Director Adam Isenberg received the Margaret Mead Filmmaker Award at the 2012 Margaret Mead Film Festival on Sunday, December 2, for his film A Life Without Words (Una Vida Sin Palabras), a story of two deaf siblings in rural Nicaragua living entirely without written, spoken, or signed language. Isenberg was selected from among 10 contenders by a jury that included filmmaker Judith Helfand (The Uprising of ’34), founder and executive director of the New York African Film Festival Mohan Bonetti, executive director and co-founder of Impact Partners Dan Cogan, and director and anthropologist Patricia Cardoso (Real Women Have Curves).
“Adam Isenberg’s film captures the essence of the Margaret Mead Filmmaker Award because it is a beautifully shot, movingly thoughtful, and ultimately transporting cinematic experience,” said Ruth Cohen, American Museum of Natural History senior director of education strategic initiatives and director of the Center for Lifelong Learning. “Audiences come away with renewed verve and excitement about the power of fine visual media to convey the human experience.”
A Life Without Words is a quiet yet profoundly provocative film with a haunting story of two siblings born deaf in rural Nicaragua. Dulce Maria, who is 28 years old, and her 22-year-old brother Francisco have never strayed more than a few miles from The Farm where they were born. With no written, spoken, or signed language, the siblings were never exposed to the traditional modes of communication and learning that others take for granted. When a deaf aid worker arrives to try to teach them their first words, the unsettling drama that unfolds poses difficult questions about the meaning and nature of language, of aid work, and of documentary film.
For the first time, the jury also selected two Margaret Mead Film Festival Special Mentions: Giovanni Giommi for Bad Weather and Miyarrka Media’s Paul Gurrumuruwuy, Fiona Yangathu, Jennifer Deger, and David Meckenziefor Manapanmirr, in Christmas Spirit. Bad Weather tells the story of a tiny island in the Bay of Bengal, which is notable for two reasons: it is sinking into the sea, and is populated almost entirely by sex workers. Manapanmirr explores the joys and sorrows of Christmas in northeast Arnhem Land, one of the most isolated tracts of Aboriginal land in Australia.
“The selection of films we watched were moving – each one so different, each one holding a lesson, a message and the question that has been at the heart of this festival – whose story is it?” said Mead Festival Juror Judith Helfand. “Two films stood out and deserved special commendations this year. In the first, we got to feel and see a community actively blend the past with the present in Manapanmirr. For the second, we got to see a great and enduring love story set amidst an island that was eroding into the sea and a community of smart, funny, and tenacious sex workers in Bad Weather.”