 | 67,344 | 48 | 39.20% |
|
THE NORMAN CONQUESTS (CIRCLE IN THE SQUARE) |
$4,256,181 | $266,011 | $56 $177 |
75,224 | 99,060 | 127 | 75.62% |
|
THE STORY OF MY LIFE (BOOTH) |
$264,611 | $88,204 | $40 $175 |
6,628 | 18,720 | 24 | 35.40% |
| TOTAL | $969,381,885 | $546,625 | $83.02 $224.79 |
11,676,318 | 14,118,546 | 11369 | 82.70% |
Attendance Percentage - This Week
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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